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Department of English Newsletter: March 2019

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Siebenschuh’s Retirement/ Faculty: William Powell Jones/Faculty Notes/Undergrad Internships and Travel Grants/Freedman Student Fellowship: H. G. Wells/Alumni News

April to December: Approaching Professor William Siebenschuh’s Retirement, with Prelude & Coda

by John Orlock

Prelude: February, 2018. Late afternoon. The door to my Clark Hall office is open. From the classroom across the hall, I hear the jovial, energetic voice of Professor William Siebenschuh as he holds forth on Canterbury Tales before his undergraduate English class, introducing them to the wit of Chaucer and the wiles of the Wife of Bath. And as he presents Chaucer’s tale, Bill’s account holds the immediacy of an on-line blog about some Hollywood celebrity. At times his teaching style shifts from the relaxed delivery of a skilled standup comic, to the hesitating line of inquiry of Detective Colombo, to the authoritative, patient discourse of a 1950s English professor. For nearly forty years, Bill’s warm, engaging classroom presence has introduced several generations of students to Emma Bovary, Julien Sorel, Robinson Crusoe, and many others: an introduction, also, to the rewards of close reading and connecting with the complex characters of literature.

April 2, 2018. Afternoon. 221 Guilford House. I’m with Bill in his office: an informal interview for an article re his up-coming retirement from CWRU. Sitting in his office is like being in the middle of a three-dimensional collage of personal history: bonsai plants, vines snaking their way along the edges of floor-to-ceiling book shelves stacked with academic tomes; a photo of him playing washboard in an Irish pub band; occasional fish tanks; a plaster death mask of Keats, on which is perched a jaunty red fez; a photo of Bill holding a thirty-pound king salmon. A Stratford Shakespeare Festival poster hangs just above one for The Sopranos. Other shelves behind his desk display several memorable bottles of scotch (empty), a memorable bottle of scotch (half-full), photos of his father, his family, Thomas Hardy. On the front edge of his desk is a life-size plastic rat, its nose clamped by a binder clasp. A whimsical eclectic array of memorabilia, collected with minimal curation across four decades at this university.

Bill leans back relaxed behind his desk, feet propped up on the edge of a pulled-out drawer. In a tattersall button-down shirt and khaki slacks – his usual teaching attire – he conveys the image of an Orvis gentleman at leisure. I ask him about his early years at Case. He tells me he arrived in Cleveland in August 1978 — from Fordham University, where he’d been an assistant professor of English – to assume responsibilities in our Department of English as the new director of composition. “It was a much different university then,” Bill recalls: A contentious merger – the “confederation” – between the two previously autonomous institutions of the Case School of Engineering and Western Reserve College to form Case Western Reserve University had left “scars that were visible and fresh: faculty allegiances still ran deep and feelings were raw… There were tensions between the sciences and the humanities. And these conditions remained for quite a while, more or less until the formation of the College of Arts and Sciences in 1992.”

Another thing he remembers was that in the early 1980s, the freshman class numbered under 600 students, the great percentage of which were from Ohio, versus the national and international demographic of the current student body. But a constant across the years was the high quality of undergraduate and graduate students who attended CWRU: “The good ones (the students) were smart, enthusiastic, and fun.”

In 1985, Bill was appointed Vice Dean for Western Reserve College.  Shortly after, he became chair of English, a position he was to hold twice, serving a total of eleven years. During this period, through vicissitudes of faculty dynamics, he was appointed acting chair – simultaneously – for two departments: Art History and Modern Languages & Literatures, a level of departmental oversight arguably unique in University history.

Once stepping down from the Department chair in 2009, he remained in the background as a mentor generous with his time. Mary Grimm – who succeeded Bill as chair:

Bill talked me into being chair of the department (not quite sure how that happened), but more important, didn’t abandon me when I took it on. He was always there, for a phone call, for an emergency visit in his office, always had good advice about how to go about something, or who in the university to go to for help.”

Although Bill’s academic research centered on Thomas Hardy, Samuel Johnson, and James Boswell, in 2000, his sabbatical leave took him to remote areas of Tibet, where – in collaboration with Case anthropologist Mel Goldstein – he gathered material for three co-authored books dealing with the political, educational, and social change in modern Tibet. Each of these monographs has been published in multiple languages.

Another biographical work, one of which he’s especially proud – Always on My Own: My Life on the Street, co-authored with the subject, James E. “Diz” Long – recounts the memoirs of a professional bodyguard in Cleveland, during the ’60s & ’70s, whose list of clients included such celebrities as Frank Sinatra and Lana Turner.

Four years ago, Bill was named the Oviatt Professor of English, a distinguished professorship whose list of recipients extends back to 1837.

But paralleling his accomplishments as a scholar, administrator, and biographer, was always his love of teaching, and the palpable pleasure he took in guiding discussions of challenging works of literature that dealt with human drama and conflict.

Student quotes reflect Bill’s gift of instilling within his classes – on both the graduate and undergraduate level – confidence to connect on a personal level with great authors – Tolstoy, Flaubert, Swift, Chaucer, Shaw, Stern, and Shakespeare.

He makes it interesting. After his lectures and stories, the books that we at first had a hard time with began to make sense.”

“Most of the authors we read I’d never heard of…  And when we started a new assignment, I always looked forward to Professor Siebenschuh asking us questions about the novels and writers.”

“He stood up there, leaned against the desk and talked to us about Anna Karenina. It didn’t even feel like he was teaching us. He’d just talk to us. About the people in the stories… these characters… And then we’d talk about them. It was neat, really neat.”

It was because of Professor Siebenschuh’s classes that I became an English major.”

April 30, 2018. 3:05 PM. 210 Clark Hall. The final class of Bill’s forty year’s teaching at CWRU draws to an end. Unknown to him, outside the classroom door a crowd of about 50 people mill about: colleagues, friends, current and former students. They fill the hall and half way down the staircase with the murmur of sotto voce conversations. They’ve come for a surprise “clap out” farewell.  After a few minutes, Professor Kim Emmons, organizer of this tribute, enters the classroom, her arms overflowing with a bright bouquet of spring flowers. A few moments later Bill walks into the hallway carrying the bouquet, and the clapping begins. He’s taken by surprise, and the applause continues as he makes his way through the crowded hallway. On and on we applaud. And he moves through the ovation of gratitude – tinged with a certain melancholy sadness – acknowledging the career of an outstanding professor.

He’s at the stairs, and starts down, past a row of students lining the bannister. He reaches the landing, turns. The applause stops in anticipation of what he has to say. “Wow”, he says. And, like a centerfielder who’s just hit a game-winning home run, and pauses before disappearing into the dugout, Bill doffs his Cleveland baseball cap in farewell. “Wow…” Then continues down the last flight of stairs, and out the door. It’s over. And some wonder aloud if this is the twilight of a low-tech era, in which professors such as Bill Siebenschuh thrived: used heart, intellect, and humor to guide students through complexities of the human spirit, as found in an English literature survey course.

Coda: December 28, 2018.  3:30 PM – Bill reflects six months later.
“I was ready to retire when I did and have no regrets. The hardest thing to adjust to has been fully understanding that I’m done. The rhythms of the academic year – first day of classes, teaching schedule, office hours, regular holidays and vacations, final exams, final grades, summers off and then do it all over again in the fall – get into your head after forty-seven years. They don’t go away just because you turn in your keys and parking pass and get your final paycheck. When a big freight train, a hundred cars of coal, gets up to speed, it has so much forward momentum that it takes several miles to bring it to a full stop. Some kind of psychological analogue of that is what I think I’m talking about. It’s going to take me a while.”

Faculty of the Past: William Powell Jones

b. 30 October 1901, Cochran, Georgia
d. 28 July 1989, Cleveland, Ohio

William Powell (“Pete”) Jones graduated magna cum laude with an AB from Emory University in 1921. Following his graduation, he taught English in Himeji, Japan, from 1921 to 1923, an experience that prepared him for three years with Army Intelligence during WWII (1943-1945). Jones completed his AM at Harvard University in 1925 and his PhD there in 1927.

From 1928 to 1930, Jones was an Instructor at Harvard University, before he moved to Cleveland to take up a position as Assistant Professor at Adelbert College of Western Reserve University. He was promoted to Associate Professor in 1938 and Professor in 1947.

Jones served as Dean of Adelbert College from 1947 to 1954, at the end of which time faculties of Adelbert, Mather, and Cleveland Colleges were consolidated. He was named Oviatt Professor and  Chair of the English Department of Western Reserve in 1954, with the task of creating a single faculty in English from the consolidated faculties. He served as chair almost to the eve of his retirement (and the federation of WRU and Case Institute of Technology), steering the Department through many challenging years. During his time at WRU, Jones also served as president of several civic organizations, including the Gates Mills Historical Society, the Cleveland Friends of Music, and the Rowfant Club. In recognition of Jones’s distinguished administrative work, the College of Arts and Sciences of CWRU offers a W. P. Jones Fund for the professional development of junior faculty.

Jones lived with his wife Marian on a thirty-acre estate in Gates Mills built by Marian’s father, the noted lawyer and patron of Cleveland arts, Frank Hadley Ginn. The Joneses continued the Ginn tradition of patronage, with significant donations to the collections of the Cleveland Museum of Art. Jones’s own collection of distinguished authors’ letters resides in CWRU’s Special Collections. The Joneses also hosted regular tennis and garden parties for the English Department – occasions commemorated in the verse of Professor Arthur White (1890-1959).

Jones’s key publications began with a monograph on medieval French literature, The Pastourelle: The Origin and Traditions of a Lyric Type (1931).His varied interests, however, eventually manifested in other significant work, such as Thomas Gray, Scholar: The True Tragedy of an Eighteenth-Century Gentleman (1937); James Joyce and the Common Reader (1955); and The Rhetoric of Science: A Study of Scientific Ideas and Imagery in Eighteenth-Century English Poetry (1966).

Following his retirement in 1967, Jones published his autobiography From Georgia to Cleveland (1979). His accounts of the bachelor academic life at Western Reserve are especially lively – brewing beer from “Harvard recipes” during Prohibition in the basement of faculty living quarters on Adelbert Road, for instance.

Jones taught both undergraduate and graduate courses. At Adelbert College in the early 1930s he headed such staple courses as the Survey of English Literature from 1642 to 1800, Great Books, and Poetics and Modern Poetry. After the war and the consolidation of English Departments, Jones continued to teach several incarnations of the Great Books course.  In the Graduate School, he taught several courses in Chaucer and in Pope. He supervised at least nine theses and dissertations in his later years.

Entry by Joey Rooney and Kurt Koenigsberger, from records in University Archives, CWRU, and from public documents.  Photo courtesy University Archives, CWRU.

FACULTY NOTES

Gabrielle Bychowski has a three-part article in The Public Medievalist.

Cara Byrne presented a paper, “Dismantling Prisons & Building Bridges: Children’s Revolutionary Architecture in Gloria Anzaldúa & Edwidge Danticat’s Picture Books,” at the annual MELUS conference in March.

Michael Clune presented a paper at the MLA in Chicago: “The Idea of Madame Neroni.”

Susan Dominguez presented “The ‘tiny horrors’ of Cultural Genocide: Indigenous Children in Residential and Boarding Schools, 1870-1970” at the Social Justice institute Research Lunch Series in February.

Sarah Gridley has won the 2019 Green Rose Prize for Insofar, which will be published in 2020 by New Issues Press.

Mary Grimm‘s story “Back Then” will appear this summer in The New Yorker.

Josh Hoeynck‘s edited collection, Staying Open: Charles Olson’s Sources and Influences, was published in November.

Caitlin Kelly recently presented a paper, “Reading Pamela after #MeToo and #YesAllWomen,” at the annual conference of the American Society for Eighteenth-Century Studies in Denver.

Kristine Kelly‘s article “Nomadic London: Reading Wandering in Sam Selvon’s The Lonely Londoners and Ben Okri’s ‘Disparities'” just came out in Ariel: A Review of International English Literature (50.1).

Kurt Koenigsberger gave a conference paper at the Modernist Studies Association conference in Columbus in November: “Dynamite in Freshman English: The Battle of the Books at Western Reserve.”

Dave Lucas read at the invitation of Hiram College’s Lindsay-Crane Center in February.

William Marling‘s book Gatekeepers has received a review by Yao Mengze in Comparative Literature & World Literature

Marilyn S. Mobley, vice president for inclusion, diversity and equal opportunity, recently co-wrote a piece for Insight into Diversity: “Fundraising for Diversity Officers: an Overlooked Opportunity.”

James Newlin presented at the 42nd Annual Ohio Valley Shakespeare Conference, October 11-13 in Youngstown. He moderated a panel on “Sleeping, Dreaming, and the Prospect of Belief.”

Brad Ricca edited and wrote the Intro to The Artificial Man and Other Stories, a new collection of stories, some previously unpublished, by Clare Winger Harris, an early feminist science fiction writer who lived in Lakewood in the 1930s.

Martha Schaffer and Michael Householder presented their research on students’ reflective essays at the Seventh International Conference on Writing Analytics in St. Petersburg, Florida, on January 26th. The presentation was titled “The Language of Reflective Essays: What Writing Analytics Can Tell Us About Student Learning.”

Anthony Wexler delivered the Lipman Lecture in Religious Studies at Colby College. The title of the talk was “Israel and the New American Jewish Novel.”

Tim O’Brien Internships and Travel Grants

Funded through generous donations from English Department alumnus Tim O’Brien (‘74), two new competitive financial awards for undergraduate English majors were established in 2018. The Tim O’Brien English Scholarship for Unpaid Internships supports undergraduate English Majors who are participating in an unpaid internship at CWRU or elsewhere. The Tim O’Brien English Research Travel Support Fund offers travel awards to undergraduate English Majors for research projects relating to an English class (such as presenting a conference paper, conducting archival research for a capstone project, visiting a distant museum, etc.).

Recipients of 2018 Undergraduate English  Internship and Research Funding

Sophie Claire Boysko: For presenting a conference paper, “I Rose Up Off the Doctor’s Slab: Fractured Identity in Hedwig and the Angry Inch,” at the Society for Cinema and Media Studies Undergraduate Conference (SCMS-U) at Wilfred Laurier University in Waterloo, Canada

This was the first conference that I have ever attended, and it was an incredible experience. I loved being with so many other undergraduates who were passionate about film. At the time, I was double majoring in Math and English, and I didn’t know what I wanted to do with either major. When I met my roommate from the conference and told her about what I was studying, she asked, “But you’re going to do something with film, right?” I had never really considered film studies as a something that could turn into a career. I already knew that I was passionate about film, but being at the conference made me realize that, not only could I pursue film studies as a career, but I really wanted to pursue it. Now, my plan is to go to grad school and become a professor in film studies, and while I know that it is not easy to become a professor, I feel so happy to have a direction and have a passion realized. It was an incredibly meaningful experience for me. I wouldn’t have been able to attend this conference without my grant from the English Travel Support Fund, and I am so thankful that I was given this opportunity.

Brian Eckert: Community Engagement Internship with the Cuyahoga Valley National Park

Studying English and my education from CWRU helped me in countless ways to secure
the internship and succeed throughout the summer. One of my early projects was to research a
topic with a Ranger to put together a Pop-Up Exhibit. A Pop-Up is a small exhibit that can be
easily set up around the Park with a specific topic for volunteers or Rangers to have impromptu
programs. The goal is to have conversations with visitors, but there’s no time requirement.
My Pop-Up was about the Underground Railroad which had routes through Ohio and the Ohio and Erie Canal. I enjoyed doing the background research and also putting together the exhibit, which included pictures, maps, and dialogic questions. I loved being outside every day, but showing others the value of green space and the outdoors was much more rewarding than hiking alone or clearing trails.

Shivani Govani: Internship at the Northeast Ohio Coalition for the Homeless (NEOCH)

This summer was incredibly rewarding and eye-opening. The internship has taught me the meaning of being a homeless advocate and has given me the opportunity to work on several projects that I hope will lessen the impacts of systematic homelessness in Cleveland. My favorite project was creating a website to assist those experiencing homelessness to reach services. For an entire weekend, I attended an event called “Give Camp” where non-profit companies were able to collaborate with hackers in Cleveland in order to create websites and other applications. We camped out in tents the whole weekend, ate delicious food, and stayed up until 2 A.M. almost every night trying to perfect the website. The website, now known as “#HelpintheCLE” has officially launched and is an amazing resource for those experiencing homelessness. It lists all the medical, shelter, outreach, and legal resources available to homeless individuals along with numerous hotlines and emergency numbers. I am incredibly thankful for my time at NEOCH. In these past three months, I have learned so much about homeless advocacy, social justice, and systematic inequalities. My internship experience has been incredibly fulfilling and I hope to use the knowledge I’ve gained to continue serving my community.

Sarah Parr: Digital Media Intern with Cleveland Scene Magazine

This internship included reporting, pitching ideas, cold calling, interviewing, researching, creating slideshows and more. Studying English helped me secure this internship because the person who interviewed me for it appreciated my years of experience writing and editing, and training in journalism. Overall, this internship proved to be very fruitful. I was asked to do some freelancing for SCENE after my “stellar internship,” as said by SCENE’s Editor-in-Chief. Looking back on my first article and slideshow, I see that my descriptions of events/locations have improved because my researching and HTML skills have increased so much. This funding was able to cover a great deal of my living expenses this summer, which helped me focus on my internship; it gave me the privilege of making the most of all the opportunities working for Cleveland Scene Magazine provided me. Here is the link to my profile on the SCENE site with all my pieces, and a few other links to the slideshows and an event I created: https://www.clevescene.com/cleveland/ArticleArchives?author=18694241

Devina Patel: Georgetown Investigative Internship

My role as an investigative intern at Georgetown Law was very eventful and beyond worthwhile. I learned new skills every day. I was trained by my Investigator supervisor for a week, and then I was assigned two attorneys for whom I worked. Some of the tasks that I completed were going to prison to visit clients, finding witnesses and taking statements from them, watching body-worn camera footage, going to the Metropolitan Police Department Evidence Review Branch to look at evidence that the prosecutors had gathered, serving subpoenas, and much more. This would not have been possible without you, so thank you so very much for your donation!

Freedman Student Fellowship Project: H. G. Wells

Leah Davydov received a Freedman Student Fellowship grant for the 2018-2019 school year to pursue work on creating assets for a digital edition that compares various 1897 editions of H. G. Wells’s The Invisible Man in an attempt to track important textual differences in relation to the text’s print medium. This project is an extension of discoveries Davydov made during the course of a seminar with her adviser Dr. Kurt Koenigsburger. During her coursework, she found that the novel’s original serialization in Pearson’s Weekly Newspaper appeared to contain a number of in-jokes and references indicative of its status as a piece of periodical fiction (e.g., allusions by characters to the story being situated in a newspaper; literary use of ciphers similar to the rebus puzzles that preceded serial segments) and that the novel’s epilogue, which features a character poring over the invisible man’s notes in codex book form, was only added in later printed editions of the text that could be perused in a similar manner by readers.

Davydov is presently working with the Freedman Center’s staff to secure copies of both the original Pearson’s newspaper serial and at least one of the three different 1897 print editions of the novel for digitization. The goal of this initial project will be to create transcripts of at least two variants of the text that have been encoded with XML formatting compliant with the Text Encoding Initiative (TEI) in preparation for an eventual website that will allow users to observe the changes made to Wells’s book over time. In the future, she hopes to expand the project to pursue work on a full digital edition that will compare all four 1897 renderings of the text as well as providing annotations and commentary. She will be presenting the results of her preliminary work during the Freedman Fellows’ annual symposium.

ALUMNI NEWS

Gerry Canavan (’02) has a new book coming out (he’s the editor): The Cambridge History of Science Fiction

Alum (’15) Jason Ray Carney‘s book, Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H.P. Lovecraft, will be published in 2019.

William Claspy (BA ’88, MA ’93) is now Head of Special Collections and Archives at CWRU’s Kelvin Smith Library.

Alum (’10) Iris Dunkle‘s biography on Charmian Kitteridge London, Jack London’s wife, will be published by University of Oklahoma Press.

Miriam Goldman (’10) has started a new position as Technical Documentation and Knowledge Manager at Involta.

Alum (’16) Kristin E. Kondrlik‘s article, “Caroline Matthews’s Experiences of a Woman Doctor in Serbia (1916): Advocacy for Women Doctors in Early Twentieth Century War Writing,” will be published in English Literature in Transition, 1880-1920.

Marie Lathers (’15) has a story in Flash Fiction Magazine.

Jamie McDaniel (’10) received the CEA Joe D. Thomas Distinguished Service Award at the 50th Annual CEA Conference in New Orleans.

Jess Slentz (’17) has accepted the position of Director of Sponsored Programs and Faculty Research at Nazareth College in Rochester, New York. She will be creating initiatives for and supporting undergraduate research on campus and doing faculty development and mentorship, particularly for junior faculty developing projects and seeking funding.

Jess Walters (’08) has accepted a position as CEO of Big Brothers Big Sisters of Greater Cleveland, starting December 27.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to department chair Christopher Flint (cxf33@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Just use your Facebook locator to find “CWRU English Department” and see what they’ve been up to. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: March 2019 appeared first on Department of English.


Department of English Newsletter: June 2019

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Writing Faculty and Student Awards/Adventures in Alt-Ac/Faculty Notes/Autism in Picture Books/Alumni News/Graduation 2019

Writing Faculty and Student Awards Announced

by Martha Schaffer

The Writing Program Award Ceremony honors award-winning teachers and students at the end of each year. The celebration is a recognition of writing faculty at CWRU which includes full- and part-time lecturers, SAGES Fellows, English graduate student assistants, and other friends of writing at CWRU.

The English Department, SAGES, and the Writing Program are pleased to recognize this year’s winners of teaching awards and student writing prizes.

The Jessica Melton Perry Award for Distinguished Teaching in Disciplinary & Professional Writing recognizes outstanding instruction in writing in professional fields and/or disciplines other than English.

This year’s first winner is Frank Ernst, the Leonard Case Jr. Professor of Engineering and Chair of Materials Science & Engineering.

Professor Frank Ernst & Dean Timothy Beal

Professor Ernst developed a new graduate course entitled, “Scientific Writing in Materials Science,” which addresses the wide range of skills needed by graduate students as they prepare theses, dissertations, and journal articles for publication. This course emphasizes reading as well as writing scientific articles. His students spent a lot of time discussing relevant research literature, learning how to become critical reviewers of the scholarship in their fields of study. From formatting of mathematical formulae to overcoming writer’s block, the course provides much-needed scaffolding for developing scientific writers and scholars.As one of his many student nominators wrote, “Prof. Ernst developed a welcoming and collegial environment for students to gain a deep understanding of the scientific writing process and to cultivate their own skills.”

This year’s second winner of the Jessica Melton Perry Award is Jonathan Sadowsky, the Theodore J. Castele Professor of History.

Professor Jonathan Sadowsky  & Dean Timothy Beal

Professor Sadowsky works with students at all stages of their writing development and their educations, from humanities students to biomedical engineers. Over the last three years, every single student in his course (nearly 100 of them) has reported becoming a better writer by the end of the semester.Much of the credit for the students’ progress is attributable to Professor Sadowsky’s patience and thoroughness as he reads and responds to weekly analytical papers from every student and meets writers outside of class to continue discussing their work.

One of his doctoral students explained, “The right question asked at the right moment can have a profound impact on one’s intellectual trajectory. Jonathan Sadowsky has a knack for asking the right questions…. I credit my growth as a writer and historian to the questions [he] has asked, year after year, milestone after milestone.”

The SAGES Excellence in Writing Instruction Award recognizes outstanding commitment to and success in teaching academic writing to CWRU undergraduates in SAGES.

 Dr. Eric Chilton & Dean Peter Whiting

This year’s first winner is Eric Chilton, a Lecturer of English and SAGES Teaching Fellow. “Transformative” is a word Dr. Chilton’s students use about his courses.  One student wrote, “[he] taught me how to write a more effective research paper and gave me a new perspective towards my surroundings, ultimately transforming me into a completely different person than who I used to be.””Passionate” and “dedicated” are words that Dr. Chilton’s collaborators use to describe his teaching style. “One of the things that most impresses me about Eric’s approach,” writes one faculty collaborator, “is how effectively he introduces the idea of developing a compelling counter-argument when writing papers, as it creates an environment where students genuinely need to consider and weigh opinions that run counter to their own. This develops both critical thinking and empathy in the students.”

This year’s second winner of the SAGES Excellence in Writing Instruction Award is Kristine Kelly, Lecturer of English and SAGES Teaching Fellow.  One of Dr. Kelly’s faculty collaborators wrote, “I must admit that I have learned as much as our students have about writing and writing instruction from Kris.” This is a consistent theme in Dr. Kelly’s evaluations – she is a collaborator who is generous with her knowledge and who challenges everyone to learn and grow, including herself.

Dr. Kristine Kelly & Dean Peter Whiting

As a demonstration of her love of learning and growing, Dr. Kelly has developed new and creative projects that engage students in digital and multimodal writing. She has brought classes year after year to the Celebration of Student Writing and Research, often with innovative multi-media presentations of their work. Her students rave about these experiences and about how much Dr. Kelly has done to improve their writing and learning.

Dr. Kimberly Emmons & Dr. Anthony Wexler

The WRC Excellence in Consulting Award recognizes outstanding writing instruction for students of the University and exemplary service to the Writing Resource Center during the academic year. This year, the winner is Anthony Wexler, Lecturer of English and SAGES Teaching Fellow. One student who nominated Dr. Wexler for this award noted that he was always a “helpful and kind resource,” while another noted his “very calming energy.”  Yet another student wrote that Dr. Wexler “gives focused, tangible and direct feedback on writing during appointments, which I think is very important — it’s easy to say ‘make your writing more like …’ but to put forth the effort to give specific feedback, every time, is so helpful. “Dr. Wexler’s approach to consulting focuses on the student as a developing writer, and his remarks emphasized the value of working one-on-one with student writers. In his consulting philosophy, he described one student encounter: “after multiple sessions, [the student] came to see how the writing process could help her to better understand why she wanted to become a doctor. In this way, she realized just how much the act of writing could help her to think through a given issue or question. These encounters, and others like them, have made the WRC a wonderful place to work.”

The Celebration of Student Writing & Research is a university-wide showcase of student writing and research projects. It encourages students to present and display their scholarly and creative work in formats other than word-processed letters and lines on the printed page. The Celebration is held each semester in conjunction with Research ShowCASE and Intersections: SOURCE Symposium and Poster Session; it is sponsored by SAGES and the Writing Program. The following students were recognized at the Awards ceremony:

Fall 2018
Best Individual Research Presentation Winner: Anna Giubileo (FSSY 185R: Oh the Places You Will Go!, Instructor: Cara Byrne)

Best Individual Research Presentation Runner Up:  Bill Ding (USSO 286L: Exploring Nonprofit Organizations, Instructor: Barbara Clemenson)

Best Class Presentation: FSCC 100: International Student Wellness (Instructor: Mary Assad)

Bill Ding & Dr. Barbara Burgess-Van Aken

Spring 2019
Best Individual Research Presentation Winner: Nick Charles (USSY 291H: Radical Children’s Literature, Instructor: Cara Byrne)

Best Individual Research Presentation Runner Up: Prerna Mamileti (USNA 287P: Woman and Science, Instructor: Barbara Burgess-Van Aken)

Best Class Presentations: FSCC 100: Defining Community (Instructor: Mary Assad) and USSO 290B: Contemporary American Rhetoric (Instructor: Martha Schaffer).

The SAGES First and University Seminar Essay Prizes recognize the best writing that students produce in their First and University Seminars. These essays are chosen from those nominated by SAGES seminar leaders each semester.

The First Seminar Awards are judged in January and recognized at the Celebration of Student Writing in April each year. The winners for Academic Year 2017-2018 are:

Jessica Bumgarner, Isabella Pua, & James Kristell

“Space for LGBTQ+ Children in Jessica Love’s Julian is a Mermaid” by Jessica Bumgarner Written for FSSY 185R: Oh the Places You’ll Go; Cara Byrne (Seminar Leader)

“Lin Manuel Miranda’s Hamilton: A Revolutionary(?) Musical” by Kehley Coleman
Written for FSSY 185M: Hamilton and American Identity; Caitlin Kelly (Seminar Leader)

“Time to Get out of the Margins” by Tatiana Pavlides
Written for FSSO 185F: Reading – Past, Present, Future; Barbara Burgess-Van Aken (Seminar Leader)

The University Seminar Awards are judged in September – and recognized at the Celebration of Student Writing in December of each year. The winners for Academic Year 2016-2017 are:

“Social Context and the Popular Reception of Poetry: The Examples of Dickinson and Longfellow” by James Kristell
Written for USSY 293I: High Art and Guilty Pleasures; Steve Pinkerton (Seminar Leader)

“Redefining Health: Peyote, Ritual Healing, and the Concept of the  Soul” by Isabella Pua
Written for USNA 287H: Plants in Medicine; Erika Olbricht (Seminar Leader)

“The Needle and the Damage Done: Needle Exchanges and the AIDS Epidemic” by Grace Schaller
Written for USSO 291A: “We’re Dying in America”: The History of the US AIDS Crisis; Andrea Milne (Seminar Leader)

All of these outstanding essays and information about the Essay Prizes are available online at Writing@CWRU.

The Jessica Melton Perry Award was established in 2009 by Edward S. Sadar, MD (ADL ’64, SOM ’68) and Melinda Sadar (FSM ’66) in honor of Melinda’s mother, who worked in the Center for Documentation and Communication Research at Western Reserve University from the late 1950s into the late 1960s.

Adventures in Alt-Ac

by Jessica Slentz (’17)

It is no secret that navigating the academic job market can be stressful, complicated, and transformative (with all of the positivity, discomfort, and full-on anxiety that world-upending change and growth can bring).  Through the fog of uncertainty, those of us who embark on that journey hope for a firm place to land where we can teach, write, create, grow, and find fulfillment in our work.

I am so grateful to share that I have landed in that place.

What I did not expect was that that landing would happen two years and three jobs after graduation, and only after making the hard choice to give up tenure for the hope of something infinitely trickier to define… happiness.

In 2017, I finished my PhD and accepted a tenure-track position as Assistant Professor of Professional Writing in the Department of Writing at Ithaca College. This was a dream position, a 3-3 teaching load of classes I wanted at an established SLAC (Small Liberal Arts College) with a great reputation. I should have been overjoyed in a position that can be a unicorn in today’s job market.  And in many ways, I was. I loved my students, I loved the work, I had wonderful, supportive, and inspiring colleagues. But when the glow of grad school faded and I really dug into the work of building a career and a life together, it became very apparent that Ithaca, New York, was NOT my forever home. A somewhat sleepy college town tucked into the beautiful hills of rural New York is a lot of people’s idea of paradise. I thought it would be mine. It 100% was not.

Added to my ennui was the fact that, while I was closer to my family, two hours away in Rochester, NY, I was still not close enough to really participate in life with them in the ways I wanted. And there was so much happening in the Rochester community that I longed to be a part of.

I was faced with a painful decision – Do I stay in a job I love with the potential for security if I am miserable in other areas of my life or do I prioritize those other things and rethink my career? Am I willing to give up tenure for the ineffable? Can I take that risk?

I officially left my tenure track job last August, taking a position at the Rochester Museum and Science Center as Grants and Government Relations Manager. This was a brand-new position for the museum, and with the subsequent resignation of the VP of Advancement, I had a lot of leeway to create my role from scratch. I made salient connections in the community and in local government very quickly, and learned the inner workings of grant management and non-profit development in trial by fire. I found the work fascinating and challenging, I loved being in Rochester, and I was quickly able to answer the question that had haunted me from the moment I applied – would moving to a different city really make that much of a difference in my life? Would it be worth it? It did, and it was.

Now the Universe can be…let’s say playful…at times. At the same time as I had applied for the position at the museum, I had also applied for the position of Director of Sponsored Programs and Faculty Research at my alma mater, Nazareth College, which was a higher, leadership-level position and more in line with my long-term career goals in the realm of higher ed. Long story short, academic hiring follows its own calendar, and our initial timing was not aligned. But when I  received an offer to come back to my alma mater in this role, I could not say no. (Note: I loved my time at the museum, and still have a close relationship with them as a consultant and volunteer).

I started as Director of Sponsored Programs and Faculty Research (now Research, Scholarship, and Innovation) at Nazareth College in February 2019! I am now almost three months into this role, and I can safely say that feeling of landing and of finding fulfillment in your work and your life is irreplaceable. It was worth every bit of the anxiety, the transition, and the risk.

I am loving Alt-Ac (Alternative-Academic) life! I report to the VP of Academic Affairs who has given me a lot of leeway to innovate and build a research administration office that supports and champions the work of faculty and students. I am rebranding the office; we’ve changed the name now from Sponsored Programs and Faculty Research to the Office of Research, Scholarship, and Innovation to more accurately reflect the work we do and allow us room to grow. The position is perfect for me. No two days are the same. I work one-on-one with faculty to help them design projects, strategize goals, create budgets, seek internal and external funding, brainstorm for publication, and troubleshoot their data. My office organizes the annual Creative Activity and Research Showcase; this year nearly 400 undergrad and grad students presented at this full-day conference in April! I will be research advisor to a handful of student researchers this summer and will be teaching Oral Communication for the English and Communication Department in the fall. I am able to work with the Deans and to consult on and speak to interdisciplinary and interprofessional projects all across campus. And I get to do something that I didn’t fully realize I loved to do – I get to build…projects, programs, ideas, processes, and opportunities. It is exhilarating work! I am beyond excited about the initiatives we are developing for next academic year, which will include workshops on grant writing, faculty development opportunities, new student research initiatives, new internal awards, and a communication plan to share the exciting work being done by faculty, staff, and students with the greater campus community.

While my journey post-PhD has had its share of twists and turns, I am grateful for every detour. Because I understand the faculty position (particularly as junior faculty), I have been able to quickly build trust with the faculty I work with. My trial by fire experience at the museum has been invaluable; every day I have used something I learned there, even though I was there only six months. All of the detours were important, all of the lessons irreplaceable.

Leaving the tenure track for Alt-Ac was a difficult decision, but it was the right decision. I am thriving in a way I never have before, and I am able to give back and speak to others’ lives in a more salient way because of that. I am consulting on the side, as a career coach to job seekers, particularly clients in career transition, and to non-profits on strategic planning and grant management. I am getting more involved in the Rochester community. And I’m starting a Case Alumni Chapter in upstate NY! We have our first event June 29th, so if you’re an alum in the area, you should come (contact me for more info)! There are times I still feel unsettled and in transition (it’s been a LOT of change in a short time), but I feel more and more truly at home every day.

As academics, often our work can be so connected to who we are, and as a graduate student it can be scary to envision all of the different career paths that might be available to us that are not the traditional academic track. To anybody contemplating life on the Alt-Ac side of things (or any kind of career leap), I’d like to share these tips:

  1. Dive into your work right now, even if you see yourself eventually pursuing alternative paths. I use my PhD work EVERY. SINGLE. DAY. I would not be able to approach this job the way I do without the incredible mentoring I received from faculty at Case, without my experience as a researcher and teacher, without my knowledge and practice of rhetoric and writing, without the classes I was able to teach at Ithaca. Show up. Lean in. Celebrate your successes. Admit and learn from your failures. Be proud of the work you do. And let it inform your path going forward even if that path is different from how you may have imagined it at first.
  2. Get to know your strengths. It is awkward work to do, but such a powerful feeling when you can articulate what you are good at and where and when you feel alive.
  3. Pay attention to every connection and every opportunity that comes your way. I always tell my students, your network is one of the most powerful tools in your toolbelt. Network, make (and maintain) relationships across disciplines and academic, non-profit, and commercial sectors. You never know what link might open up a door you never imagined.
  4. Someone else’s unicorn can be your…what’s a horrible animal? Spider, scorpion, evil squirrel? and vice versa. I am the exception, not the rule, in my circle, in my one-hike-a-year nature quota and my preference for creative happy hours, fundraising galas, and networking meetups over woodland trails and idyllic college towns. Eventually, it’s better to be honest with yourself about what you need.
  5. Sometimes self-care means making things harder before they can get better. Self-care is not always the easy path. Think of it as a long-term investment.
  6. Hard decisions will be hard. It’s okay to feel yucky about something even if you know in your heart it’s ultimately the right choice for you. It will get better.
  7. Ask for help. Any change is difficult, it can be lonely, and it can be overwhelming. Don’t try to navigate it all alone. Someone in your world has experienced what you are experiencing and probably knows how important the help they received was. We want to pay it forward. Don’t ever hesitate to ask.

If anyone ever wants more deets from the Alt-Ac front, my new email is jslentz5@naz.edu, and even if we’ve never met, please don’t hesitate to reach out!

FACULTY NOTES

Mary Assad‘s presentation at the 2018 College English Association conference was selected as “Best of Section” and published in the March 2019 issue of The CEA Critic: “A Wellness-Centered Approach to First-Year Composition: Curriculum Design and Course Management Strategies for Promoting Students’ Rhetorical Knowledge and Personal Self-Awareness.

Cara Byrne presented a paper, “Dismantling Prisons & Building Bridges: Children’s Revolutionary Architecture in Gloria Anzaldúa & Edwidge Danticat’s Picture Books,” at the annual MELUS conference in March.

Michael Clune has been named a Guggenheim Fellow for 2019.

Susan Dominguez presented “The ‘tiny horrors’ of Cultural Genocide: Indigenous Children in Residential and Boarding Schools, 1870-1970” at the Social Justice institute Research Lunch Series in February.

Kim Emmons won the Outstanding Faculty Award for Student Development, given to a faculty member who works with students and/or student groups outside of the classroom to support the Office of Student Affairs mission and enhance the student development experience at CWRU.

Sarah Gridley has a poem called “Custody of the Eyes” forthcoming in Image.

Megan Griffin‘s article, “Dismembering the Sovereign in Aphra Behn’s Oroonoko,” has been published in ELH.

Mary Grimm‘s story “Back Then” will appear in the July 24 issue of The New Yorker.

Denna Iammarino, Caitlin Kelly, and Kristine Kelly have been selected to lead an interactive workshop on digital writing at the Digital Pedagogy Institute 2019 hosted by the University of Waterloo, July 31-August 1.

Megan Jewell presented a paper titled,”Writing Centres, Human Capabilities, and Collaborative Well-being” at the Writing & Well-Being Symposium at the National University of Ireland, Galway on April 5th.

Kurt Koenigsberger gave a presentation on outcomes and assessment in humanities partnerships at the University of Michigan/Henry Ford College 2019 Transfer Bridges May Institute in Ypsilanti.

Shaofei Lu‘s paper, “‘You should force us to talk.’—Symbolic power, national rhetoric, and oral English in China,” has been published in the Asian EFL Journal (Volume 23, issue 3.1).

Dave Lucas, poet laureate of Ohio and full-time lecturer in Case Western Reserve’s Department of English, celebrated the writings of Cleveland poet Hart Crane at Kelvin Smith Library.

Michelle Lyons-McFarland presented her paper, “Edward Burney’s Gothic Imagination and Illustrations” at the American Society for Eighteenth Century Studies 2019 annual conference in Denver, CO, on Friday, March 22nd.

President Snyder hosted a reception to recognize Marilyn Mobley‘s 10 years as the university’s inaugural VP for inclusion, diversity and equal opportunity in April.

Brad Ricca read at Kirtland Public Library in April.

Martha Schaffer and Michael Householder have been accepted as Freedman Fellows for 2019-2020.

Thrity Umrigar was on a panel for AWP in March: “Scattered: Homes Throughout the Asian Diaspora.”

Maggie Vinter‘s book, Last Acts: The Art of Dying on the Early Modern Stage, is now available.

Autism in Children’s Picture Books

by Cara Byrne

As the Research Advisor on Diverse Children’s Literature for the Schubert Center for Child Studies, I help lead community-focused events and discussions about children’s books and facilitate the center’s participation in Cleveland Book Week events. I also create resource guides and recommended book lists that complement the Center’s events.

In February 2019, as part of the annual Kessler-Freedheim lecture for the Schubert Center, Dr. David Mandell discussed the implications of the disparities in the diagnosis and care for children with autism. In a 2018 CDC survey, 1 in 59 children was identified with Autism Spectrum Disorder (ASD). While more children are being diagnosed with ASD than ever before, “Latino and black children are less likely to be diagnosed with ASD than white children, are more likely to be misdiagnosed, and, on average, are diagnosed at an older age than white children” (Mandell).

When curating a list of recommended picture books that feature characters with autism, I began by reviewing about fifty titles that were either classified with autism as a subject (like Russell’s World: A Story for Kids About Autism or Slug Days) or were books that I had previously read or taught (like Ada Twist Scientist or Noah Chases the Wind). I found that many of the titles were published in the last four years, likely linked to the fact that more authors and illustrators are exploring inclusive themes and perspectives as part of the #WeNeedDiverseBooks movement. I also found that a majority of these titles feature white boys as the central character with autism. As Mandell’s presentation spoke to the need for more resources supporting children of color with autism, I tried to create a list that reflected diversity in gender, race, and socioeconomic status in characters with autism.

Picture books like Benny Doesn’t Like to Be Hugged and My Brother Charlie feature black boys with autismDespite these picture books celebrating Benny and Charlie, both books come from the perspective of a child without autism instead of making the child with autism the protagonist or narrator. Why Johnny Doesn’t Flap: NT is OK! flips the stereotypical narrative of someone trying to understand the idiosyncrasies of a friend with autism to the narrator with autism trying to understand the bizarre habits and speech of his “NT” (neurotypical) friend. Similarly, We’re Amazing 1,2,3, produced by the Sesame Street Workshop, provides more complexity in its portrayal of Julia, a muppet with autism. Created as part of Sesame Street’s “See Amazing in All Children” initiative, this book is available as an open access e-storybook.

For more information about these titles and additional recommendations, please see a PDF version of the resource guide.

ALUMNI NEWS

Iris Jamahl Dunkle (’10) has 3 poems in talking writing.

Alum (’16 ) Kristin E. Kondrlik’s article,”Caroline Matthews’s Experiences of a Woman Doctor in Serbia: Advocacy for Women Doctors in Early Twentieth Century War Writing,” was published in English Literature in Transition, 1880-1920.

Jamie McDaniel (’10) received the CEA Joe D. Thomas Distinguished Service Award at the 50th Annual CEA Conference in New Orleans.

Christopher Urban (’07) has a story in this issue of n + 1.

Graduation 2019

From left to right: Megan Griffin, Maggie Vinter, Chris Flint, Michelle Lyons-McFarland, Ellen Liebenguth, Annika Weder, Ciarra Bona, Garrett Graber, MaryHanna Stephenson.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to department chair Christopher Flint (cxf33@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

Be sure to add SXD290@case.edu to your address book to make sure these messages appear in your inbox.
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Department of English Newsletter: September 2019

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Tribute to Martha Woodmansee/Letter from the Chair/Faculty Notes/Undergrad Internships and Travel Grants/Alumni News/In Memoriam

Martha Woodmansee

After 33 years as an esteemed faculty member at Case Western Reserve University, Martha Woodmansee, Professor of English and Law, retired at the end of the spring term (June 30, 2019). Recipient of numerous fellowships (from the American Council of Learned Societies, the Andrew W. Mellon Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Fulbright Foundation, to name a few), Martha has published a groundbreaking book on the eighteenth-century origins of our modern conception of art, four highly influential co-edited books, a translation, and over 30 articles and book chapters. She was executive director of the Society for Critical Exchange for 18 years and is the founding co-director of the International Society for the History and Theory of Intellectual Property. She secured both external and internal funding to establish and run the Arts & Sciences Dissertation Seminar at CWRU, which has supported graduate students across the Humanities for over two decades. We have all benefited from Martha’s thorough historical research and theoretical acumen, and from the imaginative courses she has taught (not only at CWRU but also at Columbia, Harvard, Northwestern, and the University of Pittsburgh), all of which have made her a nationally and internationally respected scholar. She will leave a legacy of intellectual, pedagogical, and programmatic innovation in the department and the profession.

Tribute to Martha Woodmansee

By Kenneth Ledford
(Case Western Reserve University)

Other colleagues in literature and law will praise Martha Woodmansee’s scholarship over the decades.  I write to praise her professional and scholarly intellectual rigor and fundamental human kindness as they manifested themselves in the College of Arts & Sciences Dissertation Writing Seminar which she created, preserved, advanced, and bequeaths to the students and faculty of the College. I co-taught the Seminar with her four times and learned to model my own approach after hers.

The Dissertation Writing Seminar is entirely the product of Martha’s inspiration, imagination, and hard work. She perceived the need for a writing group to jump-start students in the small humanities PhD programs, and to sustain them in ways that their departments often lacked critical mass of student numbers to support. In the 1990s, she secured Mellon Foundation funding for a pilot, organized, and instituted the Seminar. But her most notable achievement was to secure sustained funding from the College after the Mellon grant expired. Through her tenacity and persuasiveness, she preserved the Seminar from the fate of so many initiatives in the College which spring forth with external funding and amply demonstrate their worth, but then expire with the external funds, as the College budget responds to other pressures. Martha simply would not let that happen, and her determination benefits us all.

Martha’s vision for the Dissertation Writing Seminar was always generous and flexible, seeking always to propel the student participants toward success, and embracing the PhD programs of the College broadly in order to do so. Initially focused on humanities PhD students, she not only incorporated faculty from other humanities departments to select the students and co-teach the course, but she also reached out to social science PhD programs. In doing so, she cultivated a fertile field for students-participants to imagine a spectrum of different audiences and professional writing conventions, and also to rethink their own audiences, and thus, career paths, for their research and writing.

To teach with Martha is to marvel at her combination of rigorous standards for thought, prose, argument, and evidence, combined with her commitment, kind and often tender, to the success of each student.  Her rigor could mean a swingeing critique; in toto, paragraph by paragraph, even line by line. But her kindness also meant that no one was exempt, and that the kindness permeated the rigor, regard, and respect of the critique and opened a door for students to examine their work and strengthen it. Every dissertation that proceeded from the Dissertation Writing Seminar was better for Martha’s critique, and she is tireless as an advocate for Seminar alumnae/i in their job searches and in their subsequent scholarly careers.

Martha has made clear to the faculty who remain that she expects us to continue the Dissertation Writing Seminar as part of her legacy. And she has taught us well and equipped us to do so, with her rigorous critiques ringing in our minds and her model of kindness ever before us.

Other Voices

When I joined the faculty in 2003, my advisors told me specifically to seek out Martha Woodmansee’s counsel as a mentor and as a scholar whose insistence on the interrelationships between reading, writing, theory, and practice would shape my own trajectory. I am deeply grateful for Martha’s vision in describing the Writing History and Theory concentration here at CWRU, and for the many hours of drafting we spent over the years on (too many!) proposals and visions for an approach to English Studies that integrates production and reception, reading and writing, history and future. Personally and professionally, I thank Martha for her engagement.

Kim Emmons (Case Western Reserve University)

Professor Woodmansee has had a profound effect on the direction of my scholarship and career. I took Dr. Woodmansee’s Fair Use course during the fall 2011 semester. In this class—which was made up of a mix of law students, English graduate students, and undergraduate students—Dr. Woodmansee pushed all of us to study copyright law, adaptation, and parody with a critical lens that few of us had previously applied. She allowed us to explore areas that we were interested in, and she helped us craft strong research projects. The essay I wrote for this class went on to be published in a leading journal in my field, which lead me to winning the Children’s Literature Association’s Emerging Scholar award in 2018. Professor Woodmansee not only supported my work in this class, but she also advocated for my work and cared about my progress as a student – even though she was not on my dissertation committee. As children’s literature is an emerging field, I was met with a great deal of hesitancy when I wanted to pursue a dissertation about picture books. Dr. Woodmansee never looked down on my work, and through her support, I was able to make a number of interdisciplinary connections which have transformed—and greatly improved—the scholarly contributions I am making. I am so grateful to have had such a strong role model early in my career.

Cara Byrne (Case Western Reserve University)

We are three researchers working in the field of English Literature and Culture at three different German Universites. In September 2017, we hosted a conference section on “The Value of Economic Criticism Reconsidered” in the framework of the yearly ‘Anglistentag’ in Regensburg. Given Martha Woodmansee’s expertise in this field of research, we were delighted and honoured that she accepted our invitation to give a plenary speech related to Economic Criticism—a field that she helped to establish. As co-editor and co-author of the foundational and fascinating anthology on “New Economic Criticism” (that was quoted throughout by nearly all speakers at the conference) and in view of her continuous research at the intersections of literature, culture, and economics, she proved an inspiring contributor to the interesting discussion we had. In the aftermath of the conference, we began to set up a network of mostly Germany-based scholars of English exploring methodologies of Economic Criticism. Martha’s pioneering thoughts proved an inspiration here as well. We wish you all the best, dear Martha, and thank you once again for your help and input!

Ellen Gruenkemeier (University of Hannover)
Nora Plesske (University of Magdeburg)
Joanna Rostek (University of Giessen)

Martha Woodmansee is a radical intellectual. For years she has collaborated with others, and with them built platforms to support collaborative projects, notably The Society for Critical Exchange. The university in ruins has little interest in collaboration of any sort, for how then can merit be evaluated? Martha has been deeply concerned with this problem of metrics and knowledge, as her work with Mark Osteen on the “new economic criticism” project makes clear. Together they organized and directed conferences to study the intersections of literature and economics. That’s how I first met Martha, when she invited me to participate. Literature and economics are, of course, now radically divided. The study of literature values the qualities of language and is part of the humanities, while economics is one of the social sciences, and measures value as a quantity expressed by curves of supply and demand intersecting on a chart. Many of us were curious about what we could learn by bringing these polar opposites into contact. Martha’s radical idea was to study where literature and economics intersected before each became a solitary discipline, fortified by disciplinary boundaries. She thought the intellectual energy thereby released could create a charge strong enough to short out disciplinary assumptions and explode received ideas. So it did.

I admire Martha’s work, her formidable intelligence, and equally formidable energy. It seems to me that her enthusiasm went far toward creating a force field in which all kinds of work were generated. One result was a collection of essays that she and Mark Osteen collaboratively edited titled The New Economic Criticism. I’m proud that I have an essay in the volume, but what I really value is Martha’s radical vision of intellectual work organized not according to lines on a vita, but as a collective project.

Martha’s skepticism about how value is evaluated and distributed is driven by curiosity, not cynicism. She is a person of great enthusiasm, for whom new pleasures were an occasion to celebrate. I learned to smoke this year when I was in Europe, she said, gleefully lighting a cigarette. But I’m giving it up – this last said without bitterness or resignation. Whether taking up smoking only to resign it, or analyzing the inescapable contradictions of so-called artistic autonomy and copyright law, there’s an imp of perversity that animates Martha’s undertakings. Given the bureaucratic rationalization of academic life, the contrariness of Martha’s work, especially her commitment to collaboration, runs counter to common sense. All of us who labor in the academy are in her debt, I think, for her work as the Director of the Society for Critical Exchange, and for the energies she has so liberally expended to envision and support intellectual possibility. She and I have not been in touch in a very long time, so I’m particularly happy to have this chance to say thank you, again, for your refusal to fall in line. I’m very grateful for your work on behalf of us all.

Christina Crosby (Wesleyan University)

Link to Tribute to Martha Woodmansee

Letter from the Chair

As this will be my last letter, I want to thank all of the departmental alumni and past and present faculty who have made my five years as chair as smooth as could be in such troubled times. In my first letter in this position I noted how distressed the Humanities were both locally and globally. In many respects the situation has only worsened. This last year, as many of you no doubt noticed, was a very challenging one, and I expect the next few years will present equally taxing difficulties. But one thing I have learned—we are a resilient group. It’s been a pleasure to work with and for you all. And as Zadie Smith says, “The past is always tense, the future perfect.”

Despite the turmoil, we accomplished a great deal in 2018-19. We saw a fifth consecutive year of growth in declared majors and credit hours taught in ENGL courses. Our literature, film, and creative-writing programs are on very sure footing, and we are planning to add a journalism minor. Participation of our Lecturers in SAGES, Engineering, and English as a Second Language continues to be a crucial component of our curricular efforts at the University. Our Colloquium series has again expanded, hosting exciting speakers—such as Jesse Sheidlower, former Editor at Large of the Oxford English Dictionary, and poet Toi Derricotte—and drawing larger and larger audiences. Eight of our majors received funding through the Tim O’Brien English Scholarships for Unpaid Internships for summer jobs ranging from working as a stage management intern for Cain Park to tutoring at a juvenile corrections facility. Guilford House was, in other words, a center of lively teaching, creativity, and critical engagement.

Our second home, Bellflower Hall, continues to blossom as the site of the Writing Resource Center and as the location of Writers House (our university-wide hub centered on the act of writing in all its variety), both of which are crucial parts of our departmental identity. This fall, we’re continuing to schedule events that are student-focused, including several creative writing workshops (the first of which is about writing the persona poem), as well as those welcoming community attendance, in particular “Black Women Writing Cleveland” which will be co-sponsored by the South Euclid/Lyndhurst Library. Our occupation of the entire building is now complete, as the offices on the third floor are finally habitable.

And, as always, there is our academic productivity: in 2018-19 four of us published books (Thrity Umrigar’s The Secrets Between Us, and Maggie Vinter’s Last Acts: The Art of Dying on the Early Modern Stage were single-author works while Joshua Hoeynck’s Staying Open: Charles Olson’s Sources and Influences and Brad Ricca’s The Artificial Man and Other Stories were edited collections). We have at least four more books pending this year. Collectively, over the last 12 months we published more than 30 essays, short stories, and works of poetry and drama with publishers such as The New Yorker, ELH, Poetry, The Quarterly Review of Film and Video, Paradoxa, Jewish Culture and History, Public Medievalist, Ariel, Shakespeare, and the Shakespeare Bulletin. We gave over 40 presentations at institutions and conferences ranging from the CEA, ALA, MLA, ASECS, MELUS, the Modernist Studies Association, the Asian EFL Journal, the University of Michigan, the National University of Ireland, and Colby College. It was an especially good year for awards and prizes: Michael Clune received a Guggenheim Fellowship; Kim Emmons the CWRU Outstanding Faculty Award for Student Development; Sarah Gridley the Green Rose Prize and The Emily Dickinson Award; and Maggie Vinter the Diekhoff Award for Outstanding Graduate Student Teaching. Michael Householder and Martha Schaffer were named Freedman Faculty Fellows, Eric Chilton and Kristine Kelly received the SAGES Excellence in Writing Instruction Award, and Anthony Wexler The WRC Excellence in Consulting Award. Leah Davydov, Philip Derbesy, Daniel Lutrull, Melissa Pompili, Camila Ring, and Brita Thielen won either Adrian-Salomon Fellowships or Timothy Calhoun Prizes, and Daniel Lutrull was the recipient of the 2018 Neil MacIntyre Prize.

As another well-known writer says, “What’s past is prologue.”

–Christopher Flint

FACULTY NOTES

Cara Byrne presented a paper, “Reading Cleveland is a Warm, Fuzzy Place in Tamir Rice’s Cleveland: Regionalism, Activism & Response in Picture Books,” at the annual ChLA conference in June.

Michael Clune‘s “The Fear of Judgment” appears in the Chronicle of Higher Education.

Susan Dominguez served as consultant on Zitkala-Sa (1876-1938) for the documentary UNLADYLIKE2020 — a documentary series featuring 26 extraordinary and unsung American women from the turn of the twentieth century, which will launch in 2020, in honor of the 100th anniversary of women’s suffrage and the 55th anniversary of the Voting Rights Act.

The Daily features Sarah Gridley.

Mary Grimm‘s story, “Back Then,” is online at the New Yorker website.

Denna Iammarino, Caitlin Kelly, and Kristine Kelly led an interactive workshop on digital writing at the Digital Pedagogy Institute 2019 hosted by the University of Waterloo.

Megan Jewell presented a paper titled,”Writing Centres, Human Capabilities, and Collaborative Well-being” at the Writing & Well-Being Symposium at the National University of Ireland, Galway, in April.

Wei Jiang presented a poster titled “The Effects of Using Social Media for Collaborative Academic Writing in an EFL Writing Classroom” at the Second Language Research Forum 2019 Conference in East Language, MI and won the 2nd place in the conference poster competition.

Kurt Koenigsberger gave a presentation on outcomes and assessment in humanities partnerships at the University of Michigan/Henry Ford College 2019 Transfer Bridges May Institute in Ypsilanti.

Shaofei Lu presented at the CWRU 3rd Annual Student Success Summit with Yuening Zhang from KSL Their presentation was titled “From ‘novice’ to ‘expert’: Enhancing international students’ learning experience.”

Dave Lucas read at the Poetry Showcase at the Ohio State Fair.

William Marling was the keynote speaker at the “World Editors” Conference on July 1 at Schloss Herrenhausen, Hanover, Germany. Scholars, editors, and agents from three continents discussed “gatekeeping,” the paradigm of Marling’s award-winning 2016 book Gatekeepers: The Emergence of World Literature and the 1960s (Oxford UP). Marling spoke on “Gabriel Garcia Márquez and Carmen Balcells: Prospect Theory on the Field of Literature.”

Marilyn Mobley wrote a piece honoring the life of author Toni Morrison.

James Newlin‘s article “Excellent at Faults: The Experience of Twelfth Night and History of Madness” appears in Journal of Dramatic Theory and Criticism 33.2 (Spring 2019): 27-44.

On August 23rd, Brad Ricca read from and discussed his recent edited volume, The Artificial Man and Other Stories (Belt Publishing), a collection of stories from the 1920s and ’30s, by “forgotten,” Cleveland-based writer Claire Winger Harris.

Martha Schaffer and Michael Householder have been named 2019-2020 Freedman Faculty Fellows.

Robert Spadoni has published “What is Film Atmosphere?” in the Quarterly Review of Film and Video.

Thrity Umrigar will talk about the inspiration for her new novel and the challenges of writing a sequel, The Secrets Between Us, on October 7th. Tinkham Veale University Center. 5:00 p.m.

Hayley Verdi participated in the summer seminar, “Reading Social Justice: The Anisfield-Wolf Book Awards,” sponsored by the Cleveland Humanities Collaborative (CHC), Writers House at CWRU, and Cuyahoga Community College.

Maggie Vinter‘s book, Last Acts:The Art of Dying on the Early Modern Stage, has been published by Fordham University Press..

Garret Waugh presented a paper entitled “The Presence of Narrative as Protest” at the Marxist Literary Group’s Institute on Culture and Society.

Anthony Wexler delivered a public lecture in August as part of the Eastside Conversations Program. The title of the lecture was “Israel in Jewish American Literature.” The program is run by the Siegal Lifelong Learning Center. .

Tim O’Brien Internships and Travel Grants

Funded through generous donations from English Department alumnus Tim O’Brien (‘74), two new competitive financial awards for undergraduate English majors were established in 2018. The Tim O’Brien English Scholarship for Unpaid Internships supports undergraduate English Majors who are participating in an unpaid internship at CWRU or elsewhere. The Tim O’Brien English Research Travel Support Fund offers travel awards to undergraduate English Majors for research projects relating to an English class (such as presenting a conference paper, conducting archival research for a capstone project, visiting a distant museum, etc.).

Adam Benjamin:

I worked on the Stage Management team for Ragtime the Musical at Cain Park. I consider the internship divided into two very distinct phases: rehearsal and performance. Rehearsal occurred throughout most of May and was specifically challenging given my skillset before this summer. The tasks delegated to me were ones I was unfamiliar with, managerial and secretarial tasks to which I was unaccustomed: filing paperwork and actor medical forms, coordinating the set-up and strike of the rehearsal hall each day, learning and applying movement and choreographic notation into our scripts, learning and maintaining actor safety and occupational standards mandated by Actor’s Equity Association. The second phase was performance. This is an ongoing process that presents its own specific challenges to organize and repeatedly facilitate the completion of Ragtime’s performances. I attribute my comprehension of my stage management duties to the guidance of my Stage Manager, Tom Humes. However, there were times I was faced with specific actor-related issues that I was inclined to solve myself, as there was often little room for deference. Usually issues like this are injury related, benign or severe. One of the most important things I have learned is something that was always intrinsically mine; I have found that I possess an innate quality that enables me to be adamantly calm in the face of extreme stress. Theatre as a process is riddled with mistakes. It is what makes it so evocative, even spiritual. This perspective has expanded the lens through which I view Theatre, elucidating for me how precious calm and calculative action is in stressful situations.

Aimee Wiencek:

While working at Behrman Communications, I learned and practiced a variety of different skills essential to the success of a public relations firm. These skills included daily monitoring, press clippings and placement emails, mailing send-outs, putting together briefing books, writing inventory emails, as well as writing pitches and emails to be sent to magazine editors and influencers. For instance, each week, we look at all of the mentions of our clients or brands from our daily monitoring lists and these links/articles in the press are “clipped” and put into our placement email for each client. For press clippings, we go to the site linked and screen shot different sections of the article. We place all of the info we gather into one Word document and then write the placement email about it. In the email we include: the link to the article, the article title, the product mentioned, the image and blurb about the product, the retailer listed to purchase the product, and the UMV (unique monthly visitors) of the site. The placement emails are sent off to our clients. Also, a PR agency will send out a pitch to different influencers, editors, and bloggers in the hopes that they will want to try out our clients’ products and post about it. A pitch is usually somewhat witty, with an alluring subject line that pulls the person in wanting to know more. The inside of the message itself can also be playful, but essentially explains the product in more detail, the price, where to buy it, and asks if they would like to receive the product for no cost. My time at Behrman Communications was incredibly rewarding and insightful. I was able to see the ins and outs of a public relations agency as well as what makes a business successful, especially since the CEO of the company came into the office each day and was very involved with the daily work. During my time at Behrman, I was exposed to many exciting opportunities. For starters, I was able to sit in on many client calls and meetings. This was beneficial in seeing exactly what we were doing for the clients, as well as hearing any problems and the solutions that were going to be used in order to fix them. During my last week, I was given more responsibility related to writing creative pitches as well as writing important emails directly to influencers.

Jack McDonald:

This summer, I was able to intern at Little Lake Theatre in Canonsburg, Pennsylvania, a small community theatre focused on bringing drama and live performance to those for whom it may otherwise be inaccessible or too expensive. As well as putting on shows for kids, adults, and families, Little Lake Theatre also has specific programs in place to help those with sensory overload issues and hearing disabilities enjoy theatre as well. There was a lot of taking ticket sales and interacting with customers, but my supervisor made sure to keep me busy with all kinds of special projects and learning experiences. I did a lot of work with the ticketing database, searching through it, exporting data, and arranging the data in meaningful ways, such as to target specific groups of customers. There was also a lot of advertising work: I wrote articles for local papers and magazines advertising the shows, descriptions of different shows and events, and even researched and wrote about locations for a charity bike trip the theatre was raising money for. There was never a dull day and always something new to do. Overall, my English classes really helped me over the course of the summer, just in the realm of communicating with other people, whether it be directly on the phone or through written advertisements. CWRU’s English classes have taught me to make sure every word I put out there has purpose, and how to persuade people with the power of language.

Sarah Parr:

I was a public relations intern with AGW Group this summer in the Brooklyn, New York, office. This internship included researching and compiling media outreach lists, pitching ideas, cold-communicating, writing press releases and more. I learned how to find potential media outlets and journalists, as well as their contact information, and timely stories and angles to pitch them. I practiced differentiating public relations writing from journalistic coverage, which is a skill I learned I needed during my journalism internship last year. In addition to my daily tasks, my bosses asked my fellow interns and me to take on projects ranging from the company’s social media enhancement to PR for the company. We researched conferences, awards, and “best-of” lists tirelessly, as AGW’s primary focus is on its own clients, not its own PR. Researching online was a big part of this internship, as well as synthesizing information to form short and sweet, yet effective, pitches and press releases. My bosses at AGW were really into the idea of interns playing an integral role in the company, so in addition to doing my own work, I would sit in on weekly calls, consultations, and media preps with clients. It was so funny listening to PR experts advise presidents of companies on what to say when being interviewed by reporters.

Halle Rose:

Interning for Exploradio wove together several of my interests across different fields, namely those in journalism and science. The material I interviewed professors about and produced content on generally revolved around deeply technical topics with extensive scientific implications, many of which occurred within the medical field. In an effort to make the content I would be writing about more accessible to a general audience (i.e. one that may not have a background in science), I conducted my interviews in a manner that would allow me to learn not only about the technical research itself, but also about the real-life applications of the work each professor was doing. Having a background in science myself, but being fairly comfortable catering the information I communicate to different audiences, I felt as though I was in a position to act as a liaison between the scientific community, a journalistic medium, and the general public. More specifically, I was able to use an accessible medium to produce accessible content that was not restricted to a particular interested community on account of medium, vernacular and semantics. This internship has provided an excellent opportunity for me to apply the skills I have thus far been cultivating in the classroom, including generating original ideas for journalistic pieces, contacting and arranging to meet with interviewees, both planning for -and improvising during – interviews, organizing and distilling information I collect, creative problem-solving when need be, and meeting deadlines.

Josiah Smith:

Volunteering at the Correctional Facility was a unique and unprecedented exploration into my educational journey. When I first met with the program’s director, Brittany Miller, she described to me the scope of the program. Several of the students did not have a solid grounding in sentence structure, diction, or basic grammatical practices. We needed to get the students up-to-speed on these core rudiments of writing. I suggested that we begin our studies with poetry—specifically within the context of lyric and rap. I had Brittany collect all of the favorite songs of our students. In preparing my lesson plans, I went through all of their songs and noted various rudimentary techniques that are traditionally used with the context of the poem. Since our first meeting was just trying to understand the bare-bones of the genre, we focused on items such as form, sound, imagery, and metaphor. This lesson was critical because it allowed me to understand the pace of learning. I also got a solid understanding of the environment that we would be learning in as well as any challenges that I could foresee. We quickly transitioned to the next portion of poetry writing where we explored composing poetry instead of simply interpreting. Their poems were incredible. They were so very insightful and encompassed a broad range of topics. Some featured the incredible loss in their lives, lovers that had betrayed, or simply the things they’d done that day. I felt that we had achieved something great by begging of their creativity rather than constricting it within constraints that weren’t complimentary to the topics.

ALUMNI NEWS

Iris Jamahl Dunkle (’10) has a poem in Whale Road Review.

The Robert E. Howard-related podcast, “The Cromcast,” hosted Nicole Emmelhainz-Carney (’14) and Jason Ray Carney (’15) for an episode.

Melissa Pompili (’19) had an article published in the Journal of Medical Humanities.

Jess Slentz (’17) will return to campus as a CWRU Alumni Board Member. Her first term willl commence in November, 2019.

Brei Tinsley (’19) is going to teach at Jungan Middle School in Gongju, South Korea.

In Memoriam

Lee K. Abbott passed away on April 29, 2019. For those of you who did not know him, Lee received his bachelor’s and master’s degrees from New Mexico State University. After studying at Columbia College, he earned his Master of Fine Arts from the University of Arkansas in 1977. He served on the faculty of the English department of Case Western Reserve University from 1976 to 1989, during which period he won one of his two O. Henry Awards and all three of his Pushcart Prizes. Lee was awarded the Cleveland Arts Prize for Literature in 1982. His collection, The Heart Never Fits Its Wanting, won the 1980 St. Lawrence Award for Fiction; he has twice been nominated for the Pulitzer Prize in Fiction; and his stories have been included in The Best American Short Stories and other anthologies. At CWRU, he earned tenure and was promoted to associate professor in 1983, then full professor in 1987, and in 1988 was named The Samuel B. and Virginia C. Knight Professor of Humanities. In 1989 he became a professor of English at Ohio State University, where he taught until his retirement in 2012 and was recipient of the 2004 Alumni Distinguished Teaching Award. In 2007 OSU promoted him to Humanities Distinguished Professor. Lee took several leaves to teach elsewhere, including Colorado College, Washington University, and Rice University. He also taught as a writer-in-residence or as visiting faculty in many programs, including The Kenyon Review Writers Workshop, The Iowa Summer Writing Festival, and the University of Central Oklahoma.

Lee was the author of Dreams of Distant Lives, Strangers in Paradise, Love is the Crooked Thing, The Heart Never Fits Its Wanting, Living After Midnight, Wet Places at Noon, and All Things, All at Once: New & Selected Stories, all collections of stories. His many short stories and reviews, as well as articles on American literature, appeared in such journals and magazines as Harper’s, The Atlantic Monthly, The Georgia Review, The New York Times Book Review, The Southern Review, Epoch, Boulevard, and The North American Review. His fiction has been reprinted in The Best American Short Stories and The Prize Stories: The O. Henry Awards. He twice won fellowships from the National Endowment for the Arts, and was awarded a Major Artist Fellowship from the Ohio Arts Council in 1991.

Lee was married to Pamela Jo (Dennis) Abbott, who died of cancer in 2014. At the time of his death, his wife was Natalie (Walston) Abbott, a writer and public relations professional. The two were married on November 25, 2017. Lee had two sons with Pamela: Kelly and Noel and multiple grandchildren. Natalie has one son, Tyler Walston, who lives in Denver.

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Professor James Griffith Taaffe passed away at age 86 on July 3, 2019. A Professor of English at Western Reserve University (now Case Western Reserve University) from 1964 until 1990, he specialized in seventeenth-century English literature and was a noted Milton scholar. A National Scholar recipient, he earned his BA (1954) and MA (1956) in English from Columbia College, and his PhD in English (1960) from The University of Indiana, Bloomington. His distinguished half-century academic career began at Williams College (1959-62) and Vassar College (1962-64). At CWRU, Jim served in several important capacities, including Department Chair of English, Assistant to the President, Dean of Graduate Studies, Vice President for Undergraduate and Graduate Studies, and University Vice President for Academic Affairs, and was subsequently named Professor Emeritus of English and University Vice President Emeritus of Academic Affairs. In 1990, Jim joined The University of Alabama as Professor of English and as Academic Vice President and then Provost, a position he maintained from 1990 until 1996. He retired from the University of Alabama in 2005 as Professor Emeritus of English.

Jim authored or co-authored six books on seventeenth-century poetry and numerous articles on Milton, Donne, and Jonson, among others. His courses on seventeenth-century English literature at CWRU and Alabama were famous for their precision and thoroughness. Between the two schools, he directed over twenty dissertations and an even greater number of MA theses. To this day, alumni from our department reminisce about how he introduced them to the wonders and rewarding difficulties of classic literature. As a representative of the College Board, Jim also chaired the Advanced Placement English Exam from 1967-73, and served as a consultant for several Ohio Boards of Education. The many awards he received over the course of his career included the New York State Fellowship in Oriental Literature, Newberry Library Fellowship, and National Endowment for the Humanities Fellowship.

Jim was married to Donna Kay Click until her death in 1986. They had two children, Lauren Taaffe and Patrick Taaffe. In 1987, Dr. Taaffe married Allison Scott Blair of Cleveland, Ohio, becoming stepfather to Michael Taaffe, who sadly passed away in 2008. Jim is survived by Allison; his children, Lauren and Patrick and their children; his nieces Mary Jane Stuart and Karen Thomas Griffith and their children; and his nephew Bill Thomas and his children.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to department chair Christopher Flint (cxf33@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: September 2019 appeared first on Department of English.

Department of English Newsletter: December 2019

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Carl Phillips Award/Undocupoets Residency/Faculty Notes/Black Women Writing Cleveland/ Alumni News

Carl Phillips Receives Alice Dunbar Nelson Award 

Over fifty people attended the second annual Alice Dunbar Nelson Award Ceremony on September 27th, 2019, to honor the lifetime achievement of Professor Carl Phillips for his poetry—which he shared at the English Department Colloquium earlier in the day—as well as his work on classical literature, American literature, and African American life and culture. The event was co-sponsored by the Department of English; the Office of Inclusion, Diversity, and Equal Opportunity; the Baker Nord Center for the Humanities; the Social Justice Institute; and the Great Lakes African American Writers Conference. Brief remarks were offered by Professor Christopher Flint, Chair of the Department of English; Provost and Executive Vice President of CWRU Ben Vinson; Professor Joy Bostic, Interim Vice President for Inclusion, Diversity, and Equal Opportunity; and the Reverend Doctor Leah Lewis, Chairman of the Board and Acting Executive Director of Little Lumpy’s Center for Educational Initiatives in Literacy, Learning & Technology and the founder and Executive Producer of the Great Lakes African American Writers Conference.

Carl Phillips is the author of fourteen books of poetry, including, most recently 2018’s Wild is the Wind, winner of the LA Times Book Prize, and 2015’s Reconnaissance, winner of the PEN Center USA Literary Award and the Lambda Literary Award. He has also published two collections of essays and translated Sophocles’ Philoctetes. A four-time finalist for the National Book Award, and a finalist for the National Book Critics Circle Award, he has also received the Kingsley Tufts Poetry Award; the Award in Literature from the Academy of Arts and Letters; the Theodore Roethke Memorial Foundation Poetry Award; the Thom Gunn Award for Gay Male Poetry; and numerous fellowships (among other accolades). He served as Chancellor of the American Academy of Poets from 2006-2012, has since 2011 been judge for the Yale Series of Younger Poets, and has long been Professor of English at Washington University in St. Louis, where he teaches creative writing.

Undocupoets Residency

By Cammy Ring

 

 Javier Zamora (left) and Marcelo Hernandez Castillo (right) after their readings at the English Department colloquium on Friday, November 8th.

“By way of fear, along came poetry.”

I was struck by this quote when I first read it in an interview with poet Marcelo Hernandez Castillo, who was speaking on how writing poetry became, for him, a way to offset any “suspicions about my documentation status.” It’s not often in poetry social circles that we talk about—or have the opportunity to hear from—poets whose lives have been radically affected by something like documentation status. But recently, CWRU’s English Department, in collaboration with The Social Justice Institute and Writer’s House, embraced the opportunity to learn more when they hosted and sponsored a week-long residency with poets (and Undocupoet co-founders) Marcelo Hernandez Castillo and Javier Zamora.

I therefore had plenty of opportunities to ask Castillo about the aforementioned quote—does fear continue to play a role in his poetry today, I wondered, or was that just at first?—and other poetry-related matters. The first event was a roundtable discussion and audience Q&A that featured Castillo, Zamora, journalist James Sheeler, and Dr. Damaris Puñales-Alpízar. The topic was “poetry and the media”—specifically, how poems re-document, interrogate, or re-mediate reported facts pertaining to immigration. Zamora pointed out just how long the immigration crisis has been in progress (it’s been decades, even though it’s peaking now) and how this complicates the idea of writing poems “after” media. In his newest series of poems, each titled “[Immigration Headlines],” Zamora is, as Professor Sarah Gridley notes, “intent on giving voice to children’s perspectives, . . . he wants to re-sensitize us as readers by defamiliarizing content in relation to form.”

Castillo and Zamora also participated in a Q&A brunch with students focusing on creative writing and social justice. They openly conversed on topics ranging from poems and relationships (“even my best friends don’t know about certain memories I put in my poems,” Zamora said) to immigrating to the U.S. (Castillo came from Mexico at age 5 with his family; Zamora traveled alone, at age 9, from El Salvador) to how they really feel about being in the spotlight. At one point, a student asked about their experience with the U.S. healthcare system. Castillo bluntly replied, “well, one time I got hit by a car [. . .] and when the lady tried getting help, I told her, ‘Don’t call an ambulance! I’m fine!’ And then I just kept walking to school.”

The residency sponsors also hosted a Benefit for HOLA Ohio, a nonprofit organization that aims to empower Latino communities in Northeast Ohio. Taking place at BottleHouse in Cleveland Heights, the Benefit featured readings from local poets, readings from Castillo and Zamora, music from local artists, and a silent auction with donated work by local artists.

The Benefit had a wonderful turnout. Perhaps the most colorful part of the evening was Zamora’s performance of a poem set to the rhythm of merengue and the call-and-response vocals of Kinito Méndez.

The week’s events ended with a reading by Castillo and Zamora at the English Department’s weekly colloquium. Castillo read poems from his 2014 collection Cenzontle and excerpts from his forthcoming memoir, Children of the Land (2020). Zamora read poems from his 2017 collection Unaccompanied. Castillo’s reading was soft-spoken, and a quiet devastation often hummed under his taut verse (“The bird unraveled its song and became undone. / It couldn’t figure out / its own puzzle in its mouth / so it gave up.”). Zamora’s reading was sometimes theatrical and ironic, as when he mimicked the flat Spanish spoken by a white man guarding the border. But other moments were more quiet, serious. Still, Castillo and Zamora both shared that they do not want to exclude joy or humor or beauty from their poems, and Castillo emphasized that beauty is not mutually exclusive from pain.

While I never ended up asking Castillo my initial question, I think it might be safe to speculate that courage, perhaps, has supplanted fear in his poetic practice. Or maybe the two work collaboratively in unexpected, generative ways.

Faculty Notes

Cara Byrne participated on a panel with LeVar Burton and Joy Bostic titled “Ethical Leadership in the Arts: The Power of Storytelling and Representation” as part of the Inamori Ethics Prize Academic Symposium.

Michael Clune responds to his critics in a new Chronicle piece: “The Hypocrisy of Experts.”

Gusztav Demeter was selected for the Learning Fellowship program by The University Center for Innovation in Teaching and Education (UCITE) for Fall 2019.

Susan Dominguez presented a lecture at the American Indian Studies Colloquium, at the University of Wisconsin-Madison, entitled, “The ‘tiny horrors’ of Cultural Genocide: Indigenous Children in American Indian and Canadian Residential Schools, 1860-1970.”

Sarah Gridley has a poem forthcoming in the anniversary edition of Diode.

Mary Grimm‘s story, “Sisters,” has been published in The Colorado Review.

Kimberly Emmons and Martha Schaffer presented at the 2019 Feminisms and Rhetorics Conference on writing program mentorship on November 16th. Their presentation was titled, “WPA Mentorship Sites for Feminist Activism and Agency.”

On November 5th, Caitlin Kelly gave a work-in-progress talk, “Domestic Horrors in the Age of Revolution: Acid Throwing in Leonora Sansay’s Secret History; or, the Horrors of St. Domingo,” at the Baker-Nord Center for the Humanities.

The fifteenth installment of Dave Lucas’s “Poetry for People Who Hate Poetry” has been published.

Marilyn Mobley has been elected to the Ohio Humanities Council for a two-year term beginning November 1, 2019.

James Newlin‘s review of the Slate.com podcast Lend Me Your Ears was just published at Borrowers and Lenders: The Journal of Shakespeare and Appropriation (vol. 12, no. 2, Spring 2019).

John Orlock gave a series of lectures on Shakespeare, Miller, and Wilson at CWRU-Siegal Lifelong Learning in early December.

Brad Ricca’s Mrs. Sherlock Holmes is the subject of this episode of Criminal, a podcast.

In November, James Sheeler was a panelist for “Fake News in the Post-Truth Era,” a professional panel hosted by the Global Ethical Leaders Society (a student group associated with the Inamori Center).

In September, Thrity Umrigar spoke at Club Book at the Hennepin County Library in Minnesota.

Maggie Vinter gave a Faculty Work-in-Progress lecture, “Hamlet’s Earworms,” in early October.

Anthony Wexler delivered a public lecture on Anne Frank’s Legacy at Ohman Family Living. It was the first talk in a new lecture series organized by CWRU’s Siegal Lifelong Learning Program.

ALUMNI NEWS

Iris Jamahl Dunkle (’10) gave a reading at the Napa Bookmine in November.

Raymond Keen (’63) has three poems published in the online literary journal Unlikely Stories Mark V.

Marie Lathers (‘15) has a piece in Flash Fiction Magazine

Writers House Invites Local Black Women Writers

Charlotte Morgan, Mary Weems, and Michelle R. Smith.

According to bell hooks, “No black woman writer in this culture can write ‘too much.’ Indeed, no woman writer can write ‘too much…’ No woman has ever written enough.”

On November 17th, Charlotte Morgan, Michelle R. Smith (’98), and Mary Weems, three African American writers with strong Cleveland roots, spoke about their work and writing lives in front of an audience at the South Euclid-Lyndhurst Library’s William N. Skirball Writers’ Center.

The event, Black Women Writing Cleveland, was co-sponsored by the Library and CWRU’s Writers House. The writers participated in a free-ranging discussion talking and testifying on education, Cleveland schools, their mentors and influences, the place of the artist in the 21st century, and the particular difficulties and joys of being a writer.

  • “This is the space that makes us who we are as writers.” Michelle R. Smith
  • “Stop complaining and start chronicling where you live.” Charlotte Morgan
  • “This city is the lens I see the world through.” Mary Weems

To cap off the discussion, all three shared some of their work. Charlotte read from her work-in-progress, Glenville, My Side of Paradise: A Memoir on Race and Place. Michelle (who is a CWRU alum) read poems from her collection, Ariel in Black, and new poems from a series on the wives of jazz musicians. Mary read a selection of poems – including some from her new manuscript, Fall and Response.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to department chair Christopher Flint (cxf33@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: December 2019 appeared first on Department of English.

Department of English Newsletter: March 2020

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Letter from the Chair/Shakespeare and Psychoanalytic Studies/Faculty Notes/The Rhetoric of Cookbooks/Alumni News

Letter from the Chair

Dear Friends of English,

I hope everyone is doing well and adjusting to the upheaval created by COVID-19. I realize how difficult this period of uncertainty is and will continue to be in the near future. I am saddened to know that the activities and people that customarily energize CWRU’s campus at the close of the academic year will not be present in the coming weeks.

But I have been deeply impressed and heartened by the willingness and collegiality with which our students, staff, and faculty have adopted remote teaching, research, and administration. Our undergraduate and graduate classes in literature, creative writing, rhetoric, linguistics, composition, film, and journalism continue in lively if reconfigured form. Dissertations continue to be soundly defended. New majors are still being declared; students are still submitting essays, poems, and stories for our departmental awards; the office staff are still fielding phone calls and emails in their dedicated service to the department’s organizational needs. Our professors, instructors, lecturers, and graduate students continue to apply the highest standards to their teaching, research, and scholarship. Even though most of our work must now be conducted remotely, we continue to be a genuinely collective enterprise.

To those of you who have sent me your concerns, support, and acknowledgment of our faculty and staff—my sincere thanks. It is vital that we remain caring and connected as we confront this season of stress and dislocation.

“This is not what I had planned; but perhaps the story you finish is never the one you begin.” —Salman Rushdie

Chris Flint

Shakespeare and Psychoanalytic Studies

by James Newlin

Vera Camden

On February 28th and 29th, Case Western Reserve University hosted an interdisciplinary symposium, titled “New Directions for Shakespeare and Psychoanalytic Studies.” The purpose of our symposium was to bring literary scholars and clinicians together to consider the current status of Shakespeare in psychoanalytic studies, the place of psychoanalysis in Shakespeare studies, and the future of both disciplines.

The symposium commenced with a plenary speech delivered by Dominique Scarfone, a clinical analyst and much acclaimed psychoanalytic scholar based in Montreal. Dr. Scarfone’s talk, titled “The Readiness for Transference: Hamlet’s Lesson,” demonstrated the influence that Shakespeare’s Hamlet had not only on Freud’s conceptualization of the oedipal complex, but also the process of transference as experienced in the psychoanalytic clinic.

Our Saturday sessions included three paper panels and two plenary talks. Plenary speakers included Vera Camden, a professor of English at Kent State University and a practicing psychoanalyst associated with the Cleveland Psychoanalytic Center, and Richard Burt, Professor of English at the University of Florida. Professor Camden gave a paper calling for a “literary psychoanalysis,” explaining how her work as a scholar of literature informs her clinical experiences. For instance, she shared how her reading of Philip Roth’s The Dying Animal led to new opportunities for an empathetic, transferential exchange with one of her patients. Professor Burt compared the editorial challenges faced by scholars of Shakespeare—particularly when considering corrupt texts like Timon of Athens—with the choices made by eighteenth-century novelists like Samuel Richardson and Laurence Sterne in their “edited” epistolary novels. An energetic conversation followed, as the conference participants and attendees debated the points of intersection between these editor figures and the analyst who makes sense of either a clinical or literary expression of meaning.

Saturday also included three two-person panels, addressing the topics of tragedy, adaptation, and gender. Panelists included: Russ Bodi of Owens Community College and the Ohio Valley Shakespeare Conference, Gabriel Rieger (’07) of Concord University, independent scholar Christian Smith, James Newlin of CWRU, Laura Evers of CWRU, and James Marino of Cleveland State University. These panels were chaired by Luke Reader, Denna Iammarino, and Megan Griffin, all of CWRU.

Around three to four dozen attendees cycled in and out throughout Saturday, and a number of attendees were present for the entire event. The event was attended by a number of CWRU undergraduate students, as well as students from Kent State University and Cleveland State University. A number of clinicians associated with the Cleveland Psychoanalytic Center were also in attendance, thanks to that organization’s publicizing efforts. This was a successful symposium that considered Shakespeare and Freud—two of our most familiar writers—in new, and newly critical, lights.

This symposium, held in Writers House’s home on campus, Bellflower Hall, was made possible by a grant by the Baker-Nord Center for the Humanities. The symposium was co-sponsored by the Cleveland Psychoanalytic Center, and also received support from Writers House and CWRU’s Department of English.

Gabriel Rieger (’07)

Faculty Notes

Mary Assad‘s chapter, “Gendered Risk and Responsibility in the American Heart Association’s Go Red for Women Campaign,” will be published in the edited collection, Interrogating Gendered Pathologies, forthcoming June 2020 from Utah State University Press. This collection features scholarship in rhetoric, medicine, and women’s and gender studies.

Cara Byrne presided over a roundtable presentation titled “Confronting Racism and Celebrating Diversity: Cleveland’s Anisfield- Wolf Book Award” at the Modern Language Association Conference in Seattle in early January.

Michael Clune presented “Radical Epistemologies/Conservative Politics” at the Modern Language Association Conference in Seattle in early January.

Alexis Colucy is presenting at the Popular Culture Association in Philadelphia in April. The title of her presentation: “‘Your Love is too Thick’: A Historical and Literary Analysis of African-American Motherhood In Morrison’s Beloved and Jones’s An American Marriage.”

Yasmin DaSilva will present her paper, “A Spectrum of the Performative Nature of Father & Son Relationships in Contemporary Literature,” in the Fatherhood & Popular Culture panel at the Popular Culture Association conference this April.

Leah Davydov, Laura Evers, and Joseph Spieles participated in the colloquium “What Are Our Grads Researching?”on February 14th.

Gusztav Demeter presented on “Using Corpus Linguistics in Teaching Writing Across the Curriculum or in Specific Disciplines” at the “Applied Linguistics and Language Teaching: Making Connections” Conference in Perth, Australia, on November 27th.

Philip Derbesy’s article, “Reading Cinematic Allusions in the Novels of Jack Kerouac,” will appear this year in The Journal of American Culture.

On November 22nd, Susan Dominguez presented a lecture at the American Indian Studies Colloquium at the University of Wisconsin-Madison, entitled “The ‘tiny horrors’ of Cultural Genocide: Indigenous Children in American Indian and Canadian Residential Schools, 1860-1970.”

Kimberly Emmons and Martha Schaffer presented at the 2019 Feminisms and Rhetorics Conference on writing program mentorship on November 16th. Their presentation was titled “WPA Mentorship Sites for Feminist Activism and Agency.”

Sarah Gridley‘s book Insofar is available for order.

Mary Grimm will be one of the 2020 Artists in Residence at Headlands Center for the Arts.

Caitlin Kelly has been selected to participate in the Jane Austen Society of North America Annual General Meeting here in Cleveland in October 2020. She will be co-leading a breakout session, “Well Behaved Women Seldom Make History: Jane Austen, Women Historians, and Histories,” with Dr. Misty Krueger of the University of Maine-Farmington.

Amber Kidd‘s paper, “‘A Strong Mind, Soft Heart’: The Radical Empathy in the Life Writings of Sophie Scholl” that she presented at Southern Atlantic Modern Language Association last autumn, was nominated for their Graduate Student Essay Award.

Kurt Koenigsberger presented a paper at the International Conference on Narrative in March in New Orleans titled “Wonderful Windows: Frames, Aspiration, Allegory.”

Dave Lucas has an essay in Cleveland magazine: “When the Lake Freezes.”

Daniel Luttrull’s poem, “The View From a Cafe in Ethiopia,” came out in America.

Marilyn Mobley gave the Sojourner Truth Lecture at George Mason University.

Caitlin O’Brien was accepted to the Pop Culture Association Conference in Philadelphia this coming April.

In December, James Sheeler visited mass communications classes and English classes at Troy High School.

Robert Spadoni has published “The Machine in the Ghost: Writing Women in Supernaturalin The Quarterly Review of Film and Video.

Brita Thielen gave a lecture, “Consuming the Past: Food Metaphors in the Intergenerational Food Memoir,” as part of the Graduate Student Work-In-Progress Series at the Baker Nord Center on January 30th.

Hayley Verdi will co-lead a reading seminar on the Anisfield-Wolf Awards sponsored by the Baker Nord Center, Kelvin Smith Library, and the Martin Luther King Celebration Committee. The seminar meets monthly during the semester to discuss recent winners of the Anisfield-Wolf Book Award, and is free and open to the public.

Anthony Wexler has an essay in CWRU’s First Year.

Allyson Wierenga will deliver a presentation titled “‘I pray Dad / won’t get arrested’: Challenging Racial Stereotypes with Middle Grade Verse Novels” for a Children’s Literature Society panel at the American Literature Association Conference in San Diego in May.

Invitation to the Unknown: Reframing the Rhetoric of Cookbooks

by Brita Thielen

If cookbooks are primarily oriented around pleasure, can they also give voice to painful truths and histories?

This is the question at the heart of Carrie Helms Tippen’s new book project, The Urgency of Pleasure: Theorizing a Rhetoric of Pleasure in Contemporary Cookbooks. However, Tippen posed additional questions to the audience at her February 7th colloquium lecture: how can I consider this question with the richness it deserves? What other, smaller, questions do I need to consider? Whose ideas or theories—what perspectives—am I missing?

What struck me most about Tippen’s lecture was her willingness to invite us into the unknown. Her talk was less of a lecture than a proposal: she began by outlining her book project, then led us through what is currently the book’s rough introduction. After 30 minutes, the audience was invited to ask questions, make suggestions, and point out weak spots in her framing. While listening to a scholar’s work-in-progress is not anything new to our colloquium, Tippen went further than any other scholar I have seen in inviting the audience to think through her difficult question with her. The result was a vibrant and intellectually stimulating Q&A, ranging from reading and theorist suggestions to links between food and pain in religious traditions. For over 40 minutes, English graduate students and Tippen energetically exchanged ideas, transforming Q&A into what better resembled a symposium. At the risk of sounding sappy, I think everyone in the room felt we were truly building—rather than performing—knowledge together.

As scholars-in-training, graduate students are advised to grapple with difficult questions. Yet so often in academic presentations, what we observe is the defense of answers. While I’m not claiming that we should abandon the practice of sharing what we know, it can be illuminating to watch someone sit with their difficult question. Scholarship always begins in the unknown, but part of the process is uncomfortable, messy, and vulnerable.

I, for one, am still thinking about her difficult question weeks after her talk, and I look forward to reading her book to see what answers we helped shape.

Carrie Helms Tippen is Assistant Professor of English and Director of First Year Writing at Chatham University in Pittsburgh, PA. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Carrie is a host of the podcast New Books in Food from the New Books Network.

ALUMNI NEWS

Nicole Emmelhainz-Carney (’14 ) has two poems published in Pidgeonholes.

Marie Lathers (’15) has been offered the Maxwell C. Weiner Distinguished Visiting Professorship in the Humanities for AY 2020-21 at Missouri University of Science and Technology.

Jamie McDaniel (’10) has been been invited to give the 37th Annual Jack & Ruth Gribben English Lecture for college writing teachers this October.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to department chair Christopher Flint (cxf33@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: March 2020 appeared first on Department of English.

Department of English Newsletter: June 2020

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Writing Awards/Black Mountain College/Faculty Notes/What I Did for My Spring Semester/ Frederica Ward Memorial Scholarship/Alumni News

Writing Faculty and Student Awards Announced

The annual Writing Program Awards honor excellence in the teaching of writing. Our award ceremony, like all of our spring semester celebrations, has unfortunately been canceled, but our honorees are worthy of acknowledgment nonetheless. This year, each faculty recipient has shared in their own words an aspect of their philosophy or practice for fostering their students’ development as writers.

The Jessica Melton Perry Award for Distinguished Teaching in Disciplinary & Professional Writing recognizes outstanding instruction in writing in professional fields and/or disciplines other than English.

This year’s recipient, Sharona Hoffman, Edgar A. Hahn Professor of Jurisprudence in the CWRU School of Law, is lauded for providing extraordinary mentorship to law students in the area of legal scholarly writing, fostering students in their course work, and supporting their efforts to publish.

When asked to describe her approach to writing instruction, Hoffman wrote, “I love teaching my year-long paper seminar at the law school.  It is very gratifying to help students progress from struggling to find a topic to having a paper that is often of publishable quality at the end of the year. I think the best advice I give students is to pick a topic about which they are passionate.  Papers are always strongest when they are personally meaningful and when you are emotionally invested in your work.
Throughout the process, I emphasize the importance of editing and re-editing your work, focusing on wording and language, organizing your thoughts, honing your arguments, supporting your arguments, and convincing the reader that you offer a good approach to solving a problem.  One of the most helpful exercises we do is a 30-minute presentation by each writer before the final draft is due.  It includes a PowerPoint presentation and 10 minutes of Q & A.  Students always benefit greatly from explaining their arguments and recommendations to their classmates and creating a slide deck.  It helps them organize and clarify their own thoughts, and they get great input from their colleagues’ questions and comments!”

The SAGES Excellence in Writing Instruction Award recognizes outstanding commitment to and success in teaching academic writing to CWRU undergraduates in SAGES.

This year’s winner is Gabrielle Parkin, Lecturer in English, SAGES Teaching Fellow, and the now Interim Director of the Writing Resource Center. Nominated by students and colleagues, Dr. Parkin is described as being a supportive mentor and writing teacher. One student wrote, “I have seen her take pride in writing and SAGES in particular. Parkin has met with students outside the classroom and office hours. Everyone knows who Dr. Parkin is in the writing center. When students have a hard time comprehending a topic or formats, Parkin is always there to help.”

In response to receiving this recognition, Parkin reflected, “The more I’ve taught, the more I’ve come to see the composition process as an opportunity for play. Intellectual play in the writing process isn’t just about coming up with ambitious claims or fun turns of phrase; it is also mucking about with the things we built.

“Students often want to write a paper, turn it in, and move on to the next assignment. But when we play with that paper afterwards—through revision of both the arguments and the language—and when we invite others to join us in that process, we turn writing and argumentation into a communal process. The essay becomes a space where we can play with each other’s ideas and work towards not only a better essay, but also a deeper understanding of how the topic can affect an audience outside of the classroom.”

The WRC Excellence in Consulting Award recognizes outstanding writing instruction for students of the University and exemplary service to the Writing Resource Center during the academic year. This year, two consultants stood out both in their quantity of nominations as well as in the high quality of the consulting work their nominators described: Cara Byrne, Lecturer in English and SAGES Teaching Fellow, and Andrea Milne, Lecturer in History and SAGES Teaching Fellow.

Byrne wrote this about her theory of writing consultation:

“Through my work at the WRC, I’ve learned that writing is a communal act and learning about oneself as a writer is a never-ending task. Writing can also be a vulnerable and overwhelming act, so honoring where the writer is in their writing process—which involves listening to them as well as offering guidance—can make for some powerful interactions. If I can help someone feel like they leave our 30- or 60-minute session with both an improved paper and with a better understanding of themselves as a writer, it’s been a successful session. Consulting students, staff, and faculty at the WRC over the last 11 years has been a privilege and one of my favorite aspects of working at CWRU. “

While Byrne emphasizes the communal nature of consulting, Milne describes her writing consultation work as personal:

“I believe every person who crosses the threshold of Bellflower does so motivated by a desire to be understood.  My job, then, is as much about personal engagement with my clients as it is about teaching the mechanics of academic English. My sessions are full of tangential conversations, questions, and—usually—laughter.

“What the client may perceive as small talk is actually part of the process: it’s building the connection and honest rapport necessary to engage with their writing in a holistic way. The more I know about who my client is, how they’re feeling, how they think, and what they hope to achieve in their time at CWRU, the more likely I am to make a lasting impact on their writing.”

The SAGES First and University Seminar Essay Prizes recognize the best writing that students produce in their First and University Seminars. These essays are chosen from those nominated by SAGES seminar leaders each semester.

The First Seminar Awards are judged in January and recognized at the Celebration of Student Writing & Research in April each year. The winners for 2019 are

Delphine Clatanoff, for an essay titled, “Charlotte Smith’s Suffocating Romanticism
Written for FSSY185Q: Death Mourning and Immortality (Seminar Leader: John Wiehl)

Patrick Pariseau, for an essay titled, “The Solar Cycle”
Written for FSNA 165: Silicon and its Applications (Seminar Leader: Jim Stephens)

Farha Watley, for an essay titled, “Black Solidarity: Combatting Colorism in the Black Community”
Written for FSCC 110: Foundations of College Writing (Seminar Leader: Martha Schaffer)

The University Seminar Awards are judged in September and recognized at the Celebration of Student Writing & Research in December of each year. The winners for Academic Year 2018-2019 are

Shmuel Berman, for an essay titled, “Religious Coffee Drinkers: Historical Reactions to Coffee by Organized Religions and Their Implications”
Written for USSO 288T: Coffee and Civilization (Seminar Leader: Annie Pecastaings)

Rebecca Kizner, for an essay titled, “The Function of a Name”
Written for USSY 293T: Spaces of the Dead (Seminar Leader: Thomas Mira y Lopez)

Marika Meijer, for an essay titled, “Paris by Artificial Light: How Lighting Systems Ultimately Influenced Parisian Sensibilities”
Written for USSY 287X: Paris in the Arts (Seminar Leader: Annie Pecastaings)

All of these outstanding essays and information about the Essay Prizes are available online at Writing@CWRU.

Radical Education and Black Mountain Poetics

by Joshua Hoeynck

In the 1952 “BMC Prospectus for Spring Semester,” the poet Charles Olson articulated the philosophy of his pedagogy at Black Mountain College, an influential and experimental college that existed in North Carolina from 1933-1956: “There are subtle means of communication that have been lost by humankind, as our nerve ends have been cauterized by schooling. The arts, especially the performing arts, are more and more valuable in such restorations.”

Olson ran Black Mountain College during its final days, from 1951-1956, and both Robert Creeley and Robert Duncan taught there for brief periods. Creeley and Olson also edited seven issues of the Black Mountain Review during that time.  I recently finished writing an environmental study of the correspondences between Olson, Creeley, Duncan, and Denise Levertov, so naturally my next research project will take up Black Mountain College’s influences on these poets and their contemporaries. Since I am deeply invested in the legacies of these poets and in radical education, my emerging research project will outline and explore the rich history and pedagogy of Black Mountain College’s final phase under Olson.

Generally, historians classify the life of Black Mountain College in three phases: the initial phase under John Andrew Rice (1933-1939), a second phase under Josef Albers (1940-1950), and a poetic phase under Charles Olson (1951-1956). Although comprehensive histories exist, they stress visual art while only briefly touching on poetics. Hence, my project will involve detailing how the college’s radical pedagogy and practices (painting, dance, pottery, weaving, music) transformed American poetics. Black Mountain College had no grades, no administrators, total faculty control over all of the college’s affairs, a work program based around farming (which replaced sports), and the college required that students design their own curricula. While the college may have only lasted twenty-three years, it can also boast a long line of distinguished faculty and students: Josef and Anni Albers, Robert Motherwell, Franz Kline, Robert Rauschenberg, Cy Twombly, John Cage, and many more. I am most excited about the scope and direction of this new project and looking forward to extending Olson’s claim that the arts, in all of their diverse manifestations, have the ability to revive human sensations of exterior reality, to open vital minds to autonomous modes of existence, and to free our “nerve ends” from their cauterization by forms of traditional schooling.

Faculty Notes

On April 30th, Mary Assad took part in the UCITE Teaching and Learning Program as a Nord Grant recipient.

Barbara Burgess-Van Aken, William Doll, and Sarah de Swart gave a workshop for students on how to prepare a video presentation on April 17th.

This year’s winners of the The Writing Resource Center Excellence in Consulting Award are Cara Byrne, Lecturer in English and SAGES Teaching Fellow, and Andrea Milne, Lecturer in History and SAGES Teaching Fellow.

Georgia Cowart has been elected to Honorary Membership in the International Society for Seventeenth-Century Music. Honorary members are chosen for “their outstanding contribution to the study and presentation of seventeenth-century music.” Professor Cowart, cited for the “virtuoso performances” of her books and articles on the intersections of music, theater, literature, and the fine arts, is one of twelve individuals so designated since the Society was founded in 1992.

Mary Grimm has a memoir piece in the new issue of Riverteeth: “My Mother, in Passing.”

Dave Lucas has a poem forthcoming in Together in a Sudden Strangeness, an anthology of poetic responses to the pandemic, edited by Alice Quinn (Knopf).

Gabrielle Parkin has been appointed Interim Director of the Writing Resource Center for AY 2020-2021.

Brad Ricca’s new book, Olive the Lionheart, will be out in August. Here is the Publisher’s Weekly review.

Martha Schaffer has a chapter published in a new collection: Stories from First-Year Composition: Pedagogies that Foster Student Agency and Writing Identity. Edited by Jo-Anne Kerr and Ann N. Amicucci.

Robert Spadoni has published “Midsommar: Thing Theory” in the Quarterly Review of Film and Video.

Maggie Vinter has an article on pregnancy and death up at Nursing Clio.

What I Did for My Spring Semester

By Martha Wilson Schaffer

Every summer of my childhood, my mother insisted that I make mental notes about our activities so that I would be prepared to write an essay titled “What I Did for My Summer Vacation” when school started in the fall. No one ever asked me to write that essay. But, to this day, I regularly make mental notes of my activities and start composing written versions of them in my head.

I’m reminded of this by students who say, “but I’m never going to have to write an essay in the real world.” Maybe so, but it isn’t just about what you write, it’s about how you do it. The “what” will change regularly, but the “how” is your writing process, your rhetorical skill, your ability to read audiences–the stuff that gives you agency and adaptability. And the best way to learn “how” is to write a lot of different “whats.”

Asked to write about my online teaching experience, I see the “what” and “how” intertwined. In transitioning to online teaching, the what didn’t change much halfway into the semester of Linguistics, but the how loomed large. How to recreate the great discussions we were having in the classroom? How to teach research writing remotely? How to be sure everyone was interested, engaged, and learning together?

Group conferences on Zoom gave me new ways to facilitate conversation; I muted myself while students shared strategies for online research. People who rarely spoke in class wrote lengthy and insightful discussion board posts. Group project members described positive experiences working together on email and Google docs. A first-year student struggling to balance our class with his STEM requirements took advantage of the asynchronicity of the course to find a routine that worked.  An international student uploaded a video of herself from her home sharing her research into the colonization of her language and how musicians code-meshed in their lyrics to create political speech.

I have these mental notes of the semester, but I am still composing them. Having to rethink how I teach reminded me of a few important things. Students are complex and resilient people. The university is a luxuriant place that provides us with internet, technology, and space, and yet we all face individual challenges to our ability to participate. We can feel lonely and isolated, even sitting in a physical classroom. I appreciate being reminded of these things because it is easy to lose sight of them when we fall into teaching routines. This opportunity to rethink how I teach gives me a chance to reconnect with what I teach.

As I prepare for a summer writing workshop and think way ahead to a hazy fall, I look forward to being back in classrooms together, and recording a voice-over of a slide presentation because it’s a better way to explain something to students, not because I have no other choice. Alone in my home office for my summer vacation this year, I will continually remind myself that remote education is neither the death of higher education nor is it the panacea that will save us all. Change is change. And it isn’t so much what we change into, but how we make the change.

The Frederica Ward Memorial Scholarship Fund

When endowed, this fund will provide financial assistance to African American undergraduate students in the College of Arts & Sciences

Frederica Ward was a beloved department assistant in the English department at CWRU for more than seventeen years. When she passed away in 2010 at the age of 48, department members, family, and friends created this memorial fund in her name to provide scholarships to African American undergraduate students in the College of Arts and Sciences—for majors in the arts, humanities, social sciences, physical and biological sciences, or math. Freddy was a life-long learner, taking classes at Case while a staff member. She was a talented writer, publishing a work of fiction in Callaloo, a journal of the literature, art, and culture of the African Diaspora. This fund aims to extend her passion for reading, writing, and learning.

Please click on this LINK to make an electronic contribution today, specifying OTHER and “Frederica Ward Memorial Scholarship Fund” in the Designation drop down menu. Alternatively, checks can be mailed to the following address (please be sure to specify the fund in the MEMO line).

Office of Development
College of Arts & Sciences, CWRU
10900 Euclid Avenue
Cleveland, OH 44106-7068

ALUMNI NEWS

Danny Anderson (’12) has a review in TRPC: Theology, Religion, and Popular Culture Review.

Gerry Canavan (’02) has a review in the latest issue of American Literature.

Iris Dunkle (’10) has a poem in Mom Egg Review: “Mother Song.”

Brennon Ham (’11) will start school at the Harvard Graduate School of Education in August 2020.

Ray Horton (’17) has a new piece in Christianity and Literature: “Is There a Context for Gilead?”

Marie Lathers (’15) has a piece on Joan of Arc and her travels in France last fall in Slow Trains Literary Journal.

Danielle Nielsen (’11) has an article in The CEA Forum: “Interdisciplinary Themes and Metacognition in the First-Year Writing Classroom.”

Gabriel A. Rieger (‘12) has been promoted to Professor of English at Concord University.

Christopher Urban (’07) has an essay on Robert Musil’s Agathe / The Man Without Qualities in the latest issue of The Threepenny Review.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: June 2020 appeared first on Department of English.

Department of English Newsletter: September 2020

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Letter from the Chair/Faculty Notes/Frederik N. Smith/Book Excerpts/Alumni News/In Memoriam

Letter from the Chair

For those of you actively engaged in department activities, I want to say how much I’ve enjoyed getting to know you and working with you since July 1. For those I have not yet met, including our emeriti and alumni, I look forward to crossing paths (remotely, at least) in the coming weeks and months. Although I was trained as a musicologist, most of my career has been devoted to studying the intersections of history, literature, and the arts. My interests, coupled with your warm welcome, have made me feel very much at home in “virtual Guilford.” I have appreciated the excellence of your research and creativity; your devotion to teaching, pedagogy, and writing; and your lively spirit. I have especially appreciated the generosity of the staff, former chair Chris Flint, associate chair Jim Sheeler, and the executive committee in making my transition to interim chair a smooth one. It has been a pleasure to inherit such a well-managed department.

My first months as chair, and ours as a department, were partially devoted to the campus reentry, building mitigation, and preparations for dual-mode course delivery. Breaking from custom, chairs met regularly with the dean throughout the summer to coordinate with the college and provost’s office regarding Covid-related policies, protocols, and practices. We continue to adjust to the exigencies of the coronavirus. At present we are preparing for a special, optional January session, for which we expect to offer several English courses. By allowing the majority of students and faculty to follow a delayed spring schedule from February 1 through May 19, this plan will allow a safer, more spacious campus experience.

In a challenging and uneasy time, my first objective has been and remains to join with you in ensuring the safety and wellbeing of the faculty, student body, and our English community. Please let me and each other know if you are having trouble and how we can help, and please do whatever you can to take care of yourselves. The second has been to listen, to get to know your curriculum, activities, plans, and aspirations, and to advocate for you in any way that I can. Despite the difficulties of thinking beyond the pandemic, the faculty is engaged in a conversation regarding the future of the department. All of you are invited to contribute to that conversation.

The first topic to arise has been the urgency of bringing diversity, equity, and inclusion more deeply into the department’s activities and aims. During the summer Prof. Flint appointed a Subcommittee on Black Lives Matter and Antiracism, chaired by Marilyn Mobley and John Higgins, who drafted and posted a statement on antiracism on the department website. Together with Maggie Vinter, the subcommittee has created a special colloquium series consisting of faculty-led book discussions on antiracism, along with other programming dedicated to racial issues. In addition, throughout the year the Writing Program and SAGES will focus attention on equity, inclusion, and diversity through attention to classroom and programmatic practices that enact these values. Last Friday, Writers House co-sponsored the colloquium “Black Writing in Cleveland” with readers Michelle Smith and Mary Weems. Please check our calendar for other upcoming events. I invite you to join us, and in the meantime send my best wishes for your health, safety, and wellbeing.

Sincerely,

Georgia Cowart
Interim Chair

Faculty Notes

Mary Assad and Gusztav Demeter received COVID-19 Emergency Funds for Laboratory, Simulation, and Field Work Experiences from the Provost. These funds will support the creation of recorded TED Talk-style presentations, crafted by former CWRU international students, to incorporate into the curriculum of ESL First Seminar courses. The presentations address various aspects of the international student experience, ranging from dietary acculturation to mental health.

This story has it all: mystery, theft, a trial, devastating losses (of the bibliographic kind), and our own William Claspy as a key witness to the aftermath.

Michael Clune has a new piece in the Los Angeles Review of Books: “Socialist Freedom and Capitalist Freedom.”

Mary Grimm‘s brief memoir piece is reprinted in Creative Nonfiction‘s Sunday Shorts (it was published first in Riverteeth).

Caitlin Kelly’s essay on teaching Hamilton: An American Musical has been published by Age of Revolutions.

Dave Lucas discusses the work of his predecessor, Amit Majmudar, Ohio’s first poet laureate.

Michelle Lyons-McFarland‘s work appears in Chapter XI, The Eighteenth Century, in The Year’s Work in English Studies 2020 from Oxford University Press.

William Marling has published a second collection of photography. ESTONIA, Upside Down (Editiones Croulebarbe).

Marilyn Mobley co-authored an article in the September issue of Insight into Diversity on the topic of faculty responses to racial justice in the academy.

Judy Oster is featured in The Jerusalem Post.

Steve Pinkerton offered a remote course on Ulysses, by James Joyce, in July through Siegal Lifelong Learning.

Brad Ricca’s new book, Olive the Lionheart, was named one of the ten best books of August by the Christian Science Monitor.

Thrity Umrigar presented “An Evening with Picture Books” in August for Midwest Independent Booksellers introducing her new picture book Sugar in Milk.

Athena Vrettos gave a keynote address on “The Temporality of Emotional Traces in Victorian Fiction and Psychology” at an international conference on “Conceptualizing Trace” hosted by the Johannes Gutenberg University in Mainz, Germany in September.

Faculty of the Past: Frederik N. Smith

By Jane Bowman Smith & Dennis Dooley

Fred Smith, who died this past March at the age of 80, was a beloved figure around Clark Hall in his decade (1967–1976) as a member of the English Department faculty. After the Kent State shootings in 1970, with a police cavalry unit converging on University Circle, he was one of several faculty that President Morse reached out to requesting that students be asked to disperse in an effort to head off a potentially violent confrontation—which soon saw mounted officers swinging riot batons as they charged the crowd.

The growing distrust of leaders and feelings of helplessness in those years may have accounted in part for his deep fondness for the writings of Jonathan Swift and Samuel Beckett, which would provide the subjects of his three books: Language and Reality in Swift’s Tale of a Tub (Ohio State University Press, 1979); The Genres of Gulliver’s Travels (Associated University Presses, 1990); and Beckett’s 18th Century (Palgrave, 2002). Fred was close to finishing a fourth book, about the effects of modern art on Beckett’s work, particularly the “degenerate” art Hitler condemned, before the onset of the dementia that eventually ended the richly engaged life in academe that had begun with an MA and PhD at the University of Virginia.

Frederik N. Smith was born in Baltimore in 1940 to the former Henrik Schmidt and Louise Contee (nee Rose), who, as the shadow of Naziism loomed, had refused to marry poor Henrik (of Danish extraction) until he changed his name to Henry Smith. Fred’s father, worked for the Atomic Energy Commission; his mother was a former ballerina. It was perhaps as the product of such a household that Fred found himself moonlighting in the early 1970s as Cleveland Magazine’s first theater critic and put together a provocative evening-long pastiche of Shakespeare titled In a Fine Frenzy, which had premiered at the Great Lakes Shakespeare Festival in 1977.

As one of the founding editors of bits, a nationally regarded journal devoted to the short poem, Fred tried his hand at that genre (see below) and invited his graduate students to sit in on the meetings at colleague Bob Wallace’s house where submissions—many from eminent poets—were discussed and evaluated. Fred preferred to eat lunch in the Student Union, where a large group of students invariably flocked to his table for a lively discussion of literature and the war. He was also a talented artist and continued to do watercolors, but primarily cartoons and caricatures, throughout his life.

In 1976 Fred was offered the chairmanship of the University of Akron’s English Department, where he continued to teach 18th Century British Lit and Absurdist Theater, notably Beckett’s work, before heading east with his wife, the former Jane Bowman, in 1984 to take on the same position (and full professorship) at the University of North Carolina-Charlotte, where Fred became Director of Graduate Studies. (He would take early retirement in 2000, moving to Fort Mill so Jane, herself a CWRU PhD, could be closer to her job at Winthrop College.)

At UNCC Fred created two classes that proved quite popular: one on Stylistics that he’d taught at CWRU, in which students chose one work by an author, then studied it intensely all semester in terms of its style (figurative language, sentence structure, etc.). The other was “18th Century Literature and Culture,” which had students reading a selection of British work and studying the music, art, politics, etc. of the time, then researching other subjects such as architecture, gardens or fashion.

Learning of Fred’s passing, the man who stocks shelves at a local market told his widow with misty eyes: “I always looked forward to seeing him, because he had a smile that just lit me up inside, like I was very important. Not many folks do that. What I think I miss the most are the conversations Fred and I had: He was so amazingly intelligent and was interested in everything. But there was also that joyous quality and that love for other people, the sincere interest in them.”

All in all, not a bad legacy.

Jane Bowman Smith earned all three of her degrees (BA, 1971; MA, 1973; PhD, 1982) at Case. She taught advanced writing for 32 years at Winthrop University in Rock Hill, South Carolina, where she directed the Writing Center and created a course that prepared middle and high school English teachers-to-be to teach writing effectively.

Dennis Dooley’s course on the societal dimensions of American English was one of two courses at Case, where he taught from 1969 to 1971, to be highlighted in The Underground Guide to the College of Your Choice (Signet, 1971). As Cleveland Public Radio’s first Producer for Culture and Ideas, he won 20 national and regional awards.

Book Excerpts

“What happens when we switch the perspective through which we perceive history? When we let go of a set historical narrative and begin to dig up the forgotten letters and diaries and photographs and artifacts? . . . Women’s stories emerge: stories where women challenge the stereotypes we’ve set for them. Stories where women persevere, are independent, and hold power.

When you walk into Charmian’s former home, the House of Happy Walls in Glen Ellen, California . . . you immediately encounter Charmian’s strong presence.”

–from Charmian Kittredge London: Trailblazer, Author, Adventurer by Iris Jamahl Dunkle

“I almost did not get to Estonia the first time. It was 1993. I was taken off a bus from St. Petersburg in the middle of the night and marched under klieg lights to the Russian military checkpoint.

‘Papers!’ barked comrade Svetlana.

‘I don’t need a visa to enter Estonia,’ I protested.

‘You need permit to leave Russia,’ she said looking up from under her red-starred hat, as the other passengers re-boarded. My bus drove through the 20-foot high cement walls, out of sight. ”

–from Estonia, Upside Down by William Marling

“During the past week Olive had planned, packed, unpacked, and repacked multiple times per day. At the same time, she had to give her sister constant assurances that she would be safe in the hands of her escorts in Africa, Mr. and Mrs. Talbot. She had met them only a few weeks ago, but they had already proved their helpfulness. Percy Amaury Talbot was a seasoned African explorer who had traveled with Boyd. He knew how to arrange their passage, procure provisions, and secure their all–important credentials. Given the status of colonial Africa, carved up like a cake by the great European powers, these papers would be necessary to them across the various territories and borders . . . . Their plans were to land near the mouth of the Niger, take boats up, and then switch to the march all the way to Fort Lamy, where Boyd had last been seen.”

–from Olive the Lionheart by Brad Ricca

ALUMNI NEWS

Jason Carney (’15) taught a class in early October at the Muse Writers Center: “Destroying the Ordinary: Writing Supernatural Horror.”

Alum (’10) Iris Jamahl Dunkle‘s new book Charmian Kittredge London: Trailblazer, Author, Adventurer is officially released.

Annette Federico (’89) has an essay in the June 26 issue of the Times Literary Supplement, on slow reading Dickens. She’s a professor at James Madison in Virginia and wrote her dissertation under Bill Siebenschuh.

Marie Lathers (’15) is featured in the Rolla Daily News.

The most recent issue of Research in African Literatures (Vol. 50, No. 4) contains an essay by Leonard A. Podis (’75): “Literary Lions: Chinua Achebe and Ongoing Dialogues in Modern African Literature.”

Kristin Bryant Rajan (’00) has 3 poems in Washburn University’s Literary Journal Inscape.

Jess Slentz (’17 ) is now Managing Director of Grants and Federal Affairs at McAllister & Quinn, a consulting firm in Washington, D.C.

Nardine Taleb (’17) has been named the new prose editor at Gordon Square Review.

In Memoriam

We are saddened by the death of Roger B. Salomon, beloved former chair of our department, on Sunday, October 4. An obituary will follow in the December newsletter. (Donations)

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which over five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: September 2020 appeared first on Department of English.

Department of English Newsletter: December 2020

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in this issue

Remembering Roger/Faculty Notes/Connecting International Students/Book Excerpts/Visiting Scholar/Lost Modernists/Alumni News

Remembering Roger Salomon

by Gary Stonum

Dear friends and colleagues,

I am sadly blessed with recalling some of what the late Roger Salomon meant to the English Department during his time as a faculty member and afterwards from his enduring influence. Not all of you reading this will have known him or known him well, although current faculty and graduate alumni will always remember and cherish the holiday parties that he and his wife Betty hosted at their wonderful house on Coventry Road. Far more than that, for much of the second half of the twentieth century Roger personified the department’s ideals of graciousness, generosity, and integrity.

Let me begin with briefly recounting his academic biography, then offering my own eulogy to the man who more than any other was my mentor, and finishing with the recollections of the colleagues and students whose lives he touched. At the end I have included an alphabetical list of those who provided reminiscences and remembrances. Please note the length of this list: I would have liked to include everyone’s thoughts but if so I would be typing until 2021. Also, because some of the remembrances are from private correspondence with Betty, I have kept all of them anonymous, although in most cases the identity is obvious enough from context.

Born in 1928 and growing up on the East Coast, Roger graduated from Harvard in 1950, the year he and Betty married, then went west for graduate school, receiving his PhD from Berkeley in 1957. A childhood anecdote for which I claim no reliability says that, like the fictional Eloise, during the 1930s he and his mother lived at the Plaza Hotel in New York.

After five years in the English department at Yale, he came to the then Western Reserve University, just before it merged with Case Institute of Technology, and in the next years played a major role in curricular and organizational issues arising from the new Case Western Reserve University. He later continued to take important leadership roles, especially as chair of the English Department in the 1970s and as the director of the department’s graduate programs until his retirement.

Salomon’s scholarly achievements began with work on Mark Twain, culminating in Twain and the Image of History (Yale UP, 1961). At Case he worked chiefly in Anglo-American novels and poetry of the nineteenth and twentieth centuries, publishing in addition to scholarly articles two further books: Desperate Storytelling: Post-Romantic Elaborations of the Mock-Heroic Mode (Georgia, 1987) and Mazes of the Serpent: An Anatomy of Horror Narrative (Cornell, 2002). He taught courses in all of these areas, often with a specific focus on James Joyce or Virginia Woolf. He retired from the university and the Oviatt Professorship in 1999 but continued to advise colleagues and graduate students for many years thereafter.

Salomon died in October 2020 at the age of 92. In addition to his teaching and scholarship, he is especially remembered as a sterling mentor to graduate students and younger faculty and also as the professor who likely directed more doctoral dissertations than anyone in the department’s history. He is remembered as well, along with his wife Betty, as the social, intellectual, and moral heart of the English Department for more than a quarter of a century.

To me Roger was prime mentor and role model especially in advising graduate students, in teaching, and in leading the legendary herd of cats that is any academic department. We also overlapped considerably in our teaching and scholarly interests.

Continue reading here.

Faculty Notes

Barbara Burgess-Van Aken is part of a team of five faculty who received a 2020 UCITE Nord Grant. Their project included hosting a virtual Mindfulness Matters Week for the Case community at the end of October and conducting a study of the effectiveness of mindfulness activities in the classroom during the Spring 2021 semester

Cara Byrne‘s remarks from the Academic Symposium “Ethical Leadership in the Arts: The Power of Storytelling and Representation” (with LeVar Burton, Dr. Joy Bostic, and Dr. Shannon French) were published in the 7th volume of The International Journal of Ethical Leadership (IJEL).

Mary Grimm‘s story “Sisters,” published in the Colorado Review, is listed as one of the Other Distinguished Stories of 2019 in The Best American Short Stories 2020.

Caitlin Kelly‘s essay on teaching Hamilton: An American Musical has been published by Age of Revolutions.

Dave Lucas has four poems in the Winter 2020 issue of the Virginia Quarterly Review.

William Marling gave a lecture on “Hemingway and Affect” at the University of Tartu, in Estonia, on October 28.

Marilyn Mobley introduced Professor Kimberle Crenshaw, Professor of Law at Columbia University and UCLA, who just received the John Hope Franklin Award from Diverse Issues in Higher Education during their virtual award ceremony. The sponsors of the annual event include TIAA and the American Council on Education. During her acceptance speech Professor Crenshaw acknowledged Professor Mobley and shared a new initiative called “TruthBeTold,” designed to address the recent executive order banning the use of diversity-related language and history from the government with truth-telling about issues of equity, access, history, and the law.

James Sheeler spoke to journalism students at Adrian College in Adrian, Michigan, who read his book, Final Salute.

Thrity Umrigar wrote this essay on immigration for The Week.

Athena Vrettos gave a keynote address on “The Temporality of Emotional Traces in Victorian Fiction and Psychology” at an international conference on “Conceptualizing Trace” hosted by the Johannes Gutenberg University in Mainz, Germany, in September.

Grant Funds Connect First-Year International Students with Upper-Class Peers and Alumni

By Mary Assad & Gusztav Demeter

Our Approach

This semester posed many new challenges for writing instructors, and as everyone found ways to modify or entirely revamp their curriculum, the university also offered an opportunity to enhance our instruction through grant funding. When Peter Whiting announced the opportunity to apply for COVID-19 Emergency Funds, we decided to collaborate on a proposal to enrich our SAGES First Seminars for non-native speakers of English.

We were grateful to receive funding that we could immediately use to benefit our Fall 2020 students, while anticipating that the curriculum can be used for future classes, as well. This funding supported the creation of recorded presentations as well as a series of Town Hall Discussion Forums held synchronously on Zoom. First, we invited current and former CWRU international students to serve as guest speakers for our classes: they’d need to write and produce videos that we could share with our new cohort and then participate in discussion sessions. We gave these guest speakers a list of possible topics, all related to the international student experience in some way, but also invited them to choose any other topic they found relevant. Our final list of guest speakers and presentation titles included:

  1. Kaitlyn Pham (sophomore): “To the fullest college experience”

  2. Carina Shi (sophomore): “What are we talking about when we talk about freshman year?”

  3. Tianyi Xu (junior): “How has my taste in food evolved since I came to the U.S.?”

  4. Joyce Pan (junior): “Shock your cultural pool”

  5. Hudson Hu (senior): “Making friends with American students”

  6. Trista Yuan (senior) and Sally Bao (Johns Hopkins ‘20 alum): “Language Barriers: Converter or Convertible?”

  7. Zi Wang (CWRU ‘20 alum): “Curiosity, Courage, and Execution”

  8. Akaisha Kaixuan An (CWRU ‘19 alum): “Be friends with stress and anxiety”

  9. Karina Husodo (CWRU ‘18 alum): “Studying abroad on my study abroad”

Our students watched the videos and then attended the discussion forums, where they had a chance to meet the presenters, ask them questions, and share their own expeiences.

Students asked the presenters a variety of questions, ranging from academic ones — such as how to do well in certain courses, how to cope with stress and stay motivated to study — to ones regarding social life and extracurricular activities — such as which clubs are most welcoming of international students or advice for students who have never cooked at home. Other common themes were seeking advice about how to deal with culture shock, communicate with native speakers, and make friends. Finally, the current pandemic has produced additional concerns and anxiety for international students, which was reflected in their conversations during the Town Hall Forum. Particularly, students wanted to find out how to deal with the challenges of remote learning and not being face to face with peers and faculty.

Mary’s Reflection 

Fostering discussion on Zoom is a challenge many of us face, and I found that inviting peers who have “been there and done that” to talk with my students energized the discussion dynamic and invited open dialogue on relevant issues. Students prepared for the series of four weekly forums by watching a collection of videos each week, creating a 1-2 minute vlog responding to the ideas in one of the videos, taking notes on the videos, and crafting discussion questions to share at the forum. After the forums, students wrote about one video of their choice for a summary & response essay assignment. Logistically, the most successful aspects were the implementation of breakout rooms (1 guest speaker with 8-12 students) and the addition of student moderators (one student, paired with one guest, responsible for reviewing everyone’s discussion questions and guiding the flow of conversation). In the future, I’d like to provide more time for students to discuss the videos with each other before engaging with the guests.

Gusztav’s Reflection 

Similarly to Mary’s students, my students also had to watch all the nine videos, take notes and think of questions they would ask the presenters at the Town Hall Forum, which took place as a Fourth Hour experience. To make conversations more manageable, the Town Hall Forum was divided into three sections, with each section containing 2-4 presenters and implemented in a breakout room. After watching all the videos, students were asked to sign up for one of the sections and contribute questions to each of the presenters in a Google Doc that was then shared with the presenters, as well. This approach helped to better organize the discussion during the Town Hall Forum. Students were very active in the discussion, and found the information in the videos very useful. During some of my advising sessions with students after the Town Hall Forum, some students mentioned using advice presenters gave in their planning for the spring semester.

Looking Ahead

What led us to develop and experiment with this approach? Our proposal responded to the reality that most students in our seminars for non-native speakers would be unable to live and study on campus. Studying remotely from their home countries, students had to manage extreme time zone differences and Internet accessibility issues while physically disconnected from their peers, professors, and advisors.

While the first semester of college typically poses unique challenges for non-native speakers, especially those international students who have not previously studied in the U.S., concerns like language barriers, peer socialization, and physical and mental wellness seemed even more urgent to address for this cohort of “Zoomers.” They did not have the opportunity to step foot on our campus, meet each other for Fourth Hour activities, or walk into our office for advising conversations. Thus, our proposal sought to help incoming students connect with members of the CWRU community and therefore feel welcomed while also creating opportunities for dialogue on international students’ intellectual, social, and mental wellbeing.

We believe in the importance of supporting and uplifting our community of non-native speakers whenever possible, and we hope that our efforts this semester helped foster an inclusive and equitable learning environment in our virtual classrooms. Recognizing that peer mentorship can supplement the mentorship offered by academic advisors and navigators, we decided to build a support structure for our new students to meet former international students, learn from their experiences, and share their own.

Book Excerpts

“Mera fondled the tiny cylinder of dried batwing as she wandered the crooked and trash-strewn streets of Re. . . . It contained the thin papyrus map that would lead to Inmor’leh. . . .
She dared not reveal to any captain she hired her secret destination, for the tale of Cax shriveled the courage of all who unfurled sails or rowed oars to the beat of drums. Finding a captain and crew who would wander with her into the unknown and dark past would be near impossible.”

–from Rakefire and Other Stories by Jason Ray Carney

Visiting Scholar

This spring, the English Department will welcome Dr. Vershawn Ashanti Young, Associate Professor of English and Communication Arts at Waterloo University in Ontario, Canada, as a Hildegarde and Elbert Baker Visiting Scholar. Dr. Vay (as he is known) is a distinguished scholar within the disciplines of communication and writing, focusing on gender, performance, and race. During his (virtual) visit in April, Dr. Vay will participate in a variety of activities with students, faculty, and CWRU community members, all themed around his work in “code-meshing,”defined as “combining two or more dialects, language systems, and/or communication modes to effectively write and speak within the multiple domains of society” (Other People’s English 2014). Dr. Vay will deliver the Edward S. and Melinda Sadar  Lecture in Writing in the Disciplines on April 23, 2020 (details TBA), which is free and open to the public. He will also moderate a discussion group for CWRU community members.  For more information about these events, please email writing@case.edu. Dr. Vay’s visit has been sponsored by the English Department, Writers House, and the Baker-Nord Center for the Humanities.

Lost Modernists

By Francesca Mancino


I first came up with the idea for a website when I couldn’t find a one-stop place holding information about Lost Generation and, more broadly, Modernist writers. Wanting to learn more about female Modernists – like Evelyn Scott, Storm Jameson, and Dorothy Richardson – propelled me to create a site under a name that enveloped my literary interests: Lost Modernists. “Lost,” here, has a double-meaning, as I strive to provide content about Lost Generation writers that comprised the Modernist period, along with forgotten authors that have since fallen from the canon. (I widely include individuals that wrote during the Modernist period, even though some may not be considered Modernists.)

While Lost Modernists is still in its early stages, there are a handful of tabs that can be perused for literary content. The “Lost Modernists” tab holds information that pertains to novels or profiles from the Modernist period. My favorite tab is “Mini Authorial Profiles,” where you can sift through short biographies of writers, like Sarah Teasdale and Claude McKay. I wanted to create profiles that are fairly short and contain the most interesting aspects of the subject’s writing career. Similar to “Mini Authorial Profiles” is the “Quotes” tab, where you can read some of the loveliest quotes by 20th-century writers, such as Wallace Stevens and e.e. cummings.

Along with these features, there is a section concerning rare books that contains photographs and information about novels from my personal collection. In August 2019, when my father and I began collecting, I felt uncertain about the idea of harboring books that should be seen by other individuals. For example, of the 1,000 first editions/first printings of Ulysses, half of the originals (if that) still exist, but primarily in private and university libraries. As our personal collection grew, and amassed two first editions of Ulysses, I wanted my website to show photographs and give background to books that aren’t readily available to readers worldwide. Eventually, I plan to open up a bookstore where I would like to have these books on display.

Something else you can find on the website are interviews. Though there aren’t many up now, I plan to interview more booksellers/bookdealers, students, professors, and social media presences that are interested in Modernism. The interviews, along with the aforementioned content, are intended to raise a general awareness to an era of literature where the style, structure, and premise of the novel were recreated and subverted.

ALUMNI NEWS

Alum (’15) Jason Ray Carney’s book, Weird Tales of Modernity, is reviewed on mctuggle.com.

Lisa Chiu (’93) has an essay in McSweeney’s: “An Open Letter to the Woman Who Was Questioned By a Police Officer For Merely Sitting In Her Car In a Target Parking Lot After Midnight Taking A Break From Her Family.”

Iris Dunkle (’10) has a poem, “Frontier: A Definition,” in the ten year anniversary edition of Talking Writing.

Kristin E. Kondrlik (’16) has an article in the Victorian Periodicals Review: “Conscientious Objection to Vaccination and the Failure to Solidify Professional Identity in Late Victorian Socio-Medical Journals.”

Jeff Morgan (’99) has a presentation about Robert Frost at Edify at FAU (Florida Atlantic University), a streaming platform.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: December 2020 appeared first on Department of English.


Department of English Newsletter: March 2021

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Detective Novel Website/Faculty Notes/Sectarian Review Podcast/Book Excerpts/Alumni News

American Detective Novel Website

January marked the 20th anniversary of detnovel.com, the oldest scholarly website devoted to the American detective novel on the Internet. It was created and is maintained by Prof. William Marling, and it is linked to 34,627 other sites, including high schools, colleges, and libraries all over the world, not to mention many entries on Wikipedia. It is cited in dozens of books and dissertations. It is the second largest website in the College, after the Encyclopedia of Cleveland History.

The origin story of detnovel is one of rescue and repurpose. A small publisher commissioned Marling in 1998 to write an anthology of “tough guy” American detective novelists and then bailed, leaving Marling with 150 pages of homeless prose. Since he also then wrote and maintained the department website, he added detnovel to the department stable, which included the Society for Critical Exchange and other projects. He progressively added entries on detective films, film noir, and minority writers, until the site accounted for over 50% of the department’s web traffic in 2002.

With new rules about the university’s website, enacted under President Edward Hundert in 2005, every webpage had to use the same template, typeface, and graphics. Detnovel.com had to shut down, as did VSALM, a modernism website created by Marling, his grad students, and Brian Ballantine (now Chair of the West Virginia University English Department). Marling wrote a new site and moved the now 200+ pages of detnovel to GoDaddy. “It was incredibly time-consuming,” said Marling, “I wouldn’t have done it if I had known, but I had my money sunk into it.” Adding book reviews and thematic topics, Marling grew the site, which still backlinked to the English Department, throughout the 2000s, receiving two PCA/APA nominations for best academic website on popular culture.

But in 2016 web-hosting fees at GoDaddy reached $500. Marling wrote a third edition of the website and moved it to WordPress, where it remains today. “I lost some followers, and a lot of people wrote complaining about the new format,” said Marling, “but no HTML is truly portable. So people’s bookmarks got messed up.” Five years later, with new pages on Latinx writers and German Expressionism, detnovel is nearly back to full strength.

Faculty Notes

Mary Assad is offering a class through Siegal Lifelong Learning: “Graphic Memoirs: Telling Our Stories Through Picture and Word.”

Barbara Burgess-Van Aken offered “Shakespeare’s Tragic Lovers” through the Siegal Lifelong Learning Program.

Cara Byrne recently published “’Why Black, Not Blue?”’ Redefining the Color Black in Children’s Picture Books” for the Anisfield-Wolf blog.

Michael Clune presented “Weird Dreiser” at the Modern Language Association Convention.

Mary Grimm was interviewed at Colorado Review.

Michael Householder and Martha Schaffer published an article in the Journal of Writing Analytics, titled,“Writing Analytics and Program Assessment: How Novice Writers Use Rubric Terminology in Reflective Essays,” based on a project that they began with the Freedman Center for Digital Scholarship to use textual analytics to explore student reflections on their writing development through the SAGES Program.

Megan Jewell co-authored an article appearing in the Journal of Writing Analytics: “Gender Preferences in Writing Center Appointments: The Case for a Metadata-Driven Approach.”

Caitlin Kelly Is offering “Before Pride and Prejudice: Jane Austen’s Teenage Writings” at Siegal Lifelong Learning.

William Marling gave a lecture on “Hemingway and Affect” at the University of Tartu, in Estonia, in October.

Steve Pinkerton is offering “Ralph Ellison: Invisible Man and Beyond” through Siegal Lifelong Learning.

Brad Ricca’s new book, True Raiders: The Untold Story of the 1909 Expedition to Find the Legendary Ark of the Covenant, will come out from St. Martin’s Press in September.

Thrity Umrigar has been awarded a Baker-Nord Center for the Humanities Faculty Fellowship for the term of one semester during the academic year 2021-2022 in order to pursue research on her novel project.

A Generalist’s Mind

By Danny Anderson (’12)

My education at CWRU took place though conversations with brilliant and giving people — and not only in the classroom. I’ve often joked that I learned as much over pitchers of beer at our departmental “First Fridays” at the old Barking Spider as I did in the amazing seminars I was privileged to take.

I’ve never quite gotten the romance of those Fridays at the Spider out of my head, so in an effort to capture the spirit of those times, I’ve been operating a podcast for the past five years, Sectarian Review (I copped the name from Partisan Review because I still love Lionel Trilling). The show scratches my generalist’s itch.

Part of the Christian Humanist Radio Network, the show generally looks for topics that expose intersections between politics, religion, pop culture, and high culture. I’ve covered Tarkovsky movies, lots of horror, comics, Taylor Swift, religious controversies, Space Force, poetry, Dungeons & Dragons and much in-between. I’ve had the chance to interview writers like Ed Simon and Yahia Lababidi, higher education writer John Warner, cryptozoologist Loren Coleman, and historian John Fea, among many others.

For me a “perfect” show makes an unexpected connection between two things that seem unrelated. What can a Soviet horror film reveal about Eastern Orthodoxy? See our show about Viy. How is Ancient Alien theory structured on tropes of white supremacy? We have a show for that.

The broad focus of the show lends itself to a rather ecumenical audience, which is something that makes me happy. Religious conservatives, Christian socialists, centrist liberals, and Marxists all gather (sometimes on the same episode). The show indulges in conversations across many borders and I have learned a lot along the way. The diversity of ideas is what inspired me in the first place, all thanks to the Case Western Reserve Department of English. And if anyone reading wants to talk about their work on the show, don’t hesitate to reach out to me at danderson@mtaloy.edu.

Case Western instilled in me a deep appreciation for the life of mind, particularly a generalist’s mind. Countless micro-encounters with brilliant people outside my tiny area gifted me with two lasting conclusions: first, I’m usually out of my league, but; second, I believe that being a dilettante isn’t the worst thing in the world (I’m still under the influence of Matthew Arnold in this way).

Book Excerpts

West : Fire : Archive is a poetry collection that challenges preconceived, androcentric ideas about biography, autobiography, and history fueled by the western myth of progress presented in Frederick Jackson Turner’s “frontier thesis.” The first section focuses on mending the erasure of the life of Charmian Kittredge London, the wife of the famous author Jack London . . . . The second section examines the act of autobiography (or what defines the author). In it, Dunkle writes through the complex grief of losing her mother and her community when it is devastated by wildfires. . . .  The final section questions the authenticity of the definition of recorded history as it relates to the American West.”

–regarding West: Fire : Archive by Iris Jamahl Dunkle

“If they can learn to trust each other, and if the repo men, cops, and three different galactic governments don’t catch them, the Galactic Hellcats might just use their solo-fliers to carve a place for themselves among the stars.”

–regarding Galactic Hellcats by Marie Vibbert

ALUMNI NEWS

Ashtar Abboud (‘19) received second place in the prestigious KMK Law Competition in Cincinnati on January 20. Ashtar is attending the Ohio State University Moritz College of Law as a JD Candidate on a full scholarship as an “Eminent Scholar” after interning in the office of U.S. Senator Sherrod Brown and as an Organizing Fellow at Human Rights Watch following her graduation from CWRU.

Shelley Bloomfield (’83) offered “The Spy who Stayed Out in the Cold” through Siegal Lifelong Learning.

Just released by The Mountain/West Poetry Series: Alum (’10) Iris Jamahl Dunkle’s West : Fire : Archive.

Laura Evers (MA ’20) published a review of Namwali Serpell’s Stranger Faces Namwali Serpell’s Stranger Faces in the Cleveland Review of Books.

Sarah Ghinwa Jawhari‘s (’13) BINT was selected by Aria Aber for the Own Voices Chapbook Prize.

Terri Mester (’93) offered “The Cinema of Otherness” through Siegal Lifelong Learning.

Michelle Smith Quarles (’98) offered “The Most Delicate, the Most Vulnerable: Black Girls and Women in the Fiction of Jesmyn Ward and Colson Whitehead” through Siegal LIfelong Learning.

Nardine Taleb (’17) has a poem in Gordon Square Review.

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which several hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: March 2021 appeared first on Department of English.

Department of English Newsletter: June 2021

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Writing Program Awards/International Students/Faculty Notes/“Say They Name in Black English”/Book Excerpts/Alumni News

Writing Program Awards

Writing is at the heart of our shared academic enterprise. It is an essential skill and a flexible tool that generates questions, shapes knowledge, and inspires action. Let us celebrate the many successes of Case Western Reserve University writers and writing instructors.

Congratulations to the 2021 winners!

The SAGES Excellence in Writing Instruction Award recognizes outstanding commitment to and success in teaching academic writing to Case Western Reserve University undergraduates in SAGES (Seminar Approach to General Education and Scholarship).

SAGES Excellence in Writing Instruction Award: Mary Assad

Honorable Mention: Ronald Oldfield 

The WRC Excellence in Consulting Award is in recognition of outstanding writing instruction for students of the University and exemplary service to the Writing Resource Center during the academic year.

WRC Excellence in Consulting Award: James Stephens

Honorable Mention: Jackson Rudoff

The Jessica Melton Perry Award for Distinguished Teaching in Disciplinary & Professional Writing was established in 2009 by Edward S. Sadar, MD (ADL ’64, SOM ’68), & Melinda Sadar (FSM ’66). This award honors Melinda’s mother, Jessica Melton Perry, who worked in the Center for Documentation and Communication Research at Western Reserve University from the late 1950s into the late 1960s.

Jessica Melton Perry Award for Excellence in Disciplinary Writing Instruction: Ralph Harvey

University Teaching and Mentoring Awards

Anthony Wexler has been awarded the Carl F. Wittke Award for Excellence in Undergraduate Teaching. The Carl F. Wittke Award was established in 1971 in honor of Carl Wittke, a former faculty member, dean, and vice president of Western Reserve University. The Wittke Award is presented each year to two Case Western Reserve University faculty members who have demonstrated excellence in undergraduate teaching. Wittke Award recipients are honored at the Undergraduate Studies diploma ceremony. Read the announcement here.

Gabrielle (Brie) Parkin has been awarded the J. Bruce Jackson, MD, Award for Excellence in Undergraduate Mentoring. The Jackson Award for Excellence in Undergraduate Mentoring recognizes the positive impact Case Western Reserve University faculty and staff have on the lives of students. It was established by J. Bruce Jackson, Adelbert ’52, in honor of Dean Carl F. Wittke, who served as an advisor, mentor, and friend to Dr. Jackson when he was an undergraduate student at Western Reserve University. The Jackson Award celebrates faculty and staff who have guided a student in their academic and career paths; fostered the student’s long-term personal development; challenged the student to reflect, explore, and grow as an individual; and supported and/or facilitated the student’s goals and life choices. Jackson Award recipients are honored at the Undergraduate Studies diploma ceremony. Read the announcement here.

Hayley Verdi has been awarded the Graduate Dean’s Instructional Excellence Award. This award is given to graduate students who have been nominated by their departments as an individual who demonstrates outstanding achievement in instruction.

Brita Thielen has been awarded the Graduate Student Appreciation Award. This award is given to graduate students who have been nominated by university faculty, staff, or students for their contributions that improve the campus community and/or surrounding Cleveland community.

SAGES First & University Seminar Essay Prizes

The SAGES First and University Seminar Prizes highlight the best student writing produced in SAGES seminars each semester. Seminar leaders nominate student essays at the end of each course. These essays are reviewed by a committee of SAGES Teaching Fellows, graduate students, and SAGES administrators, who select several essays to recognize. The Writing Program works with the prize winners to prepare the essays for publication, and they are recognized annually at the Writing Program Awards. These essays provide a glimpse into the rich array of genres and texts that SAGES students create across many disciplines as they move through the SAGES sequence.

This booklet contains the following prize-winning essays.

SAGES First Seminar Essays (from Spring/Fall 2020)

“Music and Négritude: The Compromises of Louis Armstrong and Josephine Baker in Postcolonial France” by Weillin Feng
from FSSO 185C: Music and Cultural Anxiety in the Twentieth Century (Seminar Leader: Brian MacGilvray)

“Bicycle Shop Proposal” by Camilla Niles-Steger
from FSSO 181: Bicycles: Technology and Everyday Life (Seminar Leader: Eric Chilton)

“The Uncanny in Surrealist Art” by Madison Pugh
from FSSY 185O Encountering the Uncanny (Seminar Leader: James Newlin)

SAGES University Seminar Essays (from Academic Year 2020-2021)

“Alphabet Soup: Why Making STEM into STREAM Will Not Fix the Imbalance in Education” by Giuliana Conte
from USNA 289: The Mind’s Essential Tension (Seminar Leader: Anthony Jack)

“Fact or Fable: The Inaccurate Representation of Female Victims and Perpetrators in Auschwitz in Out of the Ashesby Annabella DeBernardo
from USSY 290G: Women and Warfare: Reality vs. Representation (Seminar Leader: Margaret Richardson)

“Cleveland: Confronting Rail Transportation Issues in a Rust Belt City” by James FitzGibbon
from USNA 287J: Transportation in American Life (Seminar Leader: Howard Maier)

 “The Image of Black Masculinity as Portrayed in ​Friday Blackby Anika Krishna
from USSY 291B: Dystopian Science Fiction (Seminar Leader: Gabrielle Parkin)

Writing with International Students

by Mary Assad

Mary has been awarded the SAGES Excellence in Writing Instruction Award.

CWRU’s international student population is vibrant and growing, and I am honored to have the opportunity to work with these students. I teach two courses designed for non-native speakers of English: FSAE 100 and FSCC 100. FSAE 100 focuses on the core skills of speaking, listening, reading, and writing to prepare students for FSCC 100 and other writing-intensive courses. FSCC 100 offers students a traditional First Seminar experience with added attention to language development and cultural knowledge. Some of my recent FSCC 100 themes have included International Students’ Wellness, Defining Communities, and Graphic Memoir.

Regardless of the course or theme, I prioritize students’ voices and choices in selecting course readings, leading discussions, and choosing topics for writing tasks. One activity that has worked particularly well is the Graphic Memoir Planning Template, a Google Doc worksheet that facilitates students’ early planning of their final graphic memoir project. After reading several published graphic memoirs, students create their own visual narrative that tells a meaningful and impactful story for a specific target audience.

While the freedom to choose any personal story can be exhilarating, the process of selecting the story and curating the details can challenge students who are more familiar with writing in response to a provided, academically oriented prompt. The Google Doc worksheet breaks down the prewriting stage into smaller steps such as “brainstorming content & visual approach,” “detail curation,” “describing your story-world,” and “mapping out your plot.” All of these choices can only be made by the student, who is the expert on the topic. I try to use words like “you” and “your” in worksheets and prompts to shift power to students and invite them to feel ownership and responsibility as authors. Since students complete this task in Google Docs (by copying the template, renaming the file with their name, and sharing it in our course folder), the process becomes not only student-centered but also collaborative. Students review and discuss each other’s planning documents in small groups, and we can all leave feedback from a reader’s perspective.

These types of tasks open up avenues for peer engagement within our class cohort, but I also try to develop activities and resources for peer engagement and mentorship beyond a single cohort. For instance, I have invited former FSAE and FSCC students to offer guest lectures and lead discussions on topics related to the international student experience. In response to a student request, I have organized small group discussions led by native-speaking CWRU undergraduates who offer advice for living and studying on campus and discuss elements of American culture. When students complete my course, I hope they have made language gains, but I feel my responsibility extends beyond syllabus outcomes. I want my students to feel connected to CWRU as their home-away-from-home for the next several years, and I want them to feel comfortable accessing a network of peers and others who are enthusastically invested in supporting their success as students and as people.

In promoting these aims, I have been fortunate to work with our Coordinator of ESL Writing, Gusztav Demeter, and fellow lecturers Shaofei Lu, Ana Codita, and Wei Jiang, all of whom have created and shared innovative ways to engage non-native speaking students and facilitate cross-cultural experiences. By sharing resources as a team and consulting with offices across campus, such as International Student Services and Student Success, we have gained insights into our students’ academic and personal needs. No class or assignment is ever static, and I look forward to learning new strategies for supporting our non-native speakers in the language acquisition process while challenging and inspiring them to cultivate their writerly identities.

Faculty Notes

Cara Byrne’s article “‘I’m the One Telling It’: Resilient Children & Shadow Texts in Danticat’s Picture Books” was published in The Bloomsbury Handbook to Edwidge Danticat.

Michael Clune‘s book,,A Defense of Judgment, is now out from the University of Chicago Press.

Georgia Cowart has been elected President of the American Musicological Society for a two-year term beginning in November 2022.

Mary Grimm’s “The Space of Continuous Decline,” published in Longleaf Review, has been selected for The Best Small Fictions Anthology 2021.

Redefining Roles: The Professional, Faculty, and Graduate Consultant’s Guide to Writing Centers by Megan Swihart Jewell (Editor) and Joseph Cheatle (Editor) is available for pre-order.

Midstory talks to Dave Lucas about the ways writing and poetry provide solace, wisdom, and clarity far beyond what we (and perhaps the authors) could have imagined in Episode 4: “Comforted in the darkness of grief.”

Michelle Lyons-McFarland presented at the American Society for Eighteenth Century Studies annual conference in 2021, April 7-11. The roundtable was “Being an Eighteenth-Centuryist along Diverse Humanities Career Pathways,” and her presentation was “Working in the Eighteenth Century while Teaching TechComm.”

William Marling‘s essay “What does the Gatekeeper do?” that keynoted the international conference in Germany two summers ago and was featured in the book that resulted, has now been translated into Spanish and printed in TEXTURAS out of Madrid, Spain, as “Los Guardabarreras del Libro.”

Marilyn Mobley is included in a new book, Teaching Beautiful Brilliant Black Girls, edited by Omobolade Delano-Oriaran, Marguerite W. Penick, Shemariah Arki, Ali Michael, Orinthia Swindell, and Eddie Moore, Jr. (Corwin Press, 2021). Mobley and her colleague Dr. Patricia Stewart co-authored the “Libation from the Elders” that opens the book. Mobley’s vignette is “A Black Woman’s Reflections on the Road I Made While Walking: Remarks from My Retirement Ceremony.”

James Newlin directed a seminar at the 2021 meeting of the Shakespeare Association of America on “New Directions for Shakespeare and Psychoanalytic Studies,” with James Stone of American University.

In the third implementation of Sigma Tau Delta’s Zoom Seminar Sessions, Erika Olbricht hosted a discussion on the hit show, Bridgerton.

Brie Parkin has been awarded the J. Bruce Jackson, MD, Award for Excellence in Undergraduate Mentoring at CWRU.

Brad Ricca‘s Olive the Lionheart: Lost Love, Imperial Spies, and One Woman’s Journey into the Heart of Africa is a finalist for the 2021 Ohioana Book Award in Nonfiction.

Martha Schaffer will be promoted to Senior Instructor in the Department of English as of July 1st.

Thrity Umrigar‘s Sugar in Milk, illustrated by Khoa Le, is a finalist for the 2021 Ohioana Book Award in Juvenile Literature.

Anthony Wexler has been awarded the campus-wide Carl F. Wittke Award for Excellence in Undergraduate Teaching at CWRU.

“Say They Name in Black English”: A Lecture by Professor Vershawn Ashanti Young

Dr. vay was appointed the Hildegarde and Elbert Baker Visiting Scholar by the Baker-Nord Center for the Humanities.

by Andrew Petracca

It is false advice for writers and speakers and immoral for humans to propose that there is a standard dialect of English.
––dr. vay

On April 30th, near the end of a strange, virtual semester, Professor Vershawn Ashanti Young, who goes by dr. vay, zoomed in to deliver this year’s Edward S. and Melinda Sadar Lecture in Writing in the Disciplines.  Dr. vay, Professor of Black Studies, Communication Arts, and English Language & Literature at the University of Waterloo, delivered an inspired lecture titled “Say They Name in Black English: George Floyd, Atatiana Jefferson, Aura Rosser, Travon Martin and the Need to Move from College Writing Instruction and Toward Black Linguistic Arts.”

In his presentation, dr. vay called for “Black linguistic justice” and espoused four principles to achieve it: 1) “The Black personal is political and academic”; 2) “get with the Black and brown program”; 3) “place Black language in the center of language and writing instruction”; 4) “say they name in Black English.”

To follow these principles, teachers of writing must encourage students to commingle the personal and the academic, must understand that Black dialects of English are not problems but that negative attitudes toward those dialects are; and must promote the integration of Black linguistic styles in the classroom.  One strategy dr. vay offered to commingle the personal and academic while appreciating and centering Black language is to cultivate a relationship between writing and speech in the composition classroom.

Dr. vay expressed that to divorce writing from speech is “false and places Black students at a disadvantage” because such a divorce inhibits Black students’ ability to code mesh.  Dr. vay coined the term code meshing to revise the inaccurate term code switching.  Dressed in a black shirt with bold white letters reading “too proud to codeswitch,” he explained that code meshing represents the blending of racial and academic discourses.  Whereas code switching implies that Black speakers must turn off one type of language to access another, code meshing implies that Black linguistic styles belong in the academy.

Dr. vay has a background in performance art, which was evident in his riveting presentation.  He concluded with a Black Body Acknowledgement, which is like the Land Acknowledgements that many professors include in their syllabi to recognize that the land on which they teach belongs originally to Indigenous Peoples. The Black Body Acknowledgement addresses dr. vay’s fourth principle for Black linguistic justice by remembering the Black bodies that have brought us to this point in social and academic history and that will bring us to a further point where talks like dr. vay’s are no longer necessary.  This is a statement committed to action, committed to social justice, committed to making the academy and the world a more safe, hospitable, and equitable place.

I only wish this talk could have been in-person.

Book Excerpts

A Defense of Judgment is a characteristically brilliant, strongly argued, intellectually accessible attempt to provide a template for rethinking the role of value judgments in teaching and writing (and thinking) about literature, and by implication the arts generally. Clune’s discussion is continually illuminating, as are the exemplary readings he offers of works by Dickinson, Brooks, and Thomas Bernhard.”

Michael Fried, Johns Hopkins University

“Thirty-two authors, consultants, and administrators from diverse centers—from large public four-year institutions to a private, online for-profit university—provide both theoretical frameworks and practical applications in eighteen chapters.”

–regarding Redefining Roles: The Professional, Faculty, and Graduate Consultant’s Guide to Writing Centers by Megan Swihart Jewell (Editor) and Joseph Cheatle (Editor)

ALUMNI NEWS

This summer at Siegal Lifelong Learning, alum (’83) Shelley Bloomfield offers “The Spy Who Stayed Out in the Cold, American Style.”

Gerry Canavan (’02) presented “Pandemic and Utopia in the Works of Kim Stanley Robinson” at the Center for Modern Culture, Materialism, and Aesthetics in June.

Jason Ray Carney (’15) has a second blog post at Black Gate about aesthetic pleasure and sword and sorcery. Robert E. Howard, George Orwell, and Oscar Wilde have cameos.

Lisa Chiu (’93) was a featured storyteller at the Taiwanese American Cultural Festival:

Laura Juengst Dorr has officially started a position as a Wildlife Specialist at the Lake Erie Nature & Science Center, where she will be taking care of captive wildlife and doing wildlife rehab.

Alum (’10) Iris Jamahl Dunkle‘s newest poetry collection, West : Fire : Archive, was highlighted by the Academy of American Poets in “A Poetry Reading List for the 25th Anniversary of National Poetry Month.”

Nicole Emmelhainz (’14) taught a poetry workshop at Paperback Ink Bookstore in April.

For Whale Road Review‘s Summer 2021 issue, Laura Evers (’20) interviewed author Jason Schwartzman.

Miriam Goldman (’10) has recently accepted a position as a consultant at RQM+, the leading international medical device and diagnostics consultancy.

Michelle Smith Quarles (’98) offers “The Female Future: An Exploration of the Fiction of Margaret Atwood and Octavia Butler” through Siegal Lifelong Learning this June.

Alum (’10) Brandy Schillace‘s new book about Dr. Robert White, Mr. Humble and Dr. Butcher, is reviewed in the Sunday NYT Book Review.

Marie Vibbert (’98) offered a craft talk, “Working Class Science Fiction” through Literary Cleveland:

SEND US YOUR NEWS

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: June 2021 appeared first on Department of English.

Department of English Newsletter: October 2021

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Farewell to Mobley/In Memoriam/CHC: Workshops/CHC: Making the Transition/Faculty News/Alumni News//

Bidding Farewell to Marilyn Sanders Mobley

by Gary Stonum

Marilyn Sanders Mobley, who goes by “Maril,” largely began her professional academic career at CWRU and she has finished it here, but in between and also beforehand there were more than a few adventures elsewhere. At the point she entered our doctoral program in the early1980s she had already taught at Shaker Heights High School, Marygrove College, and Wayne State, after having moved to the Midwest with a BA from Barnard and an MA from New York University. Oh, and by the way, she was also a mom raising two boys.

My own fulfilling thirty-plus years advising her began when she ran a section of the American literature survey I taught. At this point in English departments the study of Black writers tended to occur in a vacuum, dominated by a handful of canonical male authors and only beginning to link up with other developments in the rapidly changing discipline. Happily,H her other mentors included the not-yet-famous Henry Louis (Skip) Gates, Jr, the first African-Americanist to draw profitably on the theory movement; and our Roger B. Salomon, who encouraged her pioneering intention to compare white and black writers as co-equal, mutually influencing channels in a distinctly American literary tradition.

Hence the dissertation she completed in 1987 and, after revision, her book, Folk Roots and Mythic Wings in Sara Orne Jewett and Toni Morrison (LSU Press,1991). After a year at Howard she moved to George Mason’s English Department, where she stayed for nineteen years. It is a truth universally acknowledged that scholars of color get called upon for a heavy burden of service—mentoring students, serving on committees, and generally being visible to various publics. So with Maril, one difference being that she was exceptionally good at the organizational, policy development, and program development side of such work. At George Mason, for example, she founded and directed the African American Studies program and served on a panoply of key committees.

For Maril this culminated in a career shift into administration. Continuing as always to maintain her faculty position she became an associate provost for academic programs, which put her on the radar of headhunters. She left George Mason to become provost of the North Carolina HBCU, Bennett College for Women, in 2007-2008 and then returned to CWRU in 2009 as Chief Diversity Officer. President Barbara Snyder had advertised the opening as a cabinet level post, a pathbreaking decision at the time for diversity officers, and so Maril became the inaugural Vice President for Inclusion, Diversity, and Equal Opportunity.

Gee, I used to be her graduate supervisor and upon her return to Case she outranked me by several levels. Oh, well–she still regularly called me for advice about career and profession. During her decade working in Adelbert Hall she was as busy and involved in multiple university activities as one can imagine, including developing two strategic action plans and a diversity education program. For this work she received on behalf of CWRU the Higher Education Excellence in Diversity Award eight years in a row.

“Diversity” has often been a code word for including black (and latterly brown) faculty, students, and staff; and it was expected if not obligatory that diversity officers would themselves, like Maril, be African-American. She parted with these expectations at several points. Her long-time faculty diversity officer was a white male. And not without some controversy two similarly identifiable English professors replaced her in chairing the Faculty Senate’s committee on minority affairs. I served in this post for the explicit, politically advantageous reason that the new strategic action plan on diversity could receive more effective advocacy from a regular professor than from any member of the administration. After I stepped down, T. Kenny Fountain became the first openly gay person to chair the committee, further acknowledgement of the widened meaning of diversity.

Maril usually taught one English Department or SAGES course a year while a Vice President, but except for her voting role on tenure and promotion cases did not much involve herself in department affairs. In this she followed the example of James Taaffe, who had likewise been a Professor of English as a university Vice President. After retiring from administration in 2019, thirty-two years after she received her PhD from CWRU, she became a full-time professor in the department as a Professor of English and African American Studies.

During the years at George Mason and afterwards, in her spare time away from teaching and service, she was primarily working on Toni Morrison’s novels and criticism. Fourteen bits and pieces of this have appeared as essays or talks over the years and the long-awaited book on Morrison is now in progress at Temple University Press. (She had been a founding member of the Toni Morrison Society, including a term as its president.)  Besides her work on Morrison, she has given many talks on such others as Malcolm X, Alice Walker, and Toni Cade Bambera.

Also in recent years Maril has become increasingly active in the church and in spiritual matters generally. Her second book, The Strawberry Room and Other Places Where a Woman Finds Herself (Westbow Press, 2016) is a memoir of her journey from personal and family trauma to spiritual recovery. First called to the ministry in 2001, she has been an ordained lay minster in the Arlington Church of God since 2009 and more recently has undertaken graduate-level seminary study at Anderson University’s School of Theology.

In Memoriam

P.K. Saha passed away on August 10th. He was a valued member of our department who started out at Case Tech before the merger.  During his tenure here, he was a legendary teacher, the first to win both the Wittke and Diekhoff awards. An obituary will follow in the December newsletter.

It is with great sorrow that we inform you that Jim Sheeler, Pulitzer Prize winning journalist, award winning teacher and beloved professor in the English Department, passed away at his home at the age of 53. An obituary will follow in the December newsletter.

Cleveland Humanities Collaborative: Student Workshops

by Martha Schaffer

The Cleveland Humanities Collaborative (CHC) partners CWRU with Cuyahoga Community College (Tri-C), Lakeland Community College (Lakeland CC), and Lorain County Community College (LCCC) to provide students with an opportunity to work across institutions, earn their associate’s degrees, and then apply and transfer to CWRU to complete their bachelor’s degrees in the humanities.

Transferring from one institution to another isn’t the easiest process. But the CHC leadership has developed programming to help students make the transition and welcome them to CWRU’s College of Arts and Sciences. To provide students with an opportunity to experience CWRU humanities classes before they decide to transfer here to complete their Bachelor of Arts degrees, CHC offers concurrent-enrollment. I have been fortunate enough to participate in this endeavor by providing a pre-semester workshop to the students who are concurrently enrolled at Tri-C, Lakeland CC, or LCCC, and CWRU.

The CHC students bring a wealth of knowledge to our humanities classrooms. They are motivated and self-directed learners, and they are curious and enthusiastic about our disciplinary conversations in philosophy, history, English, and classics. They want to participate actively in the critical thinking and argument that builds our knowledge. Working across campuses and institutions allows them to make comparisons about different approaches to teaching and learning, which makes them strong critical thinkers about their education and education more generally. Some of them come from non-traditional paths, and their life experiences and knowledge enhance our conversations and change our discourse community for the better. To prepare for the workshop, I ask students to write about a time when they used writing to accomplish something. Their stories are rich and meaningful, describing how writing has helped them perform work, get into school, promote political and personal interests, and engage in creative endeavors. This sets the stage for our conversations about how communities are shaped by their language practices, and, then, how we can shape the communities that we join through our own writing and speaking.

In order to honor the variety of experiences and perspectives that the students bring to CWRU, I have approached the workshops as an invitation to join our community by exploring the concept of discourse communities. A discourse community, as it is understood in writing studies, is a group of people who use certain conventions and genres of language to interact, shape their knowledge, and achieve their goals. We understand that individuals belong to multiple discourse communities, and in moving among them, some language practices transfer easily and obviously, while others are new or conflicting. Educating students about this concept can help them to navigate their movements across discourses, and to make informed choices of their own about their membership in different communities.

In CWRU’s writing-across-the-curriculum program, we use the language of “academic conversation” as described by Graff & Birkenstein in their popular first-year writing textbook, They Say/ I Say, to describe the ways in which scholars engage with each other in discussion and writing to explore ideas, responding to and building upon each other’s ideas to move knowledge and research forward in a given discipline. Our workshops explore this idea as a companion concept to discourse community to identify a specific construct of language use that shapes how we interact with each other in our classrooms and our written work, emphasizing the collaborative, social, and rhetorical nature of language. By way of example, we read Kenneth Burke’s description of the (Burkean) parlor and translate the language of the heated parlor discussion to academic writing, to see that “[w]hen you arrive, others have long preceded you” means that scholars have thought and written about most topics we explore as new students of a discipline. We consider that “you listen for a while” through reading and researching other scholars, and that catching “the tenor of the argument” is understanding the context and viewpoints around the topic.

As a metaphor for academic writing, conversation serves to illuminate these aspects of scholarly debate, but also to provide new members to our community with the moves that enable their participation. While the workshops explore these theoretical constructs, they also actualize them, providing students with a chance to consider the practical strategies that constitute our discourse in the humanities: critical reading, discussion, and writing. Together we share ways to manage time, work loads, and difficult conversations. Participants experience the interconnectedness of reading, thinking, and writing in the workshop as we engage in discussion, free writing, reflection, and critical reading together. The idea is to provide them with a brief glimpse of what the humanities classroom at CWRU will be like.

The concurrent-enrollment workshop is just one piece of a larger program that encourages CWRU’s engagement with our surrounding institutions and welcomes a variety of Cleveland area students to our humanities programs. The CHC provides its students with many people who are invested in their success, and who provide them with the intellectual, practical, and emotional support that they need to succeed. CHC Program Director, Kurt Koenigsberger, and Program Manager, Allison Morgan, who recently moved on to a new position, have devoted much time and energy to developing a network of companion administrators and faculty at the community colleges as well as at CWRU to provide the CHC students with advising, mentoring, and advocacy throughout all the phases of the transfer process. Through these collective efforts, we see the students succeed in their classes and in their larger education and professional plans, and we are all the better for their participation in our community.

Cleveland Humanities Collaborative:
Making the Transition

by April Graham

CWRU has always been a dream college for me when I was attending Cuyahoga Community College for my Associate of Arts. And, as with many dreams, it seemed quite far away and even unobtainable at times. It was a terrifying prospect to transition from a community college to CWRU since I had never been on a large campus nor had I ever stayed in a dorm. The community college experience was quite different, with our single campus building and small class sizes. Because of this, discovering the Cleveland Humanities Collaborative (CHC) was so invaluable to me. The CHC allowed me to take advantage of concurrent enrollment and I ended up taking one CWRU class per semester while still attending Cuyahoga Community College (Tri-C) during my last two semesters before I graduated and transferred to CWRU full-time. On days I didn’t have classes at Tri-C, my mom would drop me off at CWRU for classes on Children’s Literature or Japanese Pop Culture. The campus was new and exciting to me, and I remember how I marvelled at Guilford House and the creaky journey up the stairs to my third floor classroom, so different from the wide, tiled hallways of Tri-C, which housed all the classrooms, dining, recreation, and faculty offices in a single building. Concurrent enrollment was crucial, allowing me to grow comfortable with the CWRU campus, classes, professors, student body, and faculty. I could start my classes as a transfer student at CWRU feeling like I already belonged there.

In many ways, my time in the CHC and the transitionary period from my community college to CWRU felt similar to my experience doing college credit plus (CCP) courses while still in high school. I had been online-schooled during middle and high school, so the brick-and-mortar college experience was a daunting prospect. However, taking college courses while still in high school helped with that transition, just as concurrent classes with the CHC helped me transition to CWRU. It put a little more experience under my belt and gave me the confidence and resources I needed to comfortably traverse a new college environment, in terms of both the campus and the students and faculty. With the CHC, I was not worried about struggling to find advisors who knew my educational background or peers who shared the same educational goals. To be able to start classes at an entirely new college and have people on your side right from the beginning was extremely meaningful to me.

Additionally, the CHC is a close-knit community of like-minded individuals. Even if we all are pursuing different paths in the humanities, we all have had similar educational experiences and hopes for the future. As with all communities, each member has something valuable to offer to the others, sharing in this pool of knowledge, whether it was recommendations for particular classes to take, studying tips, scholarships to pursue, or resources on campus. And, possibly even more importantly, we offered each other a respite from college stresses, a listening ear, a good laugh, or even a music recommendation. When thinking about those books that discuss tips for ‘college survival,’ I think of the CHC and the community we have built over the years with multiple generations of college graduates. The key to college survival is communities such as the CHC, which aid your growth not only while in college, but after graduation as well.

It has constantly amazed me how many CWRU graduates who started out as CHC students have remained a part of the CHC community. Some of them have gone back to CWRU for a masters degree or certificates. Some simply have kept in touch and still provide for the CHC community by sharing their stories and inspiring the rest of us. This aspect of the CHC has always resonated with me because it is a reminder that CHC faculty, professors, and classmates are also our lifelong friends and mentors. In the future, I myself hope to pursue a masters in Library Science once I graduate from CWRU, and I am confident that I will still have the CHC and CWRU community supporting me along the way.

Faculty News

Cara Byrne and her first year students volunteered at the Cleveland Kids’ Book Bank to sort and box children’s books for distribution to organizations serving children and families in need.

On Friday, September 24th: A Symposium on Michael Clune‘s A Defense of Judgment took place at Harvard University.

Georgia Cowart has been elected President of the American Musicological Society for a two-year term beginning in November 2022.

Thom Dawkins taught at Pittsburgh Theological Seminary this summer in the new Doctor of Ministry program in Creative Writing and Public Theology.

Part 2 of Mary Grimm‘s serialized story, “Nothing Bad,” appeared at Mayday Magazine.

In June, Denna Iammarino published an article in a special issue of Explorations in Renaissance Culture on Spenser’s A View of the Present State of Ireland. This issue is an extension of a symposium Iammarino organized at CWRU in 2018 (her symposium co-organizer, Thomas Herron, edited the issue).

Michelle Lyons-McFarland‘s article in The Year’s Work in English Studies is now published.

William Marling published American, Hard-boiled and Noir: A Guide to the Fiction and Film (235 pages, detnovel.com).On June 23rd, Marilyn Mobley gave a presentation for the Association for Prevention Teaching and Research student leadership symposium for the Paul Ambrose Scholars Program. Her topic was “Race Matters: Rethinking the Health Professions through the Lens of Equity and Social Justice.”

Martha Schaffer has been promoted to Senior Instructor in the Department of English.

Thrity Umrigar’s children’s book Sugar in Milk has won the Ohioana Book Award for juvenile literature this year. Ohioana is the second oldest state award in the nation.

A panel honoring Martha Woodmansee‘s career took place Thursday, July 15th, at the annual meeting of the International Society for the History and Theory of Intellectual Property (ISHTIP). The week-long meeting, which was hosted by Bournemouth University in the UK, was virtual. Participants tuned in from across Europe, Canada, Australia, and the US. The program can be accessed at: https://www.ishtip2021.org/conference. Woodmansee was a founding co-director of ISHTIP.

Alumni News

Danny Anderson (’12) discusses the Netflix series Midnight Mass at PopMatters.

Jason Ray Carney (’15) is teaching a course in October and November for the CNU Lifelong Learning Society on The Literary History of Science Fiction.

Lisa Chiu (’93) helped to read, select, and edit submissions for a showcase of poems and stories from local immigrants sharing their personal experiences of coming to America and adapting to life in Northeast Ohio. It was a cover feature for Cleveland Scene Magazine.

Erin Clair (’99) was awarded the Jerry G. Gaff Faculty Award in the emerging campus leader category.

Iris Jamahl Dunkle (’10) was recently featured on the French television program INVITATION AU VOYAGE (Invitation to travel) where Jack London scholars, Tarnel Abbott, Jonah Raskin, and Dunkle are featured talking about Jack and Charmian London.

Michelle Smith Quarles (’98) presented “Extra-ordinary Light: The Poetry of Tracy K. Smith” on Friday, September 24th, at CWRU.

Alum (‘03) Brad Ricca’s book True Raiders was published on September 21st.

Alum (’17) Jack Rooney‘s essay, “‘Only a sense remains of them’: Latescence and Outwatch in Shelley’s Vigil” is forthcoming in European Romantic Review.

Carrie Shanafelt (’03) has two recent articles on Bentham and sexual nonconformity in LIT and The Eighteenth Century: Theory and Interpretation.

Send Us Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

The post Department of English Newsletter: October 2021 appeared first on Department of English.

Department of English Newsletter: December 2021

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Remembering P.K./Remembering Jim/Department News/How I Write (Ricca)/Alumni News//

Remembering P.K. Saha

by Bill Siebenschuh

I have many fond memories of P.K. Saha: his wonderful sense of humor, his amazing memory and command of just about everything he ever read or saw, the way the students loved him. But when I learned that he had passed, the first thing I thought of was something that happened in my first year in the department. As the new Director of Composition, it was my responsibility to teach English 500. To do so I felt obliged to include some Chomsky in the syllabus. The problem was, I didn’t understand a word Chomsky wrote.  One day as I was discussing the course with a senior graduate student who had already taken it, I asked him what Chomsky they had read, and he said, “P.K.’s translation.” I didn’t know P.K. very well at that time, but I went to see him and asked him about it. He just laughed and said, “Oh, yes. I did that a couple of years ago for my students in the linguistics course. Chomsky can be unintelligible. I just summarized his basic ideas. Do you want to borrow it?” I used his translation, which was clear as a bell, and by the end of the course the students understood Chomsky and finally so did I. In my early years in the department, P.K. became a sort of guru-at-the-ready. An international student would come to the Writing Center in Pardee Hall and ask, “In English, why does one say ‘the big white house’ and not ‘the white big house?’” I would look at my watch, say, “Oh, look at the time! Come back on Wednesday, and I’ll explain.” And then I would get on the phone to P.K. He was always ready to help.

He had an amazing career which began in Calcutta, ended in Cleveland, and included what seems like a little bit of everything. He was a first-rate linguist, an award-winning teacher of both graduate and undergraduate students, a wonderful colleague, a formidable poker player, a genial host, a gourmet cook, and, late in his life, a forensic linguist. But my first memory of him was about his kindness to the new kid in the department.  As another of my gurus, Samuel Johnson, once said, “The true measure of a man is how he treats someone who can do him absolutely no good.” By that measure, P.K. was about as good as it gets.

More remembrances of P.K. here.

Remembering Jim Sheeler

by Chris Flint

Photo credit: Todd Heisler.

As many of you know, when the English Department recruited Jim in 2010 to be Shirley Wormser Professor of Journalism and Media Writing, he already had a distinguished career as a journalist, starting as a cub reporter in Boulder, and ultimately advancing to news feature writer for the Rocky Mountain News in Denver, where he specialized in stories about war and loss. What you may not know is that his first desire was to be a veterinarian, a sign of his abiding love of animals and nature in general. Jim was born and raised in Houston, but came to love Colorado, where he hiked incessantly and drove his beloved jeep recklessly along dusty tracks and mountain roads. After a semester of pre-veterinary classes, he quickly turned to journalism and never looked back, becoming a newspaperman specializing in feature writing, particularly stories about loss. While seemingly unconnected, there was a link in both of these career options: Jim’s deep concern for the hurt that comes to others. He was always turned outward to the world, using his verbal and emotional resources to heal pain and sorrow.

By the time he arrived at CWRU, Jim had been awarded the Pulitzer Prize for Feature Writing for a long story about a Marine he shadowed for over a year, Major Steve Beck, who was tasked with informing families of GIs killed in Iraq, helping them to navigate the difficult return of the body, commemorate the soldier, and deal with their loss. Jim expanded that story into the bestselling book, Final Salute: A Story of Unfinished Lives, one of five finalists for the 2008 National Book Award for Nonfiction. Those awards, coupled with appearances on NBC Nightly News, NPR’s Fresh Air with Terry Gross, and NewsHour with Jim Lehrer, and invited visiting stints at institutions ranging from Harvard to the Sorbonne, marked him as a star. The extensive obituaries that have appeared in such newspapers as the Washington Post and the Denver Post testify to the range of his fame. But you wouldn’t know about Jim’s professional stature from his demeanor, which telegraphed humility, generosity, and kindness, combined with a wiry defense of those who are vulnerable and powerless.

Before the Iraq stories, Jim spent most of his early newspaper career working the death beat, a term that journalists use for obituary writing. Characteristically, Jim turned what was often considered a thankless task (even professional punishment) into an artful form of compassionate reporting. But doing that wasn’t enough; he also wanted to help others genuinely celebrate the lives of those who had died. He co-authored Life on the Death Beat: A Handbook for Obituary Writers in 2005 and was promptly inducted into the International Obituary Writers’ Hall of Fame the next year. Gathering a selection of what he wrote, Jim then published Obit: Inspiring Stories of Ordinary People Who Led Extraordinary Lives.

Jim’s knack was not only to tell stories but to teach aspiring writers how to create them from the raw materials of everyday life. A beloved teacher, his English courses at CWRU included immersion seminars on local residents in one of the oldest operating African-American nursing homes in the United States, the Eliza Bryant Village in Hough, and on individuals at the Louis Stokes Cleveland VA Medical Center, where students pursued stories of veterans with prosthetics, the rehabilitation of the blind, and a nurse who served with the Army infantry in Iraq – all of these courses required students to produce video projects of their subjects that they could circulate widely. Jim was also in high demand as an undergraduate advisor. He served as faculty supervisor for The Observer, and placed students in internships at local media outlets such as Cleveland Magazine and WCPN, and some farther afield, such as the White House. He received the University’s Carl F. Wittke Award for Excellence in Undergraduate Teaching in 2016, having been nominated several times in prior years.

Jim’s students have created a gratitude box of reminiscences from faculty, students, and staff as a tribute to what mattered most to him. As one of his students, Halle Rose, notes, “Jim began the first day of every class he taught by pulling out his ‘box of gratitude,’ where he kept all of the thank you notes the families he worked with had sent him…he would always take a full armful of the notes, literally scoop them up in this sort of big loose embrace until they were overflowing from his arms, and tell us that THIS is why we do the work. He would then pick up the Pulitzer and say ‘I know this is what people always ask about, and it’s nice of course, but this isn’t what matters,’ before tossing it back in the box.”

Jim was no less committed to service. It is a testament to his abiding volunteerism that Jim was, at the time of his death, the English Department’s Director of Undergraduate Studies, its Associate Chair, Faculty Advisor to The Observer, volunteer in the Provost Scholars Program, and member of several Department, College, and University Committees. Over the years, he served as an ambassador for the University—for President Synder, the Board of Trustees, Undergraduate Studies, Office of Admissions, and numerous others. In one of our conversations in August, he mentioned excitedly that he was awaiting confirmation on two important issues. One was news about his application to serve as a Court-Appointed Special Advocate for Cuyahoga County, defending the best interests of abused and neglected children in schools, courtrooms, and the community. The other was word on the refurbishment of his dusty old jeep, which had been left on his parents’ farm for others to use until the farm was finally sold this year. It was coming to a new home here on the decidedly less dusty roads of Chagrin Falls.

Finally, on a more personal note, I’d like to mention another passion of Jim’s. He was an avid rock fan and might, I believe, have just as easily been a music journalist. Jim and I routinely went to hear various groups play at local Cleveland venues. Invariably, after the concert was over, Jim would dash backstage scrounging for backstories on the musicians. Afterward, brandishing the band’s t-shirt or a vinyl record, he would tell me what he had learned or observed. He just never stopped being a journalist.
I will miss those concerts, but I will miss just talking to Jim much more. To me, as to many of you, he wasn’t just a colleague or teacher. He was a staunch ally and willing hand; he was an ethical beacon; he was a beautiful friend.

More remembrances of Jim here.

Department News

Tom Bishop, former professor of Renaissance literature at CWRU, will be the first Writer-in-Residence supported by the Stonum Family Fund. His visit will be from February 15th through February 25th of 2022.

Cara Byrne discusses the Imagination Library.

Michael Clune receives the 2022 Baker-Nord Center Award for Distinguished Scholarship in the Humanities.

Mary Grimm has a new flash fiction in Five on the Fifth

English minor Winston Kam was featured in The Daily.

On November 6th, Amber Kidd presented her paper “Memory, Grief, and the Palimpsest: Exploring the Nature of Loss in Susan Howe’s That This” on a panel about life writing at SAMLA’s annual conference.

Francesca Mancino‘s book review on Robert Volpicelli’s Transatlantic Modernism and the US Lecture Tour was published in issue 35 of The Modernist Review.

William Marling published “The Shooting. Charles Bukowski” in American Literary History.

Marilyn Mobley served as moderator for the artist talk given by CWRU law school alum Amanda King at her first solo exhibit “God is Anti-racist” at Karamu House on Wednesday, October 20th.

John Orlock has been selected as a Baker-Nord Center Faculty Affiliate for the Fall 2021 semester. His lecture, “What’s the Story? And where does Lulu fit in?: Shaping a Screenplay about Richard Olney and His Kitchen,” took place on November 16th.

The Baker-Nord Center for the Humanities has selected Camila Ring to attend the National Humanities Center’s “Podcasting the Humanities: Creating Digital Stories for the Public” virtual institute. The five-day institute runs from January 10-14, 2022.

Brita Thielen has a chapter entitled “Consuming the Past: Food Metaphors in the Intergenerational Food Memoir” in Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (Routledge 2020) which has recently won the South Atlantic Modern Language Association’s Book Award for an Edited Collection.

Thrity Umrigar‘s new novel Honor will be published on January 4th.

Hayley Verdi has been accepted to the HILLS Doctoral Symposium which will take place at CWRU December 11-12. The HILLS program aims to develop and promote leadership potential for doctoral students in the humanities, arts, and humanities-related disciplines, with a particular commitment to promoting diversity in higher education administration. The goal of the symposium is to provide students with the possibilities of serving in administrative leadership roles before they complete their doctorates and begin the next phase of their academic careers.

How I Write (Now)

by Brad Ricca

This past fall, I was asked by Professor Vinter to give a talk on writing nonfiction. I was flattered to be asked to come back to Guilford – back home – to be with people who wanted to talk about things other than Spongebob Squarepants. I was even more excited when she suggested we make it about process. I try not to be a big advice person, so I approached it as things I wish I had known when I started. Here’s what I think I’ve learned.First, writing for a trade publication (an article in a magazine or a book in a store) is not that different from writing for an academic one. Though the styles may differ, the process depends on the same intellectual and written kung fu that any English major, MA, or PhD student knows better than anyone. It just happens in reverse. An English major writes a paper on Frankenstein by looking at the creature and analyzing it from a variety of critical approaches. They take the monster apart to find meaning. But the nonfiction writer gets to take the opposite approach. We get to make the monster.But how? I hear you asking. First, I choose what I call a secret theme. What do I really want to write about? Think about? Learn about? And admittedly, get others to engage with? These themes lurk in the shadows of everything I do and are broad and unwieldy topics: creativity (Super Boys), missing girls (Mrs. Sherlock Holmes), whiteness and suicide (Olive the Lionheart), and conspiracy thinking (True Raiders), but they are never the story itself. I will explain why in a moment. Once I’ve got my secret theme, I go hunting for a specific story to, for lack of a better term, get into it with. My own process isn’t efficient: I cast a wide net by looking in archives, newspapers, and so on. This can be the worst part sometimes, but it’s also the most exciting. Looking for a story – one that fits me and what I want to write about – is a weird combination of time travel and luck. It is frustrating, but when you finally find something, when you find it (and can get by those next several minutes of intense Googling to make sure there aren’t twelve books on the subject), well, that is the good stuff.

Story is important. It should be, by all accounts, entrancing! thrilling! topical! Most editors prefer that it also involves murder, the Civil War, or Nazis (in that order), but you can ignore that. It just has to be good. But what is a good story? And how do you tell it? Hey Brad, I don’t have an MFA from Syracuse! And I hear you again. But come on. You know this already. You know all the elements of good literature that you can name, analyze, and lecture on (with all due respect) until the first three rows of any classroom in America are asleep. You know how your favorite works of literature work. I’m not saying it’s not magic when a good book works, but I’m saying you know the magic. Model the works you like, ape them, transform them. A good story has good content (which all your specific areas of expertise have), but it is also how it is told. I almost gave up on my last book because I had a bunch of different narrators (some of them highly unreliable) and I couldn’t figure out how to organize it – until I remembered As I Lay Dying (thank you Williams –  Faulkner and Marling). Storytelling is a skill of techniques. Creativity doesn’t happen in a vacuum. Writers are readers. Cliches are endless.

Still, I hear you again: how do I write the actual sentences, man? I would suggest organizing your writing into scenes. Instead of paragraphs about Charles Dickens and his writing process, study old accounts, photographs, and weather reports to bring that place to life. You don’t want your readers to see flat words standing in for meanings in a dictionary. You want your words to smell, taste, and feel like something. You want your readers to be there.

Why? Because your reader wants to be there. After all, they bought the book! To get the reader of an academic piece to stay interested, you offer more evidence to carry them along your line of thinking. In a trade work, you do the same, but through suspense. Reveal things bit by bit. The act of holding the shark or xenomorph – the subject itself – in the background will help create a sense of story through suspense. But what if I’m not writing about scary aliens? The experience we love of researching, reading, and thinking is also a kind of suspense – as discovery – that your reader wants to experience with you. The books I like that do this – In Cold Blood, The Immortal Life of Henrietta Lacks, The Legend of Colton H. Bryant – are problematic texts in many ways, but they offer up significant spaces of discovery for the reader. This is why I write about real stories and not their secret themes. For one, writing about the theme itself would be boring; a theme is something Charlie Brown would get a D+ on. By instead creating a space between the story and the subject – as a metaphor – the reader has yet another space to engage in. If the reader can make meaning there – or find horror of a different kind – then the work (I think) becomes deeper and hopefully more persuasive; it becomes a better story. Tell the truth, but tell it slant (thank you Emily D. and Gary Stonum).

When I first started this type of work, I obnoxiously thought “Oh, I just have to take my academic writing and ‘dumb it down’ for a ‘general audience.’” I wish someone would have punched me (though gently). I was very wrong, and quickly learned so. The only thing you can safely say about a trade audience is that it is BIG. It is the largest, most diverse classroom you can imagine. That, to me, is terrific. And they are reading for the best reason of all: they want to. It is so much harder – and satisfying, for me – to write for an audience like that because it’s not about changing any big ideas, just thinking more about how best to employ them.

I’m not trying to make you question your path or interest you in an alternative lifestyle. No, a nonfiction trade book will not get you a tenure-track job in the 18th. C., but it could get you a job in a writing program. Freelance writing will never get you health insurance (thank you, Caroline), but the pay can be good, and it can get you noticed, if that’s something you want. There is no peer review, but there are plenty of editors, copy editors, lawyers, and eagle-eyed critics on Goodreads. You can also use a lot more em dashes. All I’m saying, I think, is that I’ve found this type of writing to be another kind of market for the skills I was trained in, which are, thank God, the things I love to do. It is hard work, and sometimes uncertain, but I’m able to chart my own path. I’m not saying it’s the best path or the worst, only that it exists.

If you have questions, want to see a template book proposal, or want to brainstorm an idea, I am happy to help. For though the story of this little essay was how I write now, the secret theme was simpler: If you can analyze a story, you can tell a story. And you have a major head start.

Brad Ricca earned his PhD in English from CWRU in 2002 and taught there for nearly twenty years as a full-time lecturer. He is the Edgar-nominated writer of five books, including his latest True Raiders (St. Martin’s, 2021). See more at brad-ricca.com.

Alumni News

Jason Ray Carney (‘15) adapted Elie Wiesel’s The Trial of God  into a libretto for the Christopher Newport University production.

Iris Dunkle (’10) has started writing articles for FF2 Media, a news outlet that focuses on telling the stories of the lives of women. Beginning today, you can follow her journey writing Sanora Babb’s biography via a series of articles. The first article takes you to Red Rock, Oklahoma, where the writer Sanora Babb grew up.

Paulette Goll (’87), President of Global Vocabulary LLC, is pleased to announce a 5-star rating from the Educational App Store for the newly released Vocabulary Upgrade II iPhone app. Additionally, “Just Face It: A Kinesthetic Approach to Vocabulary Acquisition” was recently published in Education.

William Heath‘s book of poems Night Moves in Ohio is available from Finishing Line Press.

Brad Ricca discusses The Real Raiders Of The Lost Ark.

Karl Zender (’62) is now a Professor Emeritus in the English department at the University of California at Davis. This past June, he published a book, Shakespeare and Faulkner: Selves and Others (Louisiana State University Press). This is his fourth scholarly monograph, with two of the previous three on William Faulkner’s fiction, the other on Shakespeare’s plays.

Send Us Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu).

The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc.

 

The post Department of English Newsletter: December 2021 appeared first on Department of English.

Department of English Newsletter: March 2022

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Stonum Visiting Writer/USEM Prizes/Department News/Constance Fenimore Woolson/Alumni News/Poem by Saha

Tom Bishop Returns as First Stonum Family Fund Writer-in-Residence

Tom Bishop, Marilyn Stonum, Gary Stonum on the stairs of Guilford House.

by Charlie Ericson

Tom Bishop was a visitor at CWRU for a week-long residency in February, sponsored by the generous gift of the Stonum Family Fund. Bishop was a member of the English Department for eighteen years, leaving in 2006 to take up a post at the University of Auckland.

“First, translation is inevitable.” This was one of several tenets of translation set out at Tom Bishop’s February 18th colloquium. This sounds pessimistic—like we will never, even when looking at a source text, have access to it except through our personal translations into our own understanding. But another of Bishop’s tenets turns this on its head. “Translation,” he says a few minutes later, “is a kind of apocalyptic opening up.” He cites Walter Benjamin here, and suggests that when we engage with the act of translation we are at our closest to what is sacred in a text. Throughout Bishop’s week-long residency as the inaugural Stonum Family Writer-in-Residence, this dual sense was at play. His colloquium talk positioned the high literary texts of Gautier, Verlaine, Hesse, and Goethe alongside pop tunes and dance music, emphasizing most of all the jigsaw-like joy of pulling at the threads of language. It’s necessary, for Bishop, that you still are able to sing the translated poem along with the original version. In his translation masterclass, he asked each student what compelled them to work on that text, to live in that voice, and where in their body they could feel the poem working on them. Ovid’s voice, in his example, was “naughty”—and it held him by the gut.

Any reader of Bishop’s scholarly work (his well regarded Shakespeare and the Theatre of Wonder, for example, written in his time at CWRU)  recognizes his rigorous historical research and attention to argument. But when he sits down to translate, he’s always rethinking his priorities. Do we need the meter to sing along? Or is this phrase just too important to lose? When you translate the word torrero, does “bullfighter” carry the same weight in English? Or should that be, as Bishop suggested, “rockstar”? Bishop didn’t dismiss literal academic translation—far from it. He was more interested, though, in producing translations that communicate the effect of a poem to an English-speaking audience, rather than the literal sense of each word. If translation is inevitable, as Bishop suggests, then why not try to bring your reader that sacred thing, that fist in your gut? They won’t have the language, but Bishop might say they’ll get something greater.

SAGES University Seminar Essay Prize Winners Announced

Awarded annually, the SAGES University Seminar Essay Prizes highlight the best student writing produced in SAGES University Seminars each year. SAGES and the Writing Program are delighted to announce that the following four writers have been selected from among more than forty nominations across more than one hundred seminars to receive the prize for 2020-2021.

Proposal for Change: Building a Bridge to a New, More Diverse Audience for Cuyahoga Valley National Park
by Blake Botto
Written for USNA 265: Thinking National Parks (Seminar Leader: Eric Chilton)

Redistributing Power through Magical Realism: Pan’s Labyrinth and The Shape of Water
by Claire Hahn
Written for USSY 293G: Magical Realism in Fiction and Film
(Seminar Leader: Joshua Hoeynck)

The Use of Music as a Tool of Queer Allyship by Non-Queer Artists
by Sofia Lemberg
Written for USSY 294D: 20th Century American Music and Cultural Criticism (Seminar Leader: Andrew Kluth)

Chimamanda Ngozi Adichie: Consistency and Inconsistency in the Face of Transgender Identity
by Mirra Rasmussen
Written for USSO 291Y: Immigration, Identity, and Writing (Seminar Leader: Luke Reader)

Recipients of the prize receive a cash award and recognition at the annual Writing Program Award Ceremony at the end of each academic year. The authors also work with the Writing Program to edit and publish their projects on the Writing@CWRU website.
You can read their prize-winning research projects here.
Congratulations to the winners and their seminar leaders!

Department News

Cara Byrne gave the lecture “C is for Coronavirus, P is for Pandemic: Covid-19 in Children’s Picture Books” at the Baker-Nord Center for the Humanities in March.

Barbara Burgess-Van Aken offered the course “More of Will’s Willful Women” through Siegal Lifelong Learning.

Michael Clune‘s piece on dreams is the cover story of this month’s Harper’s.

English major Jo Goykhberg is featured in The Daily.

Mary Grimm‘s story “Boundary Object” was nominated for Best Small Fictions by the South Florida Poetry Journal.

Francesca Mancino interviewed Dr. William Maxwell on the Harlem Renaissance for Five Books.

New York University Press has published the seventh scholarly book of William Marling. The book, titled Christian Anarchist: Ammon Hennacy, A Life on the Catholic Left, illuminates an “exemplar of vegetarianism, ecology, and pacifism.” James Fisher, editor of The Catholic Studies Reader, noted that it is “an important contribution to the literature of 20th century American radicalism.”

Marilyn Mobley was interviewed about Toni Morrison on the “Seneca 100 Women to Hear” Podcast.

John Orlock is a recipient of an Ohio Arts Council 2022 Individual Excellence Award in Playwriting.

Anthony Raffin will be presenting on Don DeLillo’s White Noise at the American Literature Association’s annual conference in May.

Brita Thielen‘s article, ““Ethos, Hospitality, and the Pursuit of Rhetorical Healing: How Three Decolonial Cookbooks Reconstitute Cultural Identity through Ancestral Foodways,” was recently accepted by Rhetoric Review. This article is adapted from Brita’s dissertation, and an earlier version of the paper was awarded the 2019 Neil MacIntyre Memorial Prize by the CWRU English Department.

Thrity Umrigar‘s new book, Honor, is a Reese’s Book Club title. Thrity was featured in a recent issue of artsci.

Anthony Wexler offered the course “Primo Levi’s Legacy” through Siegal Lifelong Learning.

Constance Fenimore Woolson—and the Ghosts of Guilford House

by Dennis Dooley

The ghosts of several important figures from Cleveland’s (and CWRU’s) past may be hovering about Guilford House on Friday, April 8th, when Anne Boyd Rioux presents the Sadar Lecture on a long-forgotten Cleveland author who’s been getting more and more attention in the last few years. Maybe even the ghost of Henry James.

Have I captured your curiosity?

Constance Fenimore Woolson (1840–1894) was the grandniece of James Fenimore Cooper. But that, in the course of time, would prove the least of her claims to fame.

Woolson was a schoolgirl of fourteen when Linda Thayer Guilford came into her life. It was 1854 and Guilford was de facto principal of the Cleveland Female Seminary and its most prominent female teacher. (In those days, seminary was just another word for academy and carried no religious connotations, though the girls lucky enough to attend that forward-looking school near E. 55th and Kinsman were encouraged to read, think about serious things and, albeit within the social constraints of the time, make something of their lives.)  Linda Guilford was a graduate of Mt. Holyoke College, a pioneering institution in the still young movement to make serious higher education available to women, who were restricted to learning the decorative arts and social skills offered by finishing schools.

Under Guilford, teenage girls received the equivalent of a college-prep education in Latin, philosophy, English literature, and the history of England and America, as well as chemistry, physiology, zoology, algebra, and trigonometry. And so, writes Anne Rioux, while “outside the snow blew sideways through the wide-open fields . . . Constance bent over her desk each week to write her compositions. And each week Miss Guilford patiently corrected her errors in logic and pointed out her faults in style. She was the budding writer’s first critic, setting a high mark Constance was anxious to reach.” So, after Woolson began, in her twenties, to have her stories accepted by the likes of William Dean Howells and published in magazines such as Harpers, Lippincott’s, and The Atlantic Monthly, she kept a special place in her heart for Linda Guilford.

But file that away for now.

The recognition of her talent she was now receiving (which included a $1,000 literary prize) vindicated Woolson’s rejection of her mother’s advice that she marry a nice gentleman with money and prospects like the man her sister Georgiana had wed at nineteen, one Sam Mather. Alas, poor Georgiana died of tuberculosis just three years into that marriage—but not before she’d been delivered of a bouncing baby boy they christened Samuel Livingston Mather, who would grow up to become one of Cleveland’s most successful industrialists and philanthropists.

When in 1879, Woolson, by then a restless world traveler and confirmed ex-pat, returned from England to help tend to her dying mother, her nephew Sam introduced her to his fiancée, twenty-seven-year-old Flora Stone, the youngest daughter of Amasa Stone, a fabulously successful builder of railroad bridges. Stone had been a deeply troubled man ever since the catastrophic collapse in 1876 of his bridge over the Ashtabula River that had taken ninety-two lives, making it the worst railroad accident of the nineteenth century. An investigation concluded that the bridge had been badly designed, poorly constructed, and inadequately inspected. In an attempt (it was whispered) to restore his good name, in 1882 Stone underwrote the cost of moving Western Reserve Academy (founded in 1826) from Hudson to Cleveland to form the basis of a badly needed university. A year later, the deeply depressed Stone ended his own life, and young Flora came into a staggering fortune, with which she determined to do as much good as possible in the world.

Her greatest project was establishing, on the new university’s campus, a college for women that would one day be given her name in gratitude. Flora was responsible for five buildings that stand to this day: Harkness Memorial Chapel, Clark Hall, Haydn Hall, the Mather Memorial Building on the corner of Ford and Bellflower, and, in 1892, what was originally called Guilford Cottage, a dormitory for young women who hungered for more. It seems the same determined young educator who had been such an important mentor to Constance Woolson had done the same for Flora Stone and her sister Clara. (Guilford’s papers are  now preserved at CWRU. Her books, The Story of a Cleveland School from 1848 to 1881, The Use of a Life, and Margaret’s Plighted Troth are available through your favorite bookstore.)

It was Clara’s husband, John Hay, the late President Lincoln’s private secretary and shortly to become the (anonymous) author of the first novel ever set in Cleveland, who introduced Woolson to his good friend Henry James. James and Woolson would become close friends, taking long walks and spending delicious evenings together in conversation. Their relationship is explored at length in Colm Toibin’s 2004 novel The Master. Indeed, says Rioux, there is ample evidence to suggest that Woolson was part of the inspiration for the protagonist of The Portrait of a Lady, the first draft of which James was writing when they met in Florence. “[He] saw in his new friend no small portion of the spirit he was trying to capture on the page,” Rioux believes. “No wonder he took time off from his work to show her around the museums and churches of Florence for four weeks.” When she read the published novel, Woolson told James she felt “a perfect sympathy, & comprehension, & a complete acquaintance” with its protagonist. After all, says Anne Rioux, “She knew Isabel as well as she knew herself. Like her, Woolson did not conform to most men’s idea of an agreeable woman. She was too self-contained, in the terminology of the day. Neither possessed the uncomplicated, undiscriminating nature prized in women.” Women like Isabel (and, by implication, herself), Woolson explains, are “idealizing” and “imaginative”; and thus, the novelist in her is compelled to add, with the insight and candor that no doubt first attracted James to her, “sure to be unhappy.”

When, two years later, word reached him that Woolson had died in Rome, in a fall from a third story window, he visited her grave, and spent two weeks helping clean out her apartments, often pausing to read her notebooks. Perhaps recalling Woolson’s conviction that “houses in which persons have lived, become after a time, permeated with their thoughts,” he rented the rooms she had occupied in Oxford. Out of this came his story, “The Altar of the Dead.” In the years that followed, says Rioux, “James would write many more works that scholars have suspected were inspired at least in part by his complicated friendship with Woolson. “The most fully realized is ‘The Beast in the Jungle,’ published nine years after her death,” which grew, Rioux says, “from an idea in Woolson’s notebooks: ‘To imagine a man spending his life looking for and waiting for his “splendid moment.” . . .  But the moment never comes.’”

Constance Fenimore Woolson’s moment, on the other hand, seems to have come at last. Reviewing “Miss Grief” and Other Stories, Rioux’s 2016 selection of Constance Fenimore Woolson’s short fiction, The Wall Street Journal said she had “paved the way for authors such as Edith Wharton, E. M. Forster, and Willa Cather”; The New York Times, that Woolson’s stories “demonstrate irony, force and feeling that occasionally surpass the stories of Edith Wharton and Howells, rivaling ‘the Master’ [Henry James] himself.” James said equally glowing things about her novels in an 1887 article he wrote for Harper’s Weekly.

This year Woolson is being celebrated as one of Cleveland’s Past Masters (https://www.pastmastersproject.org/ ).

In her lecture on April 8th (Clark Hall 206, 3:15–4:15), Anne Boyd Rioux tells the story of Woolson’s revival and reflects on the importance of recovering nineteenth-century women writers. On Thursday, the Cleveland History Center offers a tour of the Hay-McKinney Mansion; and on Friday and Saturday, Guilford House will be the site of the Constance Fenimore Woolson Society’s 14th Biennial Conference.

Dennis Dooley, a former faculty member of the English Department, conceived, and is coordinating, the year-long, citywide celebration of Cleveland Past Masters co-sponsored by Cleveland Arts Prize and the Western Reserve Historical Society.

Alumni News

Kent Cartwright (’79) has just published a new book, Shakespeare and the Comedy of Enchantment (Oxford University Press, 2021).

Shelley Costa (’83) (writing as Stephanie Cole) has a new book out: Evil Under the Tuscan Sun.

Iris Dunkle (’10) has two poems in Third Wednesday.

Sarah Forner (’18) has accepted a position as Director, Corporate Relations with The University of Notre Dame in South Bend, Indiana.

Terri A. Mester (’93) is offering a class, “More Cinema of Otherness,” through Siegal Lifelong Learning.

Aparna Paul (’21) is a spring intern at Literary Cleveland.

Alum (’03) Brad Ricca‘s graphic novel comes out in April: Ten Days in a Madhouse.

Brandy Schillace (’10) is the recipient of an Ohio Arts Council Individual Excellence Award for Non-fiction.

Carrie Shanafelt (’03) gave a talk on Jeremy Bentham on the “Pleasures of the Bed” in January.

Nadia Tarnawsky (’96) will be leading a workshop in Ukrainian folk songs. Proceeds will benefit humanitarian aid in Ukraine.

Marie Vibbert (’98) is on the British Science Fiction Awards long list for best novel and best short story.

What Lies Below the Tracks

by P.K. Saha

Early in childhood, I lost count of how many times
my family went back and forth
on the 900-mile train journey between Delhi and Calcutta.
Often I fell into a trance as I gazed
at parallel tracks endlessly separating and merging.

Delhi followed Calcutta as Capital of British India,
and the stations between them were fixed in my memory:
Mughalsarai, Aligarh, Benares, Allahabad, Patna…
The British planners did not locate the stations by accident.
Three centuries earlier Emperor Akbar, a contemporary of Queen Elizabeth,
built a caravanserai route for merchants
who carried goods east from Delhi and elsewhere.
All those stations built by the British are located on sites
where serais or inns stood in Akbar’s time.

To this day I can lull myself to sleep on troubled nights
by recalling the drowsy cries of vendors on the platforms:
paan… biri… sigret…
paan was betel leaf stuffed with spices and nuts,
biri was a native cigarette,
and sigret meant English cigarettes.

History reaches deeper in India. Two and a half thousand years ago,
the Buddha walked back and forth preaching
where the city of Patna was later located by the British.

In the 1940s it took a day and a half
for the train to go from Delhi to Calcutta.
In a new century now, any drowsy moment
can set me rolling on the tracks again.

I gaze at tracks of history merging and separating
and wonder if more buried secrets might emerge
before I myself am part of the past.

July 2021                                                                                          P.K.

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Department of English Newsletter: June 2022

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From the Department: Thank You

by Christopher Flint

The English Department could not have been more fortunate in the selection of Professor Georgia Cowart to serve as our Interim Chair over the last two very challenging years. Chairing a department successfully is hard enough without having to do so on a temporary basis, coming from an external department, and beginning the job in the middle of a global pandemic. To navigate this situation with grace, humanity, and humor, conveyed mostly over the stilted medium of Zoom, was a feat of administrative magic.

When she agreed to this leadership role, Georgia, a Professor of Music specializing in Early Modern French arts and cultural politics, already had more than enough experience for the task, having joined CWRU’s Music Department as its new chair in 2002, shepherding it in that position until 2007 and then later serving as its Coordinator of Graduate Studies in Musicology from 2014-2020. Shortly after that, in an act of both kindness and optimism, she agreed to help us out in the English Department. As she steps down at the end of June, and prepares to step up as President of the American Musicological Society for a two-year term beginning in November 2022, we are deeply grateful for her sure-handed guidance, her tact, and her geniality amid turbulence and change.

I recall wondering whether Georgia was aware of the particular complexities facing the department when we first met about the transition in March, 2020, three months before I stepped down as chair. Georgia would have to staff courses and committees with the department at a 20-year low in faculty appointments. She would need to seek urgent tenure-track lines amid a hiring freeze, and to mentor and evaluate faculty in a discipline other than her own. She would be required to align the various moving pieces in the department’s relationship to SAGES, the College of Arts and Sciences, and the University. The job would be daunting at the best of times, but her two-year appointment also coincided with significant administrative shifts at CWRU, including a new dean, a new president, and a recently appointed provost. There was, in other words, little pre-existing knowledge, informed direction, or sense of continuity that the College or University could provide. And then, just before she started, the pandemic arrived, both amplifying existing stresses and adding new and unforeseen ones. Looking back, I realize that I should not have worried in the least. Right from the beginning, Georgia met all of these challenges with the equanimity that the English faculty have come to see as her abiding strength.

Georgia’s commitment to what she calls “radical hospitality” meant that she immediately treated her new department colleagues as valued individuals, promoting their work as scholars, teachers, and administrators, and working diligently to get to know what mattered most to each of them. They responded with unified energy. Asked about Georgia’s impact on the department, Mary Grimm, another former chair, first noted “how kind Georgia is, and how well she managed our unruly department without ever raising her (rather lovely) voice,” before marveling at “how astounding it was that she liked being chair!”

Other faculty members have praised her dependability, fair-mindedness, and calming influence. “Her quiet diplomacy and her manner of speaking slowly and carefully,” Kim Emmons said, “helped steer the department through two difficult years. She brings an air of genuine curiosity to every conversation and reserves judgment until she has heard all sides. She has been an important role model and mentor to me, personally, and to the department in general. (In my experience, that has meant an apparently inexhaustible patience for email, a willingness to meet often and at length, and a genuinely people-centered ethic of leadership and care.)” As Rob Spadoni observes, “she stepped into the leadership vacuum of a shrinking department and supported faculty research efforts, including coming up with creative ways to do so when the available funding and resources were limited. I also appreciated the cordiality and considerateness she brought to the tone of department communications and meetings.” Michael Clune adds that she “managed to bring together different department factions and to make everyone feel as if their voices were being heard.” He also notes that “her combination of graciousness, committed advocacy, and diplomatic skill proved crucial in achieving a successful search for a new chair.”

Repeatedly, faculty comments emphasize the extraordinary conditions Georgia faced. Reflecting on the unique challenge of chairing during a pandemic, Thrity Umrigar recollected the concern she felt about the impact of social distancing: “I felt terrible that she seldom got to see most of us in person and unmasked until the last few months. But it now occurs to me that Georgia was exactly the chair we needed to shepherd us through these unprecedented and tumultuous times. We needed her deep compassion, her gentleness, her kindness, and her warmth during a time when we all felt a little adrift and disoriented. I appreciated how often she’d start department meetings by asking us how we were doing and urging us to do a bit of reflection about our emotional states.”

I am confident that Mary Grimm speaks for us all when she applauds the way Georgia confronted “the increasingly difficult administrative tasks of the pandemic year, serenely undaunted, and tirelessly advocated for the department’s needs with the administration. We were so lucky that she agreed to chair English.”

Thank you, Georgia!

A Tribute to Christopher Flint

by Robert Spadoni

I think it’s okay to say this now that they’re both retiring: Chris Flint and Athena Vrettos are married. They met on Athena’s first day of graduate school at the University of Pennsylvania, where Chris was on the English Department welcoming committee, which gave him a good vantage point from which to scope out the new grad students for attractive women, and I hasten to remind us all that this was at a time when few people would be likely to find that problematic. He asked Athena out the first week of school. Later, living in sin, they worked out a timesharing plan and wrote their dissertations on the same computer, which Athena thinks might have been the very first Macintosh, and which, if you look in the hallway on the second floor, I think you will find along with some French-language VHS tapes.

Upon arriving at Case, shortly after Athena, Chris (or as one of my kids, I forget which, when she was very young, maybe inspired by Boaty McBoatface, named him, Chrissy McFlintball, but I will call him Chris for the remainder of these remarks) quickly established himself as a valuable Department citizen. He was, first, a good teacher, earning rock solid, consistently enviable course evaluations semester after semester. Some of his favorite courses were those of his students as well. There was the seminar in which he set Laurence Sterne’s and Jane Austen’s very different prose styles into a dynamic conversation that structured and animated the whole semester. There was his Print Cultures course, which drew on, and was enriched by, Chris’s deep dive into the topic in his second book, The Appearance of Print in Eighteenth-Century Fiction. He taught a wonderful course on Adaptation, which I heard a lot about from my students, in which Chris assigned canonical works of literature followed by adaptations that tended to be experimental, challenging, revisionist works—not the safest or easiest choices if what you want is for your students to say, “That movie was fun; this class is fun.” These choices were more work for the teacher, and, I think it’s safe to say, more rewarding for his students. This was a course that benefitted, like a great many other things Chris gave to this Department, from one of his real strengths, and this is the eclecticism of his interests and passions, a range that shows a healthy disregard for things like matters of form, century, country, and medium. This wide-ranging knowledge and love flowed, also, into his course on Eighteenth Century Film, where Chris’s little joke was: There are no eighteenth century films; film had not yet been invented. In this course, Chris cast light on what is deeply strange and experimental about Eighteenth Century literature by placing those works alongside film adaptations that are, themselves, strange and experimental.

Ever the good Department citizen, Chris didn’t just teach his little, personal, boutique favorites, but also (and he loved teaching) English Literature to 1800, in which his students were treated to something Chris brought to every course he taught, and this is his highly performative teaching style—delighting students, for example, with his dramatic readings of Satan lying in the lake of fire and cursing heaven. Here is Athena describing Chris’s teaching style: “He wanders around the room a lot and bounces around and does a lot of voices.” In short, Chris got into it, sometimes to the point of his own mental exhaustion, driven on by his inexhaustible perfectionism—and I know about this from our many conversations on the subject. A conscientious and dedicated educator, Chris was constitutionally incapable of phoning it in.

It would be hard to overstate his service contribution to the Department. For his five years as chair, he brought to his leadership of the Department his humanity and fair mindedness—in meetings, for example, where he went out of his way to make sure that people who spoke up less often always knew there was space and encouragement to do so. And he was always looking for ways to better support the lecturers; he was their friend when they faced tough times, which was a lot of the time. He fought to secure new tenure track lines, even when that fight seemed hopeless. He worked with donors, and here his excellent hair and effortless charm came in handy, and it is thanks to Chris that the Department can offer, today, Tim O’Brien Summer Scholarships and Research Funding Support to its English majors.

He was always in his office with this door open, and here the tchotchkes crowding every surface performed a devious, strategic function, for one of these curiosities would invariably catch the eye of a student passerby, and they would poke their head in and, within minutes, find themself seated across from a very friendly and welcoming man, with an agenda, and the next thing they knew, Chris would be pushing a major declaration form across his desk, and, often, because this is just the kind of guy he is, a pen.

Chris also directed graduate studies for some years. And he loved working with grad students, directing dissertations, shepherding the students through with his patient, gentle hand, offering wonderful advice on how to shape a project more effectively, and generously lending his prodigious skills as an editor. And it’s with the dissertations, as with his teaching, that the broadness of Chris’s interests made a big difference. He was equally willing to serve on a committee for a twentieth-century dissertation as for a nineteenth-century dissertation, or a Renaissance dissertation, or one delving into science fiction, or Latin American literature, or experimental fiction—because Chris loves all of these things. Time and again, Chris went where he was needed, including, more than once, taking over a committee just before it was about to implode. The word we keep coming back to is versatile. Every PhD student needing to take a language exam had to find someone in the Modern Languages Department to administer it—unless it was Spanish. Chris did those. In his remarkable capacity as what they call, in baseball, a utility player, Chris was downright Siebenschovian, and we’re really going to miss that.

I met Chris at my MLA job interview, where he asked me what I thought of Steven Soderbergh—because, I later learned, Chris doesn’t like Steven Soderbergh. I was effusively complimentary in my answer, and this was not the last time Chris and I would disagree about a filmmaker or a film. (I also note, for the record, that Chris likes John, and I like Paul.) Wherever MLA was that year, I remember riding down in the elevator with Chris literally one minute after the interview, and it was extremely awkward. I think we talked about the weather for what seemed like seventy floors. Thank God we didn’t talk about Steven Soderbergh.

It was not long after arriving at Case that Chris invited me to go see a movie, and then we went to another, and it became a regular thing, and a cherished part of my life these past twenty years. And sometimes the theater would be completely empty, and the film would be not very good, and we would start a loud, running commentary—and if the film was bad enough, Interstellar, for example, sometimes we would forget about the movie altogether. And I remember these conversations more fondly than any film we saw, especially Interstellar. I remember one time, the theater was empty, until about ten minutes in, when, unbeknownst to us, a little man in a wool cap sat down in the back row, and the movie was not very good, and our conversation was really starting to ramp up when we heard, from behind us, “Gentlemen!” And I’ll just say that some of my best memories of hanging out with Chris have that distinctly high school flavor, because it is fun to not act your age sometimes. But this story has a happy ending, for we got to chatting outside the Cedar Lee afterwards, and this man from Ireland turned out to have many interests, and Chris, ever reaching out and always friendly, promised, before we parted ways, to put this man on the Baker-Nord event e-mail list, as the English Department Colloquium Series had not yet begun.

But it wasn’t just about movies, and beer, although it was a lot about both. Once Jim Sheeler became an indispensable member of our league of extraordinary gentlemen, we did other things, along with, usually, something at a bar—and to give you an idea of how brave Jim was, he was adamant that we make it a karaoke bar some night. And, sadly, that plan was not realized, although maybe not so sadly for the other people who would have been there. And there was the Cleveland Indians game that Jim got us tickets for, and that was rained out. And we never did get to that makeup game. At a certain point, towards the end, we and the world migrated to Zoom, a brief time for us three that was more precious than any of us knew. Through bad times and good, Chris, you have been a good friend; and you have been a warm, stalwart, versatile, funny, irreplaceable friend to this department. Thank you.

Bidding Farewell to Mary Grimm

by Thrity Umrigar

The smile and the shrug.

The smile is ever-present, through good times and bad, lighting up that expressive face with the twinkling, mischievous eyes.

The c’est la vie shrug was deployed when the ridiculousness of the world—or, perhaps, merely the absurdities of the department—got too much. In the most challenging of times, including when Mary Grimm chaired the English department, her response to her responsibilities was never a groan or a frown. It was that shrug and that bemused smile.

But between the smile and shrug, lay a muscular, pedal-to-the-gas, shoulder-to-the- wheel work ethic. The complete, inexhaustible willingness to fall on the sword, to accept any assignment that would serve the interests of the department or the college. In other words, the casual demeanor hid a fierce commitment not just to her colleagues, but to the people we really serve—our students. Mary never lost sight of our true constituents. It was that knowledge that animated her every conversation, decision, and vote. It was what made her an essential force behind the decision to introduce a new Creative Writing Minor or a Creative Writing Practicum for our grad students. It was what made her volunteer to chair Writers House, a mere few years after she’d chaired the English department.

And her students sensed it. There are educators who have had buildings and libraries and halls named after them. But have you ever heard of a student being named after a professor? And yet, when Bruce Owen Grimm, who had been Mary’s student in the early 2000s, decided to change his name, he took Mary’s last name as his own. “If writers had ‘mothers’ like drag queens do, meaning someone who welcomes them into their ‘house,’ shows them care, support, and the wondrous things they are capable of, then Mary would be my writing ‘mother,’ Bruce said. “She was the first one to say to me, ‘You’re a writer.’ Anything I’ve ever been able to accomplish in my writing career is because she was the first one to believe in me and has been so supportive ever since. I wanted to pay tribute to her by taking her last name. I’m honored to be part of the House of Grimm. I hope I can live up to its legacy.”

I may not have taken Mary’s last name, but I do know that my entire career at Case is thanks to her. Here’s how it happened. But first, a joke:

Question: “What do they call a journalist with a PhD and a first novel?

Answer: “A journalist.”

And that indeed is what I was even after my first novel was published. But then Mary Grimm heard an interview I did on the local NPR station and invited me to do a book reading. It was my first time on Case’s gorgeous campus. I remember standing on the bottom step of Guilford and sending up a prayer to someday work in a place as lovely as that. But I immediately snuffed out that thought. Wishful thinking, I told myself.

The reading went well. I remember Mary smiling encouragingly throughout. It was as if she intuited that this was my first reading and that I was nervous. The student Q&A was great. I left there walking on clouds, but also strangely deflated. I felt as if I’d found my place and my people, but I had no path to join their ranks.

A few months later, Mary called me. She was going on a one-year sabbatical and they were interviewing people to fill her position. Would I care to apply?

Would I care to apply for a job in paradise? I thought. Um, yes, I think so. Even though the move meant leaving a secure and permanent job for a ten-month position. Even though I had no idea what the future would hold.

Over the years, Mary and I became more than colleagues—we became friends. Indeed, some of my most cherished memories of Case are of the time I’ve spent in Mary’s office shooting the breeze or of her walking into my office and plopping down on my couch to chat. In the early years, there was always a stash of dark chocolate in our offices, which we gleefully shared with one another. We would talk about books and writing and teaching, but I also leaned heavily on Mary’s counsel during the years I was taking care of my ailing father, because she’d gone through a similar journey with her mom. Indeed, the only really severe disagreement we’ve ever had was when I begged her to get rid of her beat-up office chair, yes, that infamous green chair whose bottom cushion had completely disintegrated. Mary reacted with horror and shock at the suggestion. She loved that chair and that’s all there was to it.

My love for Mary is only exceeded by my admiration for her. I remember emeritus professor Gary Stonum once saying that he believed Mary was the most well-read member of the department—quite the statement in a department filled with scholarly, brilliant people. Indeed, Mary is as voracious a reader as she is prolific a writer. Since 2019 alone, she has published a jaw-dropping number of short stories—over fifty by my count—while also working on longer works. And the quality of her writing is so unfailingly good. Her stories are populated with everyday events—going to the beach, visiting a dying parent, the bond between siblings. But something always lies curled in the center of the story and when you see it, it takes your breath away. That thing that lies curled only exists because, like all true artists, Mary knows how to look for the hidden things. Because Mary Grimm is the poet of everyday wonders, an observer of the human circus in all its absurdities and profundities. There is a wisdom and a wistfulness to her writing that affects me deeply. But don’t take my word for it. Take hers. These are a few lines from her short story, “Back Then,” published in The New Yorker in June 2019.

“Every year we bought treasures that we took home and set on our dressers to remind us of summer. All these things are gone now, and since I can’t believe that we’d ever have thrown them away, their disappearance has to have been caused by some process of time, some force that disintegrates and fragments fragile things when we’re not looking, when we forget to look.”

Mary, it is one of the joys of my life, that I never forgot to look. Because I always knew—and will always know—what a treasure we have in you. Thank you for everything. We will miss you terribly. You leave behind a gigantic legacy that we will cherish, but will never be able to duplicate.

A Tribute to Athena Vrettos

by Kurt Koenigsberger

When I met Athena in January of 2000, I was struck by her tremendous energy – on behalf of Victorian literature and of the English Department at CWRU alike. Her advocacy for the Department was all the more remarkable because she was just in her third year at the University, in the wake of a Guggenheim Fellowship term, with a young child on her hands, and so many other distractions as a relatively recent arrival to Cleveland. Nevertheless, she walked me around a frozen campus with almost a conspiratorial enthusiasm for the future of English at Case and its graduate program in particular. At a now-defunct restaurant in Little Italy, we found ourselves quoting from Gaskell’s Cranford in unison – at which point I knew I wanted to be part of such a warm and welcoming community, shot through with such enthusiasm.

Athena’s energy is always infectious and compelling. In a breakfast with Bill Siebenschuh on the occasion of the same visit, he put me on notice that the future of the Department belonged to Athena and Chris Flint. Speaking institutionally, for the past quarter century, Athena and Chris have centered the department’s gravity – and in many ways shouldered its many burdens. Speaking personally, I think it’s fair to say that Athena drew me to Case Western Reserve in the first place by the force of her affection and enthusiasm for the Department. Once here, one of the burdens Chris shouldered was mentoring me; he guided me in ways that have let me and my family grow in Cleveland and at CWRU.

Athena’s energy has always been fired in the first place by the classroom environment, from which her undergraduates emerge positively vibrating after the heat and light of discussion – about children’s literature (Semester I or Semester II, no matter!), about medical narrative (for SAGES students), or about Victorian literature and the body (for advanced undergrads). It is no surprise – and our undergraduate students would be the first to find it unsurprising! – that she was nominated for and won the College’s Undergraduate Teaching Excellence Award. It’s perhaps worth noting that Athena also consistently disappointed graduate students with respect to those children’s lit classes, restricting them to undergraduates, where she could work in innovative ways that the demands of a graduate curriculum don’t necessarily permit.

But in any event our graduate students cannot be too disappointed, because they have drawn more than their share of inspiration from Athena’s Victorian Lit and Psychology grad seminars – a veritable feast laid out expertly in relation to her own deep scholarship into phenomena of embodiment, mind, and their strange entanglements in nineteenth-century scientific and imaginative formulations. Her 1995 book Somatic Fictions, as well as her many essays, reviews (as, for instance, of Nicholas Dames’s Amnesiac Selves), and personal connections (Joseph Valente, e.g.) provided rich and fertile ground on which several generations of Master’s and doctoral students were able to cultivate their own research projects and make their scholarly homes.

Among those whose research and writing – indeed, careers! – were fundamentally shaped by Athena’s teaching, I count Drs Kelly, Kichner, Kungl, Ryan, Mitchell, Schillace, Fejes, McDaniel, Nielson, Kondrlik, and Banghart – with another, Davydov, on the near horizon. Having served on many of these committees alongside Athena, I can attest to her approximation of the role of the ideal reader envisioned by Henry James in his Notebooks, and which she quotes approvingly in a chapter of Somatic Fictions: she is “admiring, inquisitive, sympathetic, mystified, skeptical.” Athena was honored for her deeply distinguished and insistently inspiring graduate instruction with a John S. Diekhoff Teaching Award. As far as I know, only one other faculty member in the past half-century has been comparably honored both for undergraduate and graduate teaching (the late P. K. Saha) by the College and University.

Professor Siebenschuh’s conviction at the close of the last century that the English Department in the new century would owe so much to Athena’s professional and programmatic vision has proved prescient indeed. My many early conversations with Athena – both before my official arrival in Cleveland, and in my first years at CWRU – had to do with modernizing the department’s graduate program and rendering it a richer and more humane experience. At the time, the program asked a tremendous amount of ABD doctoral students in particular, effectively demanding that they teach a full-time load (that is, full-time for tenured faculty!) in exchange for a pittance (I think the figure might have been $7000 in 1999 for four courses per year). We also had a significant number of full-pay master’s students who were working full-time, studying full-time, and taking out loans to make it all work. Athena worked tirelessly to raise stipends and working conditions for students so that the Department could really envision a resident community of graduate scholars. The levels of engagement we see from current graduate student cohorts would simply be impossible without the material ways in which Athena advocated for the program over a full decade.

In her two substantial terms as Grad Director (1999-2003 and 2005-08; she also served another term as Interim Director in the late ‘teens), Athena provided a roadmap for bringing all grad students along a path to professional development, whether preparing them for the academic job market or giving them opportunities in relation to Department visitors and searches. The Department found that it could advertise a consistent and rewarding experience to all graduate students for the first time, and students could count on Athena personally as their DGS to guarantee this consistency and quality. She ensured this roadmap would be followed even beyond her tenure as DGS, because in between her two terms she mentored Todd Oakley when he was DGS, and her playbook guided Chris Flint as he followed her into the next decade as DGS.

For a scholar and a teacher with such a frequently expressed antipathy toward administration, Athena certainly had a curious knack for it. After leaving the grad program in the capable hands of Professor Flint, Athena increasingly turned her attention to the undergraduate experience – working for most of the past decade on the Department’s Undergraduate Committee and even serving as Interim Director of Undergraduate Studies for a period. In that context, her classroom energy, rigor, and high expectations gave definitive shape to our undergraduate curriculum, including – to note only a very recent instance – working to codify the expectations for our research-intensive Departmental Seminars, required of all English majors.

Fittingly for a scholar of Henry James, Athena has inhabited essential ambassadorial roles for English. In many ways, she (and Chris!) have become heirs to the generosity, hospitality, and commitment to community that the late Roger and Betty Salomon exemplified for so many decades. I suspect it has been the experience of just about every new colleague since 2000 that Athena has performed some essential outreach work on behalf of the department, drawing us all into the fold in ways that make us seem not just welcome but deeply needed by our small community. In my own case, this work involved long phone calls with me – both prior to, and following, my acceptance of CWRU’s offer – as well as a long afternoon on Chalfant Road in Shaker when Athena and Chris opened their home to me and Kristin during our first visit to Cleveland.

Still more, Athena has made herself available as a mentor, both formal and informal, for other faculty – not just in English, but also in Women and Gender Studies and across the medical humanities at CWRU. And, if such an application of the term be admitted, she and Chris have mentored the department as a whole, either hosting or arranging for the hosting of scores of departmental functions that have helped to bind our community together. As one final index of the commitment simultaneously to the study of Victorian literature and culture, its teaching, and the communities it can organize – Athena also regularly invited her graduate seminars to her home for Victorian High Tea, a memorable feature of her 500-level courses that many students remember fondly. It is with a particularly keen regret that I discover at the end of her teaching career (though not her writing career, as she still has several articles yet to appear on Victorian psychology and affect) that because I could never be a student in her graduate seminar, so I was never in a position to be invited to such an afternoon. On the occasion of her retirement, I find myself nostalgic for a tea I must always have missed, in a perverse formula that Professor Vrettos no doubt would take great delight in unpacking in her scholarly writing and in her seminar room alike.

Department News

Barbara Burgess-Van Aken is offering a Shakespeare class this June through Siegal Lifelong Learning.

Gabrielle MW Bychowski presented a Plenary session at the Sewanee Medieval Colloquium at the University of the South.

Michael Clune gave the lecture “Hugh Kenner’s Modernism” at Princeton University on April 7.

Thom Dawkins was featured by the College of Arts and Sciences for National Poetry Month.

Charlie Ericson is the recipient of the Timothy Calhoun Memorial Prize for Poetry for the best poem or group of poems by a graduate student in the Department of English.

Narcisz Fejes received the The SAGES Excellence in Writing Instruction Award.

Mary Grimm had a flash piece in Whale Road Review.

Dave Lucas received the 2022 Carl F. Wittke Award for Excellence in Undergraduate Teaching.

Michelle Lyons-McFarland is presenting in a workshop “Tilting at Windmills: A Descriptive Bibliography of Charlotte Lennox” at the American Society for Eighteenth-Century Studies annual conference for 2022.

English major Veronica Madell has been awarded a Fulbright U.S. Student Program Grant.

Through a Freedman Fellowship, Francesca Mancino created a Scalar site focusing on the life and work of Hart Crane in hopes of converging his scattered institutional archives.

William Marling discussed his book,  Christian Anarchist: Ammon Hennacy, A Life on the Catholic Left, on Roger McDonough’s podcast on KCPW (NPR) in Salt Lake City.

Marilyn Mobley‘s review of William James Jennings’s After Whiteness: An Education in Belonging will appear in the Wesleyan Theological Journal.

James Newlin‘s chapter “Søren Kierkegaard’s Adaptation of King Lear” appears in the new Bloomsbury volume Disseminating Shakespeare in the Nordic Countries: Shifting Centres and Peripheries in the Nineteenth Century, edited by Nely Keinänen, and Per Sivefors.

Steve Pinkerton has an essay on “Harlem’s Bible Stories: Christianity and the New Negro Movement” coming out in The Edinburgh Companion to Modernism, Myth, and Religion (slated for January).

Camila Ring is the recipient of the Graduate Dean’s Instructional Excellence Award from the School of Graduate Studies.

Meredith Steck received The WRC Excellence in Consulting Award.

Thrity Umrigar discusses her new novel Honor on Ideastream.

Maggie Vinter‘s book chapter “Othello’s Speaking Corpses and the Performance of Memento Mori” was published in The Shakespearean Death Arts, ed. William Engel and Grant Williams (Palgrave Macmillan, 2022).

The final two articles in Athena Vrettos’s series on Victorian literature and psychology will be coming out later this year.  The first is titled “Wandering Attention: Victorian Daydreaming, Disembodiment, and the Boundaries of Consciousness.” It’s in an edited collection titled Life, Death and Consciousness in the Long Nineteenth Century, edited by Michelle O’Connell and Lucy Cogan, in Palgrave-Macmillan’s Literature, Medicine and Science series. The second is titled: “The Temporality of Emotional Traces in Victorian Fiction and Psychology,” and is forthcoming in a collection titled Connecting the Dots: Conceptualizing ‘Trace’ in the Nexus of Novels and Readers’ Sensory Imaginings, edited by Monika Class.

Constance Fenimore Woolson’s Revival

by Hayley Verdi

On April 8th, 2022, Anne Boyd Rioux, associate professor at the University of New Orleans, visited CWRU to give the annual Sadar Lecture. Her lecture, “Constance Fenimore Woolson: The Story of Her Revival and Why the Recovery of 19th-Century Women Writers Matters,” coincided with the 14th Biennial Conference of the Constance Fenimore Woolson Society held in Guilford House on April 8th and 9th.

If one lesson can be drawn from Rioux’s lecture, it is the transformational power of knowing and caring for the needs of an audience. This year’s Sadar Lecture was well attended, hosting both members of the English Department and the wider CWRU community as well as members of the Constance Fenimore Woolson Society. As a result, Rioux spoke to an audience composed of both the leading experts on Woolson as well as a number of audience members, myself included, who were just being introduced to Woolson and her work. Under the expert guidance of Rioux, audience members of all levels of knowledge found themselves led toward both an understanding of Woolson’s contributions to literary history as well as the pressing need for high quality and accessible humanities scholarship.

Equal parts rigorous research and practical advice, this talk provided listeners with a strong argument for the need to move our research beyond the boundaries of academic institutions to a wider readership. Roux drew a direct line from her academic research on the works and life of Constance Fenimore Woolson to her passion for coaching and mentoring young writers. By expanding her reader’s knowledge of our “literary ancestral tree,” Rioux argued that these kinds of literary revivals can help to support women writers today.  Once one of the most popular and well regarded writers of the 19th Century, Constance Fenimore Woolson was largely forgotten until the efforts of scholars such as Rioux to revive her work. As Rioux observed, Woolson is an example of a writer whose invisibility is not only lamentable but harmful. She explained, “The invisibility of yesterday’s women writers contributes to the disregard of women writers today.” In working to revive the reputations and work of women writers of the past, Rioux convincingly demonstrated that humanities research has the potential to benefit both the members of academic communities as well as the general public.

Not only was the structure of Rioux’s lecture a masterful model for how to present research on a little known topic, it was also a call to all researchers in attendance to (re)consider the needs of their audiences. After providing a thorough overview of Woolson’s literary career and highlighting how Woolson has continued to rise in popularity since the founding of the Woolson Society, the publication of Rioux’s biography of Woolson, and the release of Rioux’s edited complete collection of Woolson’s stories by the Library of America, Anne Boyd Rioux directly challenged us all to consider who we write for and how that might shape our approach to our work. Rioux pointed to both her decision to work with a trade publisher to release her biography on Woolson as well as to her choice to publish pieces on Woolson and other forgotten women writers in popular magazines and websites as two examples of how researchers might engage a wider, more varied audience. As Rioux explained, there are audiences eager for the kinds of research and writing humanities scholars produce; more often than not, however, they are to be found outside the lecture halls and libraries of university campuses.

Writing Faculty & Student Awards Announced

The Writing Program Awards Ceremony recognizes and celebrates the accomplishments of student writers and writing faculty at CWRU. Writing is fundamental to the work of the university: our words enable the development and circulation of knowledge, create and sustain our communities, and advocate for social and community action. Congratulations to the writing faculty whose expertise and dedication have supported our writers at all stages of their careers. Congratulations, also, to the student essayists whose work is celebrated this year.

The Jessica Melton Perry Award for Distinguished Teaching in Disciplinary & Professional Writing recognizes outstanding instruction in writing in professional fields and/or disciplines other than English.

This year’s winner is Dr. Jennifer Carter, Associate Professor of Materials Science and Engineering. As described by one of her students in their nomination, Dr. Carter creates a “positive cowriting space” in her team meetings. In Dr. Carter’s research group, students learn to read collaboratively as well as to offer valuable feedback to their peers (and themselves) on their writing projects. Thus, Dr. Carter not only values but fosters the practice that is at the heart of all academic publishing: peer-review. In her own remarks at the Awards Ceremony, Dr. Carter emphasized the value of being vulnerable herself as a writer in her work with students, sharing her own writing experiences and challenges as she models ways to address and overcome them.

The SAGES Excellence in Writing Instruction Award recognizes outstanding commitment to and success in teaching academic writing to CWRU undergraduates in SAGES.

This year’s winner is Narcisz Fejes, Lecturer in English and SAGES Teaching Fellow. Nominated by several students, Dr. Fejes is recognized throughout the university for her patience, kindness, and generosity as a writing instructor and mentor.
One of her nomination letters described how Dr. Fejes worked with a student across all of their time at CWRU:

“When I was an undergrad student, I took one SAGES class with her. She designed various class activities such as reading, visiting farmer markets, watching documentaries, etc, to help students better understand the overall topic, Food, of the class.  After finishing the class, I have attended a lot of her writing resource center sessions, and we worked on my capstone, publication manuscript, and graduate school application materials (personal statement, diversity letter). I am currently admitted to a few schools, and I feel Dr. Fejes definitely played an important part here. She helped me not only on one article or assignment, but she provided me ideas and some general guidelines on how to work on other similar articles or assignments.”

The WRC Excellence in Consulting Award recognizes outstanding writing instruction for students of the University and exemplary service to the Writing Resource Center during the academic year. This year, two consultants stood out both in their quantity of nominations as well as in the high quality of the consulting work their nominators described: Bernie Jim, Lecturer in History and SAGES Teaching Fellow, and Meredith Steck, Lecturer in English and SAGES Teaching Fellow.

One of Dr. Jim’s consultees described him as “absolutely amazing! He helps you understand where you can improve. All of my sessions with him have been productive and I have never felt ashamed to show him my writing. He gives clear suggestions and helps you to bounce ideas off of him.”  As a SAGES Teaching Fellow and WRC Consultant, Dr.  Jim has long been recognized for giving helpful feedback, being open to learning from his students, and always being willing to help in any way.

Similarly, Dr. Steck’s nominations included this glowing praise:“Top reasons why Meredith should be recognized with the Excellence in Consulting Award:

(1) Meredith meets students where they are in their writing journey and writing process. Motivation, tough feedback, and grammar refinement are not unique in themselves, but Meredith uses these tools and techniques at the perfect moments to ensure that students always feel supported, encouraged, and successful.

(2) Meredith assists students in branching out from the standard essay writing to fellowships, PowerPoint presentations, etc. She also goes above and beyond to help students connect with individuals in other writing realms (e.g., Spanish writing).

(3) Meredith highlights her students’ strengths while providing constructive feedback to enhance their weaknesses. I have recommended her to many undergraduate students, graduate students, and faculty at CWRU.

(4) Meredith is EXTRAORDINARILY welcoming making sessions joyful and fun. I have been meeting with Meredith 1-2 times a week for the past two semesters; I leave each session as a stronger writer and better person.”

The English Department’s graduate students make a significant contribution to the Writing Program each semester as writers, teachers, and Writing Resource Center consultants.

This year we recognize two graduate students for their excellence in creative writing and instructional excellence.

PhD student, Charlie Ericson, is the recipient of the Timothy Calhoun Memorial Prize for Poetry, for the best poem or group of poems by a graduate student in the Department of English. Camila Ring, is the recipient of the Graduate Dean’s Instructional Excellence Award from the School of Graduate Studies.

The SAGES First and University Seminar Essay Prizes recognize the best writing that students produce in their First and University Seminars. These essays are chosen from those nominated by SAGES seminar leaders each semester. The following students were awarded essay prizes for their writing in seminars led between Fall 2020 and Fall 2021.

You can read their essays on the Writing Program Website Writing Awards Page.

University Seminar Essay Prizes (2020-2021)

Blake Botto for “Proposal for Change: Building a Bridge to a New, More Diverse Audience for Cuyahoga Valley National Park,” written for USNA 265: Thinking National Parks (Seminar Leader: Eric Chilton)

Claire Hahn for “Redistributing Power through Magical Realism: Pan’s Labyrinth and The Shape of Water,” written for USSY 293G: Magical Realism in Fiction and Film (Seminar Leader: Joshua Hoeynck)

Sofia Lemberg for “The Use of Music as a Tool of Queer Allyship by Non-Queer Artists,” written for USSY 294D: 20th Century American Music and Cultural Criticism (Seminar Leader: Andrew Kluth)

Mirra Rasmussen for “Chimamanda Ngozi Adichie: Consistency and Inconsistency in the Face of Transgender Identity,” written for USSO 291Y: Immigration, Identity, and Writing (Seminar Leader: Luke Reader)

University Seminar Essay Prizes (2021-2022)

William Dehmler for “Purifying the Toxic Substances Control Act,” written for USNA 287: Society & Natural Resources (Seminar Leader: Scott Hardy)

Jackson Jacobs for “Two Decades in Afghanistan on American Feminism,” written for USNA 289X: Sexual Revolutions (Seminar Leader: Einav Rabinovitch-Fox)

First Seminar Essay Prizes (Fall 2021)

Adam Rohrer for “Letter to Governor DeWine,” written for FSSO 185A: Adulting (Seminar Leader: Karie Feldman)

Ethan Teel for “Facing Existential Fears in Children’s Metafiction,” written for FSSY 185R: Children’s Picture Books (Seminar Leader: Cara Byrne)

Cordelia Teeters for “Over My Dead Body,” written for FSSO 185: Caskets & Corpses: The American Funeral Industry (Seminar Leader: Vicki Daniel)

Alumni News

Erin Clair (’99), Professor of English at Arkansas Tech University, has been appointed as Associate Dean in the College of Arts and Sciences.

Andi Cumbo-Floyd (’01) writes under the name ACF Bookens. Here she is being interviewed on PBS about her mystery series.

Iris Dunkle (‘10) has 3 poems in The Bombay Literary Magazine.

Jeff Morgan (‘99) has two poems in the latest edition of Grist.

Brad Ricca (’03) writes about the first school shooting in the Washington Post.

Brandy Schillace (’10) is a finalist for the Ohioana Book Award in Nonfiction.

Alum (‘10) Marie Vibbert’s novel The Gods Awoke will be published this fall by Journey Press.

Graduation 2022


Pictured (l to r): Kurt Koenigsberger, Kim Emmons, Micah Stewart-Wilcox, Madeleine Gervason, and Brita Thielen. Not pictured, MA grad Francesca Mancino.

Send Us Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know.

The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. Also, we tweet @CWRUEnglish.

The post Department of English Newsletter: June 2022 appeared first on Department of English.

Department of English Newsletter: June 2022

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This newsletter has been edited in order to remove some regrettable language in the original version and to ensure that the English department remains an inclusive place for all.

From the Department: Thank You


by Christopher Flint

The English Department could not have been more fortunate in the selection of Professor Georgia Cowart to serve as our Interim Chair over the last two very challenging years. Chairing a department successfully is hard enough without having to do so on a temporary basis, coming from an external department, and beginning the job in the middle of a global pandemic. To navigate this situation with grace, humanity, and humor, conveyed mostly over the stilted medium of Zoom, was a feat of administrative magic.

When she agreed to this leadership role, Georgia, a Professor of Music specializing in Early Modern French arts and cultural politics, already had more than enough experience for the task, having joined CWRU’s Music Department as its new chair in 2002, shepherding it in that position until 2007 and then later serving as its Coordinator of Graduate Studies in Musicology from 2014-2020. Shortly after that, in an act of both kindness and optimism, she agreed to help us out in the English Department. As she steps down at the end of June, and prepares to step up as President of the American Musicological Society for a two-year term beginning in November 2022, we are deeply grateful for her sure-handed guidance, her tact, and her geniality amid turbulence and change.

I recall wondering whether Georgia was aware of the particular complexities facing the department when we first met about the transition in March, 2020, three months before I stepped down as chair. Georgia would have to staff courses and committees with the department at a 20-year low in faculty appointments. She would need to seek urgent tenure-track lines amid a hiring freeze, and to mentor and evaluate faculty in a discipline other than her own. She would be required to align the various moving pieces in the department’s relationship to SAGES, the College of Arts and Sciences, and the University. The job would be daunting at the best of times, but her two-year appointment also coincided with significant administrative shifts at CWRU, including a new dean, a new president, and a recently appointed provost. There was, in other words, little pre-existing knowledge, informed direction, or sense of continuity that the College or University could provide. And then, just before she started, the pandemic arrived, both amplifying existing stresses and adding new and unforeseen ones. Looking back, I realize that I should not have worried in the least. Right from the beginning, Georgia met all of these challenges with the equanimity that the English faculty have come to see as her abiding strength.

Georgia’s commitment to what she calls “radical hospitality” meant that she immediately treated her new department colleagues as valued individuals, promoting their work as scholars, teachers, and administrators, and working diligently to get to know what mattered most to each of them. They responded with unified energy. Asked about Georgia’s impact on the department, Mary Grimm, another former chair, first noted “how kind Georgia is, and how well she managed our unruly department without ever raising her (rather lovely) voice,” before marveling at “how astounding it was that she liked being chair!”

Other faculty members have praised her dependability, fair-mindedness, and calming influence. “Her quiet diplomacy and her manner of speaking slowly and carefully,” Kim Emmons said, “helped steer the department through two difficult years. She brings an air of genuine curiosity to every conversation and reserves judgment until she has heard all sides. She has been an important role model and mentor to me, personally, and to the department in general. (In my experience, that has meant an apparently inexhaustible patience for email, a willingness to meet often and at length, and a genuinely people-centered ethic of leadership and care.)” As Rob Spadoni observes, “she stepped into the leadership vacuum of a shrinking department and supported faculty research efforts, including coming up with creative ways to do so when the available funding and resources were limited. I also appreciated the cordiality and considerateness she brought to the tone of department communications and meetings.” Michael Clune adds that she “managed to bring together different department factions and to make everyone feel as if their voices were being heard.” He also notes that “her combination of graciousness, committed advocacy, and diplomatic skill proved crucial in achieving a successful search for a new chair.”

Repeatedly, faculty comments emphasize the extraordinary conditions Georgia faced. Reflecting on the unique challenge of chairing during a pandemic, Thrity Umrigar recollected the concern she felt about the impact of social distancing: “I felt terrible that she seldom got to see most of us in person and unmasked until the last few months. But it now occurs to me that Georgia was exactly the chair we needed to shepherd us through these unprecedented and tumultuous times. We needed her deep compassion, her gentleness, her kindness, and her warmth during a time when we all felt a little adrift and disoriented. I appreciated how often she’d start department meetings by asking us how we were doing and urging us to do a bit of reflection about our emotional states.”

I am confident that Mary Grimm speaks for us all when she applauds the way Georgia confronted “the increasingly difficult administrative tasks of the pandemic year, serenely undaunted, and tirelessly advocated for the department’s needs with the administration. We were so lucky that she agreed to chair English.”

Thank you, Georgia!

A Tribute to Christopher Flint

by Robert Spadoni

I think it’s okay to say this now that they’re both retiring: Chris Flint and Athena Vrettos are married. They met on Athena’s first day of graduate school at the University of Pennsylvania, where Chris was on the English Department welcoming committee. He asked Athena out the first week of school. Later, living in sin, they worked out a timesharing plan and wrote their dissertations on the same computer, which Athena thinks might have been the very first Macintosh, and which, if you look in the hallway on the second floor, I think you will find along with some French-language VHS tapes.

Upon arriving at Case, shortly after Athena, Chris (or as one of my kids, I forget which, when she was very young, maybe inspired by Boaty McBoatface, named him, Chrissy McFlintball, but I will call him Chris for the remainder of these remarks) quickly established himself as a valuable Department citizen. He was, first, a good teacher, earning rock solid, consistently enviable course evaluations semester after semester. Some of his favorite courses were those of his students as well. There was the seminar in which he set Laurence Sterne’s and Jane Austen’s very different prose styles into a dynamic conversation that structured and animated the whole semester. There was his Print Cultures course, which drew on, and was enriched by, Chris’s deep dive into the topic in his second book, The Appearance of Print in Eighteenth-Century Fiction. He taught a wonderful course on Adaptation, which I heard a lot about from my students, in which Chris assigned canonical works of literature followed by adaptations that tended to be experimental, challenging, revisionist works—not the safest or easiest choices if what you want is for your students to say, “That movie was fun; this class is fun.” These choices were more work for the teacher, and, I think it’s safe to say, more rewarding for his students. This was a course that benefitted, like a great many other things Chris gave to this Department, from one of his real strengths, and this is the eclecticism of his interests and passions, a range that shows a healthy disregard for things like matters of form, century, country, and medium. This wide-ranging knowledge and love flowed, also, into his course on Eighteenth Century Film, where Chris’s little joke was: There are no eighteenth century films; film had not yet been invented. In this course, Chris cast light on what is deeply strange and experimental about Eighteenth Century literature by placing those works alongside film adaptations that are, themselves, strange and experimental.

Ever the good Department citizen, Chris didn’t just teach his little, personal, boutique favorites, but also (and he loved teaching) English Literature to 1800, in which his students were treated to something Chris brought to every course he taught, and this is his highly performative teaching style—delighting students, for example, with his dramatic readings of Satan lying in the lake of fire and cursing heaven. Here is Athena describing Chris’s teaching style: “He wanders around the room a lot and bounces around and does a lot of voices.” In short, Chris got into it, sometimes to the point of his own mental exhaustion, driven on by his inexhaustible perfectionism—and I know about this from our many conversations on the subject. A conscientious and dedicated educator, Chris was constitutionally incapable of phoning it in.

It would be hard to overstate his service contribution to the Department. For his five years as chair, he brought to his leadership of the Department his humanity and fair mindedness—in meetings, for example, where he went out of his way to make sure that people who spoke up less often always knew there was space and encouragement to do so. And he was always looking for ways to better support the lecturers; he was their friend when they faced tough times, which was a lot of the time. He fought to secure new tenure track lines, even when that fight seemed hopeless. He worked with donors, and here his excellent hair and effortless charm came in handy, and it is thanks to Chris that the Department can offer, today, Tim O’Brien Summer Scholarships and Research Funding Support to its English majors.

He was always in his office with this door open, and here the tchotchkes crowding every surface performed a devious, strategic function, for one of these curiosities would invariably catch the eye of a student passerby, and they would poke their head in and, within minutes, find themself seated across from a very friendly and welcoming man, with an agenda, and the next thing they knew, Chris would be pushing a major declaration form across his desk, and, often, because this is just the kind of guy he is, a pen.

Chris also directed graduate studies for some years. And he loved working with grad students, directing dissertations, shepherding the students through with his patient, gentle hand, offering wonderful advice on how to shape a project more effectively, and generously lending his prodigious skills as an editor. And it’s with the dissertations, as with his teaching, that the broadness of Chris’s interests made a big difference. He was equally willing to serve on a committee for a twentieth-century dissertation as for a nineteenth-century dissertation, or a Renaissance dissertation, or one delving into science fiction, or Latin American literature, or experimental fiction—because Chris loves all of these things. Time and again, Chris went where he was needed, including, more than once, taking over a committee just before it was about to implode. The word we keep coming back to is versatile. Every PhD student needing to take a language exam had to find someone in the Modern Languages Department to administer it—unless it was Spanish. Chris did those. In his remarkable capacity as what they call, in baseball, a utility player, Chris was downright Siebenschovian, and we’re really going to miss that.

I met Chris at my MLA job interview, where he asked me what I thought of Steven Soderbergh—because, I later learned, Chris doesn’t like Steven Soderbergh. I was effusively complimentary in my answer, and this was not the last time Chris and I would disagree about a filmmaker or a film. (I also note, for the record, that Chris likes John, and I like Paul.) Wherever MLA was that year, I remember riding down in the elevator with Chris literally one minute after the interview, and it was extremely awkward. I think we talked about the weather for what seemed like seventy floors. Thank God we didn’t talk about Steven Soderbergh.

It was not long after arriving at Case that Chris invited me to go see a movie, and then we went to another, and it became a regular thing, and a cherished part of my life these past twenty years. And sometimes the theater would be completely empty, and the film would be not very good, and we would start a loud, running commentary—and if the film was bad enough, Interstellar, for example, sometimes we would forget about the movie altogether. And I remember these conversations more fondly than any film we saw, especially Interstellar. I remember one time, the theater was empty, until about ten minutes in, when, unbeknownst to us, a little man in a wool cap sat down in the back row, and the movie was not very good, and our conversation was really starting to ramp up when we heard, from behind us, “Gentlemen!” And I’ll just say that some of my best memories of hanging out with Chris have that distinctly high school flavor, because it is fun to not act your age sometimes. But this story has a happy ending, for we got to chatting outside the Cedar Lee afterwards, and this man from Ireland turned out to have many interests, and Chris, ever reaching out and always friendly, promised, before we parted ways, to put this man on the Baker-Nord event e-mail list, as the English Department Colloquium Series had not yet begun.

But it wasn’t just about movies, and beer, although it was a lot about both. Once Jim Sheeler became an indispensable member of our league of extraordinary gentlemen, we did other things, along with, usually, something at a bar—and to give you an idea of how brave Jim was, he was adamant that we make it a karaoke bar some night. And, sadly, that plan was not realized, although maybe not so sadly for the other people who would have been there. And there was the Cleveland Indians game that Jim got us tickets for, and that was rained out. And we never did get to that makeup game. At a certain point, towards the end, we and the world migrated to Zoom, a brief time for us three that was more precious than any of us knew. Through bad times and good, Chris, you have been a good friend; and you have been a warm, stalwart, versatile, funny, irreplaceable friend to this department. Thank you.

Bidding Farewell to Mary Grimm

by Thrity Umrigar

The smile and the shrug.

The smile is ever-present, through good times and bad, lighting up that expressive face with the twinkling, mischievous eyes.

The c’est la vie shrug was deployed when the ridiculousness of the world—or, perhaps, merely the absurdities of the department—got too much. In the most challenging of times, including when Mary Grimm chaired the English department, her response to her responsibilities was never a groan or a frown. It was that shrug and that bemused smile.

But between the smile and shrug, lay a muscular, pedal-to-the-gas, shoulder-to-the- wheel work ethic. The complete, inexhaustible willingness to fall on the sword, to accept any assignment that would serve the interests of the department or the college. In other words, the casual demeanor hid a fierce commitment not just to her colleagues, but to the people we really serve—our students. Mary never lost sight of our true constituents. It was that knowledge that animated her every conversation, decision, and vote. It was what made her an essential force behind the decision to introduce a new Creative Writing Minor or a Creative Writing Practicum for our grad students. It was what made her volunteer to chair Writers House, a mere few years after she’d chaired the English department.

And her students sensed it. There are educators who have had buildings and libraries and halls named after them. But have you ever heard of a student being named after a professor? And yet, when Bruce Owen Grimm, who had been Mary’s student in the early 2000s, decided to change his name, he took Mary’s last name as his own. “If writers had ‘mothers’ like drag queens do, meaning someone who welcomes them into their ‘house,’ shows them care, support, and the wondrous things they are capable of, then Mary would be my writing ‘mother,’ Bruce said. “She was the first one to say to me, ‘You’re a writer.’ Anything I’ve ever been able to accomplish in my writing career is because she was the first one to believe in me and has been so supportive ever since. I wanted to pay tribute to her by taking her last name. I’m honored to be part of the House of Grimm. I hope I can live up to its legacy.”

I may not have taken Mary’s last name, but I do know that my entire career at Case is thanks to her. Here’s how it happened. But first, a joke:

Question: “What do they call a journalist with a PhD and a first novel?

Answer: “A journalist.”

And that indeed is what I was even after my first novel was published. But then Mary Grimm heard an interview I did on the local NPR station and invited me to do a book reading. It was my first time on Case’s gorgeous campus. I remember standing on the bottom step of Guilford and sending up a prayer to someday work in a place as lovely as that. But I immediately snuffed out that thought. Wishful thinking, I told myself.

The reading went well. I remember Mary smiling encouragingly throughout. It was as if she intuited that this was my first reading and that I was nervous. The student Q&A was great. I left there walking on clouds, but also strangely deflated. I felt as if I’d found my place and my people, but I had no path to join their ranks.

A few months later, Mary called me. She was going on a one-year sabbatical and they were interviewing people to fill her position. Would I care to apply?

Would I care to apply for a job in paradise? I thought. Um, yes, I think so. Even though the move meant leaving a secure and permanent job for a ten-month position. Even though I had no idea what the future would hold.

Over the years, Mary and I became more than colleagues—we became friends. Indeed, some of my most cherished memories of Case are of the time I’ve spent in Mary’s office shooting the breeze or of her walking into my office and plopping down on my couch to chat. In the early years, there was always a stash of dark chocolate in our offices, which we gleefully shared with one another. We would talk about books and writing and teaching, but I also leaned heavily on Mary’s counsel during the years I was taking care of my ailing father, because she’d gone through a similar journey with her mom. Indeed, the only really severe disagreement we’ve ever had was when I begged her to get rid of her beat-up office chair, yes, that infamous green chair whose bottom cushion had completely disintegrated. Mary reacted with horror and shock at the suggestion. She loved that chair and that’s all there was to it.

My love for Mary is only exceeded by my admiration for her. I remember emeritus professor Gary Stonum once saying that he believed Mary was the most well-read member of the department—quite the statement in a department filled with scholarly, brilliant people. Indeed, Mary is as voracious a reader as she is prolific a writer. Since 2019 alone, she has published a jaw-dropping number of short stories—over fifty by my count—while also working on longer works. And the quality of her writing is so unfailingly good. Her stories are populated with everyday events—going to the beach, visiting a dying parent, the bond between siblings. But something always lies curled in the center of the story and when you see it, it takes your breath away. That thing that lies curled only exists because, like all true artists, Mary knows how to look for the hidden things. Because Mary Grimm is the poet of everyday wonders, an observer of the human circus in all its absurdities and profundities. There is a wisdom and a wistfulness to her writing that affects me deeply. But don’t take my word for it. Take hers. These are a few lines from her short story, “Back Then,” published in The New Yorker in June 2019.

“Every year we bought treasures that we took home and set on our dressers to remind us of summer. All these things are gone now, and since I can’t believe that we’d ever have thrown them away, their disappearance has to have been caused by some process of time, some force that disintegrates and fragments fragile things when we’re not looking, when we forget to look.”

Mary, it is one of the joys of my life, that I never forgot to look. Because I always knew—and will always know—what a treasure we have in you. Thank you for everything. We will miss you terribly. You leave behind a gigantic legacy that we will cherish, but will never be able to duplicate.

A Tribute to Athena Vrettos

by Kurt Koenigsberger

When I met Athena in January of 2000, I was struck by her tremendous energy – on behalf of Victorian literature and of the English Department at CWRU alike. Her advocacy for the Department was all the more remarkable because she was just in her third year at the University, in the wake of a Guggenheim Fellowship term, with a young child on her hands, and so many other distractions as a relatively recent arrival to Cleveland. Nevertheless, she walked me around a frozen campus with almost a conspiratorial enthusiasm for the future of English at Case and its graduate program in particular. At a now-defunct restaurant in Little Italy, we found ourselves quoting from Gaskell’s Cranford in unison – at which point I knew I wanted to be part of such a warm and welcoming community, shot through with such enthusiasm.

Athena’s energy is always infectious and compelling. In a breakfast with Bill Siebenschuh on the occasion of the same visit, he put me on notice that the future of the Department belonged to Athena and Chris Flint. Speaking institutionally, for the past quarter century, Athena and Chris have centered the department’s gravity – and in many ways shouldered its many burdens. Speaking personally, I think it’s fair to say that Athena drew me to Case Western Reserve in the first place by the force of her affection and enthusiasm for the Department. Once here, one of the burdens Chris shouldered was mentoring me; he guided me in ways that have let me and my family grow in Cleveland and at CWRU.

Athena’s energy has always been fired in the first place by the classroom environment, from which her undergraduates emerge positively vibrating after the heat and light of discussion – about children’s literature (Semester I or Semester II, no matter!), about medical narrative (for SAGES students), or about Victorian literature and the body (for advanced undergrads). It is no surprise – and our undergraduate students would be the first to find it unsurprising! – that she was nominated for and won the College’s Undergraduate Teaching Excellence Award. It’s perhaps worth noting that Athena also consistently disappointed graduate students with respect to those children’s lit classes, restricting them to undergraduates, where she could work in innovative ways that the demands of a graduate curriculum don’t necessarily permit.

But in any event our graduate students cannot be too disappointed, because they have drawn more than their share of inspiration from Athena’s Victorian Lit and Psychology grad seminars – a veritable feast laid out expertly in relation to her own deep scholarship into phenomena of embodiment, mind, and their strange entanglements in nineteenth-century scientific and imaginative formulations. Her 1995 book Somatic Fictions, as well as her many essays, reviews (as, for instance, of Nicholas Dames’s Amnesiac Selves), and personal connections (Joseph Valente, e.g.) provided rich and fertile ground on which several generations of Master’s and doctoral students were able to cultivate their own research projects and make their scholarly homes.

Among those whose research and writing – indeed, careers! – were fundamentally shaped by Athena’s teaching, I count Drs Kelly, Kichner, Kungl, Ryan, Mitchell, Schillace, Fejes, McDaniel, Nielson, Kondrlik, and Banghart – with another, Davydov, on the near horizon. Having served on many of these committees alongside Athena, I can attest to her approximation of the role of the ideal reader envisioned by Henry James in his Notebooks, and which she quotes approvingly in a chapter of Somatic Fictions: she is “admiring, inquisitive, sympathetic, mystified, skeptical.” Athena was honored for her deeply distinguished and insistently inspiring graduate instruction with a John S. Diekhoff Teaching Award. As far as I know, only one other faculty member in the past half-century has been comparably honored both for undergraduate and graduate teaching (the late P. K. Saha) by the College and University.

Professor Siebenschuh’s conviction at the close of the last century that the English Department in the new century would owe so much to Athena’s professional and programmatic vision has proved prescient indeed. My many early conversations with Athena – both before my official arrival in Cleveland, and in my first years at CWRU – had to do with modernizing the department’s graduate program and rendering it a richer and more humane experience. At the time, the program asked a tremendous amount of ABD doctoral students in particular, effectively demanding that they teach a full-time load (that is, full-time for tenured faculty!) in exchange for a pittance (I think the figure might have been $7000 in 1999 for four courses per year). We also had a significant number of full-pay master’s students who were working full-time, studying full-time, and taking out loans to make it all work. Athena worked tirelessly to raise stipends and working conditions for students so that the Department could really envision a resident community of graduate scholars. The levels of engagement we see from current graduate student cohorts would simply be impossible without the material ways in which Athena advocated for the program over a full decade.

In her two substantial terms as Grad Director (1999-2003 and 2005-08; she also served another term as Interim Director in the late ‘teens), Athena provided a roadmap for bringing all grad students along a path to professional development, whether preparing them for the academic job market or giving them opportunities in relation to Department visitors and searches. The Department found that it could advertise a consistent and rewarding experience to all graduate students for the first time, and students could count on Athena personally as their DGS to guarantee this consistency and quality. She ensured this roadmap would be followed even beyond her tenure as DGS, because in between her two terms she mentored Todd Oakley when he was DGS, and her playbook guided Chris Flint as he followed her into the next decade as DGS.

For a scholar and a teacher with such a frequently expressed antipathy toward administration, Athena certainly had a curious knack for it. After leaving the grad program in the capable hands of Professor Flint, Athena increasingly turned her attention to the undergraduate experience – working for most of the past decade on the Department’s Undergraduate Committee and even serving as Interim Director of Undergraduate Studies for a period. In that context, her classroom energy, rigor, and high expectations gave definitive shape to our undergraduate curriculum, including – to note only a very recent instance – working to codify the expectations for our research-intensive Departmental Seminars, required of all English majors.

Fittingly for a scholar of Henry James, Athena has inhabited essential ambassadorial roles for English. In many ways, she (and Chris!) have become heirs to the generosity, hospitality, and commitment to community that the late Roger and Betty Salomon exemplified for so many decades. I suspect it has been the experience of just about every new colleague since 2000 that Athena has performed some essential outreach work on behalf of the department, drawing us all into the fold in ways that make us seem not just welcome but deeply needed by our small community. In my own case, this work involved long phone calls with me – both prior to, and following, my acceptance of CWRU’s offer – as well as a long afternoon on Chalfant Road in Shaker when Athena and Chris opened their home to me and Kristin during our first visit to Cleveland.

Still more, Athena has made herself available as a mentor, both formal and informal, for other faculty – not just in English, but also in Women and Gender Studies and across the medical humanities at CWRU. And, if such an application of the term be admitted, she and Chris have mentored the department as a whole, either hosting or arranging for the hosting of scores of departmental functions that have helped to bind our community together. As one final index of the commitment simultaneously to the study of Victorian literature and culture, its teaching, and the communities it can organize – Athena also regularly invited her graduate seminars to her home for Victorian High Tea, a memorable feature of her 500-level courses that many students remember fondly. It is with a particularly keen regret that I discover at the end of her teaching career (though not her writing career, as she still has several articles yet to appear on Victorian psychology and affect) that because I could never be a student in her graduate seminar, so I was never in a position to be invited to such an afternoon. On the occasion of her retirement, I find myself nostalgic for a tea I must always have missed, in a perverse formula that Professor Vrettos no doubt would take great delight in unpacking in her scholarly writing and in her seminar room alike.

Department News

Barbara Burgess-Van Aken is offering a Shakespeare class this June through Siegal Lifelong Learning.

Gabrielle MW Bychowski presented a Plenary session at the Sewanee Medieval Colloquium at the University of the South.

Michael Clune gave the lecture “Hugh Kenner’s Modernism” at Princeton University on April 7.

Thom Dawkins was featured by the College of Arts and Sciences for National Poetry Month.

Charlie Ericson is the recipient of the Timothy Calhoun Memorial Prize for Poetry for the best poem or group of poems by a graduate student in the Department of English.

Narcisz Fejes received the The SAGES Excellence in Writing Instruction Award.

Mary Grimm had a flash piece in Whale Road Review.

Dave Lucas received the 2022 Carl F. Wittke Award for Excellence in Undergraduate Teaching.

Michelle Lyons-McFarland is presenting in a workshop “Tilting at Windmills: A Descriptive Bibliography of Charlotte Lennox” at the American Society for Eighteenth-Century Studies annual conference for 2022.

English major Veronica Madell has been awarded a Fulbright U.S. Student Program Grant.

Through a Freedman Fellowship, Francesca Mancino created a Scalar site focusing on the life and work of Hart Crane in hopes of converging his scattered institutional archives.

William Marling discussed his book,  Christian Anarchist: Ammon Hennacy, A Life on the Catholic Left, on Roger McDonough’s podcast on KCPW (NPR) in Salt Lake City.

Marilyn Mobley‘s review of William James Jennings’s After Whiteness: An Education in Belonging will appear in the Wesleyan Theological Journal.

James Newlin‘s chapter “Søren Kierkegaard’s Adaptation of King Lear” appears in the new Bloomsbury volume Disseminating Shakespeare in the Nordic Countries: Shifting Centres and Peripheries in the Nineteenth Century, edited by Nely Keinänen, and Per Sivefors.

Steve Pinkerton has an essay on “Harlem’s Bible Stories: Christianity and the New Negro Movement” coming out in The Edinburgh Companion to Modernism, Myth, and Religion (slated for January).

Camila Ring is the recipient of the Graduate Dean’s Instructional Excellence Award from the School of Graduate Studies.

Meredith Steck received The WRC Excellence in Consulting Award.

Thrity Umrigar discusses her new novel Honor on Ideastream.

Maggie Vinter‘s book chapter “Othello’s Speaking Corpses and the Performance of Memento Mori” was published in The Shakespearean Death Arts, ed. William Engel and Grant Williams (Palgrave Macmillan, 2022).

The final two articles in Athena Vrettos’s series on Victorian literature and psychology will be coming out later this year.  The first is titled “Wandering Attention: Victorian Daydreaming, Disembodiment, and the Boundaries of Consciousness.” It’s in an edited collection titled Life, Death and Consciousness in the Long Nineteenth Century, edited by Michelle O’Connell and Lucy Cogan, in Palgrave-Macmillan’s Literature, Medicine and Science series. The second is titled: “The Temporality of Emotional Traces in Victorian Fiction and Psychology,” and is forthcoming in a collection titled Connecting the Dots: Conceptualizing ‘Trace’ in the Nexus of Novels and Readers’ Sensory Imaginings, edited by Monika Class.

Constance Fenimore Woolson’s Revival

by Hayley Verdi

On April 8th, 2022, Anne Boyd Rioux, associate professor at the University of New Orleans, visited CWRU to give the annual Sadar Lecture. Her lecture, “Constance Fenimore Woolson: The Story of Her Revival and Why the Recovery of 19th-Century Women Writers Matters,” coincided with the 14th Biennial Conference of the Constance Fenimore Woolson Society held in Guilford House on April 8th and 9th.

If one lesson can be drawn from Rioux’s lecture, it is the transformational power of knowing and caring for the needs of an audience. This year’s Sadar Lecture was well attended, hosting both members of the English Department and the wider CWRU community as well as members of the Constance Fenimore Woolson Society. As a result, Rioux spoke to an audience composed of both the leading experts on Woolson as well as a number of audience members, myself included, who were just being introduced to Woolson and her work. Under the expert guidance of Rioux, audience members of all levels of knowledge found themselves led toward both an understanding of Woolson’s contributions to literary history as well as the pressing need for high quality and accessible humanities scholarship.

Equal parts rigorous research and practical advice, this talk provided listeners with a strong argument for the need to move our research beyond the boundaries of academic institutions to a wider readership. Roux drew a direct line from her academic research on the works and life of Constance Fenimore Woolson to her passion for coaching and mentoring young writers. By expanding her reader’s knowledge of our “literary ancestral tree,” Rioux argued that these kinds of literary revivals can help to support women writers today.  Once one of the most popular and well regarded writers of the 19th Century, Constance Fenimore Woolson was largely forgotten until the efforts of scholars such as Rioux to revive her work. As Rioux observed, Woolson is an example of a writer whose invisibility is not only lamentable but harmful. She explained, “The invisibility of yesterday’s women writers contributes to the disregard of women writers today.” In working to revive the reputations and work of women writers of the past, Rioux convincingly demonstrated that humanities research has the potential to benefit both the members of academic communities as well as the general public.

Not only was the structure of Rioux’s lecture a masterful model for how to present research on a little known topic, it was also a call to all researchers in attendance to (re)consider the needs of their audiences. After providing a thorough overview of Woolson’s literary career and highlighting how Woolson has continued to rise in popularity since the founding of the Woolson Society, the publication of Rioux’s biography of Woolson, and the release of Rioux’s edited complete collection of Woolson’s stories by the Library of America, Anne Boyd Rioux directly challenged us all to consider who we write for and how that might shape our approach to our work. Rioux pointed to both her decision to work with a trade publisher to release her biography on Woolson as well as to her choice to publish pieces on Woolson and other forgotten women writers in popular magazines and websites as two examples of how researchers might engage a wider, more varied audience. As Rioux explained, there are audiences eager for the kinds of research and writing humanities scholars produce; more often than not, however, they are to be found outside the lecture halls and libraries of university campuses.

Writing Faculty & Student Awards Announced

The Writing Program Awards Ceremony recognizes and celebrates the accomplishments of student writers and writing faculty at CWRU. Writing is fundamental to the work of the university: our words enable the development and circulation of knowledge, create and sustain our communities, and advocate for social and community action. Congratulations to the writing faculty whose expertise and dedication have supported our writers at all stages of their careers. Congratulations, also, to the student essayists whose work is celebrated this year.

The Jessica Melton Perry Award for Distinguished Teaching in Disciplinary & Professional Writing recognizes outstanding instruction in writing in professional fields and/or disciplines other than English.

This year’s winner is Dr. Jennifer Carter, Associate Professor of Materials Science and Engineering. As described by one of her students in their nomination, Dr. Carter creates a “positive cowriting space” in her team meetings. In Dr. Carter’s research group, students learn to read collaboratively as well as to offer valuable feedback to their peers (and themselves) on their writing projects. Thus, Dr. Carter not only values but fosters the practice that is at the heart of all academic publishing: peer-review. In her own remarks at the Awards Ceremony, Dr. Carter emphasized the value of being vulnerable herself as a writer in her work with students, sharing her own writing experiences and challenges as she models ways to address and overcome them.

The SAGES Excellence in Writing Instruction Award recognizes outstanding commitment to and success in teaching academic writing to CWRU undergraduates in SAGES.

This year’s winner is Narcisz Fejes, Lecturer in English and SAGES Teaching Fellow. Nominated by several students, Dr. Fejes is recognized throughout the university for her patience, kindness, and generosity as a writing instructor and mentor.
One of her nomination letters described how Dr. Fejes worked with a student across all of their time at CWRU:

“When I was an undergrad student, I took one SAGES class with her. She designed various class activities such as reading, visiting farmer markets, watching documentaries, etc, to help students better understand the overall topic, Food, of the class.  After finishing the class, I have attended a lot of her writing resource center sessions, and we worked on my capstone, publication manuscript, and graduate school application materials (personal statement, diversity letter). I am currently admitted to a few schools, and I feel Dr. Fejes definitely played an important part here. She helped me not only on one article or assignment, but she provided me ideas and some general guidelines on how to work on other similar articles or assignments.”

The WRC Excellence in Consulting Award recognizes outstanding writing instruction for students of the University and exemplary service to the Writing Resource Center during the academic year. This year, two consultants stood out both in their quantity of nominations as well as in the high quality of the consulting work their nominators described: Bernie Jim, Lecturer in History and SAGES Teaching Fellow, and Meredith Steck, Lecturer in English and SAGES Teaching Fellow.

One of Dr. Jim’s consultees described him as “absolutely amazing! He helps you understand where you can improve. All of my sessions with him have been productive and I have never felt ashamed to show him my writing. He gives clear suggestions and helps you to bounce ideas off of him.”  As a SAGES Teaching Fellow and WRC Consultant, Dr.  Jim has long been recognized for giving helpful feedback, being open to learning from his students, and always being willing to help in any way.

Similarly, Dr. Steck’s nominations included this glowing praise:“Top reasons why Meredith should be recognized with the Excellence in Consulting Award:

(1) Meredith meets students where they are in their writing journey and writing process. Motivation, tough feedback, and grammar refinement are not unique in themselves, but Meredith uses these tools and techniques at the perfect moments to ensure that students always feel supported, encouraged, and successful.

(2) Meredith assists students in branching out from the standard essay writing to fellowships, PowerPoint presentations, etc. She also goes above and beyond to help students connect with individuals in other writing realms (e.g., Spanish writing).

(3) Meredith highlights her students’ strengths while providing constructive feedback to enhance their weaknesses. I have recommended her to many undergraduate students, graduate students, and faculty at CWRU.

(4) Meredith is EXTRAORDINARILY welcoming making sessions joyful and fun. I have been meeting with Meredith 1-2 times a week for the past two semesters; I leave each session as a stronger writer and better person.”

The English Department’s graduate students make a significant contribution to the Writing Program each semester as writers, teachers, and Writing Resource Center consultants.

This year we recognize two graduate students for their excellence in creative writing and instructional excellence.

PhD student, Charlie Ericson, is the recipient of the Timothy Calhoun Memorial Prize for Poetry, for the best poem or group of poems by a graduate student in the Department of English. Camila Ring, is the recipient of the Graduate Dean’s Instructional Excellence Award from the School of Graduate Studies.

The SAGES First and University Seminar Essay Prizes recognize the best writing that students produce in their First and University Seminars. These essays are chosen from those nominated by SAGES seminar leaders each semester. The following students were awarded essay prizes for their writing in seminars led between Fall 2020 and Fall 2021.

You can read their essays on the Writing Program Website Writing Awards Page.

University Seminar Essay Prizes (2020-2021)

Blake Botto for “Proposal for Change: Building a Bridge to a New, More Diverse Audience for Cuyahoga Valley National Park,” written for USNA 265: Thinking National Parks (Seminar Leader: Eric Chilton)

Claire Hahn for “Redistributing Power through Magical Realism: Pan’s Labyrinth and The Shape of Water,” written for USSY 293G: Magical Realism in Fiction and Film (Seminar Leader: Joshua Hoeynck)

Sofia Lemberg for “The Use of Music as a Tool of Queer Allyship by Non-Queer Artists,” written for USSY 294D: 20th Century American Music and Cultural Criticism (Seminar Leader: Andrew Kluth)

Mirra Rasmussen for “Chimamanda Ngozi Adichie: Consistency and Inconsistency in the Face of Transgender Identity,” written for USSO 291Y: Immigration, Identity, and Writing (Seminar Leader: Luke Reader)

University Seminar Essay Prizes (2021-2022)

William Dehmler for “Purifying the Toxic Substances Control Act,” written for USNA 287: Society & Natural Resources (Seminar Leader: Scott Hardy)

Jackson Jacobs for “Two Decades in Afghanistan on American Feminism,” written for USNA 289X: Sexual Revolutions (Seminar Leader: Einav Rabinovitch-Fox)

First Seminar Essay Prizes (Fall 2021)

Adam Rohrer for “Letter to Governor DeWine,” written for FSSO 185A: Adulting (Seminar Leader: Karie Feldman)

Ethan Teel for “Facing Existential Fears in Children’s Metafiction,” written for FSSY 185R: Children’s Picture Books (Seminar Leader: Cara Byrne)

Cordelia Teeters for “Over My Dead Body,” written for FSSO 185: Caskets & Corpses: The American Funeral Industry (Seminar Leader: Vicki Daniel)

Alumni News

Erin Clair (’99), Professor of English at Arkansas Tech University, has been appointed as Associate Dean in the College of Arts and Sciences.

Andi Cumbo-Floyd (’01) writes under the name ACF Bookens. Here she is being interviewed on PBS about her mystery series.

Iris Dunkle (‘10) has 3 poems in The Bombay Literary Magazine.

Jeff Morgan (‘99) has two poems in the latest edition of Grist.

Brad Ricca (’03) writes about the first school shooting in the Washington Post.

Brandy Schillace (’10) is a finalist for the Ohioana Book Award in Nonfiction.

Alum (‘10) Marie Vibbert’s novel The Gods Awoke will be published this fall by Journey Press.

Graduation 2022


Pictured (l to r): Kurt Koenigsberger, Kim Emmons, Micah Stewart-Wilcox, Madeleine Gervason, and Brita Thielen. Not pictured, MA grad Francesca Mancino.

Send Us Your News


If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know.

The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. Also, we tweet @CWRUEnglish.

The post Department of English Newsletter: June 2022 appeared first on Department of English.


Department of English Newsletter: September 2022

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Letter from the Chair

The packet of mail that Chris Flint left on my desk has an old black-and-white polaroid in it. Eight faculty are sitting or standing, some in pairs, some gesticulating. A combination of shirtsleeves and winter wear reveals very little about the season, hidden by the long curtains on the windows: it could be December, or it could just as well be April. (You can see that I’ve already been warned about northeastern Ohio.) I’m not going to venture a guess about the date the photo was taken, either. On the first Friday of fall semester, an uncanny thing occurred: the image came to life again in the Guilford House parlor, as faculty, staff and students gathered to welcome each other and the new semester. Not eight faculty this time, but dozens of new faces, fresh conversations, and exciting ideas. Most striking to me, as a new member of the department and the incoming chair, was the continuity on display: here were Gary Stonum and Martha Woodmansee, no strangers to Guilford, at the long dining table; and, over in the hallway, there was a group of first- and second-year students talking about forming an English Majors’ Club. About “some trees” in fall, or is it spring, John Ashbery writes that “their merely being there means something.” That’s true for a department too.

It was true that Friday in particular, but I hope this year offers plenty of opportunities to gather and celebrate the daily work that we do—teaching courses, reading books and watching films, helping students, and each other, write, think, imagine, and argue. On Friday afternoons, starting on September 9th, the English Colloquium will bring together scholars, poets, novelists, and translators on topics that range from Black linguistic justice to the James Joyce Collection at Buffalo to the relation between poetry and analytical philosophy. The department’s first “Wayzgoose,” a traditional celebration of the letterpress held in candlelight, will showcase the New Gutenberg Annex. Ongoing workshops in Bellflower Hall, under the leadership of Brie Parkin in the Writing Resource Center, will continue to prove that writing extends not only across the disciplines, but across the border between the university and the greater community. And those events only add to the crucial, quotidian encounters, chance conversations, and leaps of imagination that occur in our fall classes on Black British literature, American literature, poetry and fiction writing, journalism, Dark Comedy, and Shakespeare.

At the department’s welcome back party in Guilford, I found myself in the unusual but etymologically sound role of host and guest. I come to Guilford House and to Cleveland after seventeen years in the southeast, including nine at Clemson University. I’m a scholar of poetry and a poet, and I believe that literature exists to be shared with others. Poems are particularly easy that way; they meet me in my desire to be around others. You read a good one—you give it to a friend. The process keeps on going until, suddenly, there is a little world, an everywhere, with all of the requirements that such a world calls into being: to make a place for strangers, to work for the good of difference, and to brave the honesty of justice. It’s almost a rule: “I feel I must sing and dance, to tell / Of this in a way, that knowing you will be drawn to me.” That’s Ashbery again, writing about a new friendship as a work of art, a blessing in disguise.
–Walt Hunter

New Faculty: Welcome to the Department

Elysia Balavage is an Anisfield-Wolf SAGES fellow specializing in transnational modernist literature. Her current book project investigates the ways that modernist authors transform ideas commonly associated with Friedrich Nietzsche’s nihilism – nothingness, despair, and destruction – into culturally illuminative and creative points. She is currently researching the role of Chicago’s Dill Pickle Club as a space for facilitating conversations that used dominant understandings of nihilistic ideas as points of revolution across racial and geopolitical lines.

Joe DeLong has an MFA in literary translation from the University of Iowa and a PhD in English from the University of Cincinnati. He’s the author of How We Measure (Finishing Line, 2021), a full-length poetry collection. His other publications include literary scholarship, visual poetry, and translations (with Noriko Hara) of contemporary Japanese poet Ken’ichi Sasō.

Jamie Hickner (PhD, American Studies, Purdue University) has taught writing and literature courses for two decades, most recently at Southern Oregon University, where she also directed a college bridge program. Jamie teaches courses in multiethnic American literature, writing, and pedagogy, and she is working on a book about contemporary literature by African immigrant writers. Jamie joins the department as an Anisfield-Wolf SAGES fellow.

Alexandra Magearu is a literary scholar, writer, and visual artist. Born and raised in Romania, Alexandra obtained an MA in Photographic History and Practice from DeMontfort University and a PhD degree in Comparative Literature and Feminist Studies from University of California, Santa Barbara. Her research and teaching have explored postcolonial literatures and cultures, transnational feminist theory, human rights, globalization, and forced migration.

Reda Mohammed earned her PhD in English Studies with a specialization in Linguistics & TESOL from Illinois State University and her MA in Literature from the University of Wyoming. Her research is interdisciplinary in nature bringing together Linguistics, Composition Studies, and Literary & Cultural Studies. Her pedagogy focuses on creating equitable access to resources and materials and on accommodating the diversity of her students. She joins CWRU this fall as a full-time lecturer in the SAGES ESL Writing Program.

Robin Beth Schaer is the author of the poetry collection Shipbreaking and a work in progress on art and atrocity. Her teaching interests include all genres of creative writing, with a focus on creative practice, environmental writing, and hybrid forms. Her recent writing awards include the Creative Capital Award Shortlist in 2022, a Creative Writing Fellowship from The National Endowment for the Arts in 2021, and an Ohio Arts Council Individual Excellence Award in 2020.

Lindsay Turner is the author of Songs & Ballads (Prelude Books, 2018) and the chapbook A Fortnight (Doublecross Press, forthcoming). Her translations from the French have been acclaimed by The New Yorker and The New York Times and honored by the National Translation Awards, the Best Translated Book Awards, and the French American Foundation. Her interests include creative writing, poetry across periods, literary translation, contemporary literature, global cinema, and gender studies.

Marion Wolfe completed her graduate work in Rhetoric, Composition, and Literacy at The Ohio State University. She taught at Kenyon College for several years before coming to CWRU last year as a SAGES part-time lecturer. Her research interests are in feminist rhetoric(s) and the history of women’s rhetorical practices as well as the teaching of writing/composition.

Xia Wu has earned her Master’s Degree in Teaching English to Speakers of Other Languages (TESOL) and PhD in Teaching and Curriculum at University of Rochester. Her primary research interest is international students’ academic socialization experience in U.S. higher education. Recently, Dr. Wu’s research interests have expanded to exploring the role of instructional talk in first-year writing class, and writing program curriculum reform.

Department News

Michael Clune discusses A Defense of Judgment on the Chasing Leviathan podcast.

Charlie Ericson spoke at the Centennial International James Joyce Symposium in June on the role of Ulysses in the development of the novel form as an autonomous artwork.

Mary Grimm‘s story, “Anyone Else,” appeared on Wigleaf’s Top 50 of 2022. It was first published in Threadcount.

Josh Hoeynck and his co-editor, Michael Kindellan (University of Sheffield), have been awarded the British Academy’s Leverhulme Grant. This grant is in support of their editorial project on the Charles Olson and Robert Creeley correspondence, a project that aims to complete the series of publications begun by George Butterick and Richard Blevins.

Walt Hunter was awarded a 2022 Silvers Grant to finish The American House Poem.

Kris Kelly, Gabrielle Bychowski, and Cara Byrne participated in the August 2022 Anisfield-Wolf Summer Seminar focused on Of Fear and Strangers: A History of Xenophobia by George Makari.

Michelle Lyons-McFarland was selected as a 2022-2023 winner of the Helen F. Faust Women’s Writers Research Award from the Penn State Special Collections library. She’ll be traveling there to do on-site research on their Charlotte Lennox holdings for the Lennox Bibliography Project, and then doing a Zoom talk with them in October to discuss her research.

William Marling‘s Christian Anarchist: The Life of Ammon Hennacy is reviewed in the Spring 2022 issue of American Catholic Studies Newsletter, published by the Cushwa Center at Notre Dame University.

English major Amanda Martinez Moreno tells her story on The Sound of Us:

Marilyn Mobley and Bishop Joey Johnson co-authored the op-ed “Love, Loss, and Lament” in the wake of the death of Jayland Walker which appeared in The Beacon Journal on Sunday, July 17, and in RealDeal Press on Wednesday, July 13.

Steve Pinkerton has an article forthcoming in the December 2022 issue of Genre. It’s called “Ambivalent Man: The Is-and-Isn’t World of Ralph Ellison’s ‘Tell It Like It Is, Baby.'”

Brad Ricca‘s Ten Days in the Mad-house graphic novel that he created with Courtney Sieh was just nominated as a Great Graphic Novels for Teens by YALSA, the Young Adult Library Services Association.

Thrity Umrigar discussed her latest novel, Honor, at the Thurber House Summer Literary  Picnic on August 6th.

Alumni News

Danny Anderson (’12) has a story in Litbreak Magazine.

Shelley Costa (’83) has a new mystery out—Evil Under the Tuscan Sun.

A review of Alum (’10)  Iris Jamahl Dunkle’s book West:Fire:Archive. appeared in Night Heron Barks.

Catherine Forsa (’16) has earned tenure & promotion to Associate Professor of Writing Studies at Roger Williams University this year.

Miriam Goldman (’10) has co-published a book called The Loving Wind with her father, Dr. Gabe Goldman. The book is intended for children of all ages who have lost a loved one.

Alumni (’69) Abdul Jabbar’s latest book, “Not of an Age, but for All Time”: Revolutionary Humanism in Iqbal, Manto, and Faiz, has been published by Peter Lang International Publishers.

Kristin Kondrlik (’16) reviews two books in the Victorian Periodicals Review.

Alum (’99) Jeff Morgan‘s fourth book, The (Un)Welcome Stranger: Intercultural Sensitivity in Six American Novels, is forthcoming from McFarland.

Annie Nickoloff (’16) is now a senior editor at Cleveland Magazine.

Alum (’22) Brita Thielen‘s article, “Ethos, Hospitality, and the Pursuit of Rhetorical Healing: How Three Decolonial Cookbooks Reconstitute Cultural Identity through Ancestral Foodways,” appears in the current issue of Rhetoric Review.

Alum (’88) John Vourlis‘s documentary feature film The House Next Door has been selected to screen at the 13th annual Chagrin Documentary Film Festival (www.chagrinfilmfest.org/), running from October 5th through 9th. The film is a feature length documentary about how the foreclosure crisis of 2008 ripped through the Greater Cleveland area.

Send Us Your News


If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know. The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. Also, we tweet @CWRUEnglish.

The post Department of English Newsletter: September 2022 appeared first on Department of English.

Department of English Newsletter: December 2022

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Letter from the Chair

One recent day in Guilford House, right around the fall break, I walked into the Parlor to find small clusters of students writing together. I recognized some from my visit to ENGL 300: English Literature to 1800 a few weeks before. Charlie Goyal, who is the department’s undergraduate student assistant, called me over to see what she was writing. It was a collectively composed “country-house poem,” modified to the scale of Guilford House and channeled through a self-consciously gothic mode. Think Haunting of Hill House crossed with “To Penshurst,” and in couplets. No manor lord; plenty of spooky basement. But what it signaled to me was that, like the country-houses of Jonson’s peers, Guilford stands for much more than a physical location—it is a site for the gathering and collecting of disparate materials, practices, histories, and languages. A house that contains multitudes.

Looking ahead, I’m happy to say that 2023 opens the doors of Guilford and Bellflower to some new visitors. We’re thrilled to welcome novelist Garth Greenwell as the Stonum Writer-in-Residence for the week of February 13th.  The Stonum Lecture in Poetics will be delivered by Jahan Ramazani on March 31st at 3:15 PM. Other guests include Gordon Hutner, editor at American Literary History and Oxford University Press, and Adrienne LaFrance, editor of The Atlantic. And that’s just a small sample of the schedule, which ranges in topics from eighteenth-century literature to digital humanities to a new biography of the poet Amy Clampitt. We will also be seeking more permanent faculty members: as I write this, English is in the process of hiring for the Shirley Wormser Chair of Journalism and Media Writing.

Our final colloquium event this fall was the Edward S. and Melinda Sadar Lecture in Writing in the Disciplines. Dr. April Baker-Bell spoke about linguistic justice and anti-racist pedagogies to a full house of over thirty undergraduates, graduates, and faculty. New colleagues from History sat next to first-year students from English and Classics. Earlier in the week, the Sigma Tau Delta English honors society formed its executive board. Later that weekend, Literature, Editing, and Design (LED), the student-run literary and art magazine, held a poetry slam. In other words, Guilford and Bellflower are places where things are made, whether that means pedagogical practices or poems. Or even books themselves: students like Tychicus McClendon are learning how to use the printing press in the New Gutenberg Annex, which has prompted fresh calls for a future course.

This fall, as the pandemic receded, we opened the house: to new ideas and questions, to new faculty and students, to new classes and communities. It was as common to find dog-eared copies of Milton as of New Black British Poetry. If I were a first-year English BA student, I might be cramming for a film exam in the morning and crowding into a lecture on poetry and photography in the afternoon. When I asked Veronica Maciag (English and Computer Science, 2026) why she wanted to be an English major, she responded: “English is the only thing that I’ve always known to be there for me– whenever and wherever.” What Veronica says is quite literally true: faculty in English reach students wherever they are across the university, from Foundations and First seminars to Capstone supervision. I would hope that, just as Veronica finds herself welcomed in Guilford, she’ll bring CWRU English with her, whenever and wherever it might be needed.
–Walt Hunter

Wayzgoose at the Writers House: A Fall Showcase of Our Letterpress

Department News

On November 14th, Cara Byrne presented “Why Adults Should Read Children’s Books” at the Noble Neighborhood Library.

Michael Clune presented “William James and Aesthetic Education” at Yale University in October.

Leah Davydov was interviewed in a recent New York Times article about Dracula Daily.

Mary Grimm has a new flash story in Milk Candy Review.

Walt Hunter has been appointed by The Atlantic as contributing editor of poetry

Megan Jewell’s book, Redefining Roles: The Professional, Faculty, and Graduate Consultant’s Guide to Writing Centers (Jewell, Megan Swihart and Joseph Cheatle, editors, Utah State University Press, 2021), has been nominated for the IWCA (International Writing Center Association) 2022 Book Award.

Dave Lucas has three poems forthcoming in the Winter issue of the Virginia Quarterly Review.

William Marling‘s article “Bukowski: The Shooting” has been published in American Literary History (Oxford University Press).

Marilyn Mobley served as faculty host for the Siegal Lifelong Learning Center’s travel education trip to Egypt and the Nile Valley (the trip was in partnership with CWRU Alumni Relations). She delivered two lectures–“Egypt in Africana Studies” and “Egyptian Rituals of Death and Dying.” Mobley delivered the second lecture on their boat (known as a dahabiya) as they sailed down the Nile from Cairo and Luxor to Aswan. The trip was from September 29th-October 12th.

Brad Ricca’s graphic novel with Courtney Sieh, Ten Days in a Mad-house, was named one of the New York Public Library’s Best New Comics of 2022 for Adults.

Cammy Ring‘s essay on Emily Dickinson, “Precisely Knowing Not: Emily Dickinson and Generative Negation,” has been accepted by ELH.

A bilingual Spanish-English edition of Robin Beth Schaer’s poetry book Shipbreaking will be published in early 2023 by Komorebi Ediciones in Chile. The collection of poems will be titled Naufragio in Spanish and translations for the book will be done by María Agustina Pardini and Elenora González Capria of Argentina.

Lindsay Turner signed a contract with the University of Chicago Press to publish her second collection of poems, The Upstate, which will be published as part of the press’s re-launched Phoenix Poets Series in fall 2023.

Thrity Umrigar was on the panel “Hurry Slowly: Writing a Page Turner with Depth” at Literary Cleveland’s Inkubator on Saturday, September 10th.

Tilting at Windmills, or Creating the Lennox Bibliography Project

I’ve always been interested in old books and book history. Between an interest in small-press publishing in my pre-college life and finding my research home in 18th-century British literature in grad school, I always wondered about the choices that were made and the collaborations that took place between writing a book and getting it into print. A trip to the University of Virginia’s Rare Book School and the Introduction to Descriptive Bibliography course (fondly known as “desc bib boot camp”) not only cemented my interest in book history, but also introduced me to the potential of bibliographical research in my own work. I left the course with as many new questions as I had answers, and ended up coming back to those questions repeatedly as I finished my dissertation. By the time I’d recovered from the process enough to think about where my research might go in the future, I realized that the questions had become a roadmap for my research, albeit a long and winding one through unfamiliar territory. The Lennox Bibliography Project is the result.

The Lennox Bibliography Project is a born-digital initiative. The goal is to provide an online, open-access descriptive bibliography of the work of Charlotte Lennox (1729-1804). Lennox was a notable British novelist, best known today for her novel The Female Quixote. She was also a literary critic, playwright, poet, editor, and translator. Lennox was celebrated during her lifetime and considered one of the leading literary women of her age. Samuel Johnson and Samuel Richardson were among her friends, and she was acquainted with Elizabeth Montagu and the other Bluestockings (though not considered part of that circle). She was the primary financial support for her family with her writing work, and her books and translations stayed actively in print in England and beyond for her lifetime and nearly fifty years more.

Currently, the Lennox Bibliography Project is in its early stages. Stage 1.1 consisted of identifying and mapping extant copies of Lennox’s published works and their locations by using the English Short Title Catalog (ESTC) and Worldcat/OCLC in custom Google Maps. Between the two, I was able to compile a significant if incomplete list of copies, limited to libraries and dependent on correct listings. Stage 1.2 involves converting the data into a spreadsheet and verifying each copy, removing duplicates, clarifying where copies are held, and adding any missed entries. 1.2 is currently in progress, with a website that includes copies of the maps, a blog, and which will eventually be the home of the interface for the bibliography.

Step 2, which began this summer, involves observing and documenting as many of these existing copies as possible. Kelvin Smith Library Special Collections is my home base and starting point for my research. In addition, however, I visited the Eberly Family Special Collections at Penn State University this past August and got to look through their Lennox holdings, kicking off the in-person research portion of the project. Following/during that portion, work will begin creating a user interface for scholars to access the material and search for specific titles, publishers, and years of publication among other details.

Bibliography has changed considerably since its heyday in the 20th century. While prior bibliographic scholarship focused primarily on authors in the traditional canon, primarily white men, and on finding/creating the ideal copy of a work, current work focuses on women, people of color, and non-Western book history. My goals are to uncover Lennox’s scholarship and translation work beyond the novels she is best known for now, and to look into where her books ended up and how they got there. I’m as interested in the provenance of individual copies and signs of personal use as I am in looking for printing errors or inconsistencies. The ability to house this work online opens up affordances in terms of the types of material, images, and access that were unavailable with traditionally published bibliographies, as well as in terms of who will be able to access this material, reaching beyond traditional academia and hopefully providing a model and materials for others to create similar projects. In the meantime, I’ll keep pushing forward and tilting at my proverbial  bibliographic windmill, one bit of data entry at a time.

— Michelle Lyons-McFarland
The Lennox Bibliography Project
http://lennoxbibliographyproject.wordpress.com

“My readers may depend upon it, I will always be as witty as I can, as humorous as I can, as moral as I can, and upon the whole as entertaining as I can.”
–Charlotte Lennox, 1760, from the introduction to her periodical The Lady’s Museum

Faculty Publications

Dreaming at the Well: Poems, Stories, and Essays by William Powell Jones. Edited by Nicholas Root Jones.

Nicholas Jones has collected his father’s poems, stories, and essays, as well as listing his already published or collected scholarly work. In his introduction, he says: “Sorting things after my parents died, I found a six-inch stack of manuscripts in a drawer of Dad’s desk—thirteen stories, two of them quite long, and most in multiple versions, accompanied by some fifty poems. Most were typed (a manual typewriter stood on a typing stand next to his desk) with corrections and revisions in pencil. Some were in longhand, even written in blank ‘bluebooks’ . . . . This stack moved with me from Ohio now to California, where in the winter of 2021-22 I finally read these stories and poems.”

William Powell Jones was a professor and dean at Western Reserve University, as well as chair of the English department. His son, Nicholas Root Jones, is a Professor of English (Emeritus) at Oberlin College.

English Alum Receives the 2022 Distinguished Graduate Alumnus Award

Kent Cartwright (’79) received the 2022 Case Western Reserve University College of Arts and Humanities Distinguished Graduate Alumnus Award, presented by Dean Joy Ward at an awards banquet on October 8th during homecoming weekend. Kent is Emeritus Professor of English at the University of Maryland, College Park. The award recognized his career as a Renaissance scholar and an academic leader. The announcement of the award can be found here.

Alumni News

Will Allison (’91) will be leading a panel at the 2023 AWP (Association of Writers & Writing Programs) conference & bookfair in Seattle: “Is an Independent Editor Right for You?”

Danny Anderson (’12) has started a substack discussing movies, music, books, teaching.

Allan Benn (’83) is a Professor Emeritus at East Stroudsburg University of Pennsylvania (35 years, no less!), which is a teaching school in the PA State System of Higher Education, and was awarded the title of Distinguished Professor there in 2006. He got his MA and PhD in English at CWRU, with Roger Salomon as his advisor for his dissertation on Hawthorne. For the second year, he’s teaching in the ESem program at Bryn Mawr College, which offers a set of required topic centered first year writing courses. Last year, his course examined solitude; this year, it’s romantic love. Both courses used a mix of various forms of nonfiction, including some science, and relevant creative writing, both prose and poetry.

Gerry Canavan (’02 ) is one of the editors of Uneven Futures: Strategies for Community Survival from Speculative Fiction. Edited by Ida Yoshinaga, Sean Guynes and Gerry Canavan.

Shelley Costa (’83) has a new mystery out—Evil Under the Tuscan Sun.

Andi Cumbo-Floyd (’01) writes under the name ACF Bookens. Here is the cover of her new series.

Iris Jamahl Dunkle (’10) read with Brenda Hillman and Robert Hass at Bacchus Landing in Healdsburg, California.

Nivi (Sharan) Engineer (’94) and Nital Subhas (Administrative Director of Clinical Research Education Programs, Department of Population and Quantitative Health Sciences, CWRU School of Medicine) just released this children’s book about Holi, the Indian Festival of Colors: Can We Throw the Colors Yet?

Alum (’64) Kathleen McKinley Harris’s poem “Transformation” is included in the anthology Imperfect II, April 2022; editor Tabatha A. Yeatts. She recently had her story, “Secret of the House Highest on the Hill Near the Diggins” accepted for performance by Bridgeside Books, Waterbury, Vermont, by professional actors Mark Nash and Kathryn Blum. She is also the author of the chapbook Earth Striders from Finishing Line Press.

At a month short of her 95th birthday, Dr. Audrey Lavin (’84) is busy with her work on the Canton, Ohio, planning commission, proof reading a soon to be published political memoir, and reading Willa Cather novels that seemed to have been skipped over during her academic days, but are happy fodder for her reading group aptly titled ‘our mutual friends.’

Jeff Morgan (’99) is having good fortune in his newest creative outlet, acting. He has a dual role as the Teacher/Jan in this cutting edge satire of silent retreats–Small Mouth Sounds–at the Lake Worth Playhouse in Lake Worth Beach, Florida.

Alum Rick Pender‘s writing has traveled a long and circuitous path since he earned his MA (1972) and PhD (1980), as a medievalist. His most recent publication is THE CINCINNATI BENGALS: AN ILLUSTRATED TIMELINE.

Aaron Perine (’16) just interviewed Black Panther: Wakanda Forever director Ryan Coogler and had his review of the film featured in the film’s marketing campaign.

Brad Ricca is on the podcast Stealing Superman about the theft of Nicolas Cage’s copy of Action Comics #1.

Carrie Shanafelt (’03) has a chapter in The Oxford Handbook of Samuel Johnson.

Macin Sheeder (’22) participated in a summer internship through the Cleveland Foundation’s annual program. The Foundation published a feature about her experience (including a few shoutouts to her English major). You can read the full article here.

Marie Vibbert (’98) gave a reading at Mac’s Backs in November.

Alum (’88) John Vourlis‘s documentary feature film The House Next Door was selected to screen at the 13th annual Chagrin Documentary Film Festival in October. The film is a feature length documentary about how the foreclosure crisis of 2008 ripped through the Greater Cleveland area,

Send Me Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know. The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. We tweet @CWRUEnglish. We are cwruenglish on Instagram.

The post Department of English Newsletter: December 2022 appeared first on Department of English.

Department of English Newsletter: March 2023

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Letter from the Chair/What is Egypt to Me?/Dept. News/Book Buddies/Sigma Tau Delta/Linguistic Justice/Alumni News//

Letter from the Chair

The medieval rooms at the Cleveland Art Museum were empty one week in early March when a colleague from Art History took me on an introductory tour. We spent most of our time looking together at a marvelous pre-cursor to today’s automata: a fourteenth-century French “table fountain.” The water that would flow through a central tube would animate the bells held by miniature figures with the heads of beasts. It’s hard to leave the presence of something like the table fountain, the sheer extravagance of which reminded me that, in art as in writing, invention and entertainment, experiment and delight, go hand in hand.

The craft of a sentence may have as many moving parts as a Gothic miniature, at least if you are this year’s Stonum Writer-in-Residence, novelist Garth Greenwell, author of What Belongs to You (2016) and Cleanness (2020). While in University Circle, Garth led a writing workshop on prose style with the community, held a reading and conversation in Kelvin Smith Library, made a visit to the Cleveland Orchestra to hear Emanuel Ax play Mozart and Herbert Blomstedt conduct Beethoven, and read from his third novel, Small Rain, at the Friday colloquium. He also set one of his own sentences at the New Gutenberg Annex, leaving us with a monument to a momentous week.

Not all the work of a writer appears in the finished text, of course, and the editorial process extends well beyond the page, as our students drafting and revising their midterm work for Renaissance Literature or the Intermediate Fiction Workshop know well. The complexity and the integrity of the editorial process were the topics that occupied Adrienne LaFrance, Executive Editor of The Atlantic, when she presented the Nathaniel R. Howard Memorial Lecture. Upcoming talks on poetry, translation, memoir, biography, and early modern literature will set in motion the interlocking, whirling stages of the CWRU English department.

W.H. Auden called a poem a “verbal contraption,” as complicated as a table fountain and just as captivating. Any experimental device solicits wonder at the thing made and at its making. The creative imagination has a way of “opening the eyes,” as Cadence Dangerfield, a first-year MA student in English, puts it: “This past semester and a half has already opened my eyes so much more than I imagined it would. The growth I’ve seen in myself in just over six months is immense. Literature has always been something I needed in my life, but continuing to read and study literature into adulthood reminds me of how special it is to spend every day doing something you love, around likeminded people.” That jolt of pleasure is where knowledge can begin, since, at its root, delight “lures us away” from expected answers, inherited ideas, and given facts. And, in doing so, leads us to look at the world with others, to face what they face.

Walt Hunter

What is Egypt to Me? From Perspective to Reflections and Back Again

by Marilyn S. Mobley, PhD

When I was asked whether I would serve as faculty host for a travel education trip to Egypt, my immediate response was positive. I recall thinking, what’s not to love?

Sponsored by the Case Western Reserve University Siegal Lifelong Learning Program, the trip was part of the series offered through the university for a constituency that is much like me—retirees and other individuals, regardless of their age or station in life, who seek educational travel opportunities outside the traditional classroom and around the world. Having led a study tour to Kenya years ago at another university and having joined faculty from MSASS for a study tour to Ghana just a few years ago, I was eager to serve as the faculty leader for a trip to another part of Africa. Though references to Egypt abound under a word I detest — “Egyptomania,” as a lifelong learner, I became a woman on a mission to get some of my own questions answered.

In African American literature and culture, Egypt is a recurring reference in narratives of history, heritage, and faith. On one hand, there is the narrative of enslavement, colonialism, and the rape of Africa of its people and resources. On the other hand, there is the narrative of ancient royalty, ingenuity, and influence. It’s an understatement to say Egypt is contested terrain. My visit to the Nile River and the land around it brought into view what I had learned and thought versus what the geographical location could teach me about itself. Though I brought the perspective of the faculty host, with my two lectures in tow—one on “Egypt in Africana Studies” and one on ”Egyptian Rituals of Death and Dying”—for the majority of the trip, I was a fellow traveler with a diverse group, including my sister who was my travel companion, attempting to make sense of what I had read in literature and seen in films, and what I was viewing firsthand in real time. Just as Harlem Renaissance poet Countee Cullen, whose query “What is Africa to Me?” in his poem “Heritage,” tries to come to terms with his ancestral home, I too began with a question, “what is Egypt to me?” The answer before the trip was substantially complicated by the reality of my visit.

Even before we met our two Egyptologists, I was struck by how our tour guide from Orbridge Tours, navigated the crowded streets from the airport to downtown Cairo to our hotel. Though it was nearly midnight when we arrived, the street reminded me of New York City at night before the pandemic. People were everywhere, shopping, talking in groups, honking at one another as if making up the rules of the road at will. We learned later at one point that markings on the street to guide traffic were “just suggestions.” Based on how people were weaving in and out of traffic, that was an understatement. Nearly an hour later, we finally arrived at our hotel at Giza. Lo and behold, from our room, my sister and I could not only see the pyramids from our balcony, but they appeared to be less than two miles away. We knew from that moment that we were in for an amazing two weeks. Indeed, our first excursion was to the Great Pyramid of Giza, the oldest of the Seven Wonders of the Ancient World.

Although we were already feeling the intensity of the 105-degree heat, we were also already mesmerized by seeing the height of the pyramids, the façade of the Great Sphinx, and the matching sand that confirms all the pictures we had seen were accurate. I remember thinking I am standing on the land of my ancestors that some scholars do not even want to identify as such, let alone think about as a part of the continent of Africa. Though I had mixed emotions about the camels as a kind of “amusement ride” for us tourists, I succumbed to the moment and rode one, partly because I knew my sons have probably long forgotten the photos of my camel ride in Mombasa, Kenya, in the 1990s. I needed to prove again that I was brave! Our itinerary involved going directly down into the tombs at the pyramids and we later understood the logic. It was the most strenuous, dangerous part of the trip because the passageway was steep, narrow, dark, and low. In a near squatting posture, I made the trek, determined not to be defeated on the first day of excursions to the tombs at the pyramids I had so anxiously waited to see. Though hot, sweaty, and exhausted when I came back out into daylight, I began wondering how ancient humans long before us endured the heat long enough to build the pyramids that we modern humans come to gaze upon in amazement. I began to marvel about the work of archaeologists and found myself feeling grateful yet curious about the confluence of methodology, motivations, and money involved at the intersection of science and tourism.

From the Great Pyramid and the Sphinx, we went on a guided tour to the Egyptian Museum and to the Mosque of Sultan Hassan and to some of the Coptic churches in Cairo. As we strolled among people and vendors, I tried to take in the aromas of food, the clothing and jewelry for sale, and the sounds of Egyptians speaking to one another. Not knowing the language was unsettling but having “whispers” meant that our Egyptologist was always available to translate, inform, and explain cultural and religious nuances as we went along.

On the fifth day we went from Cairo to Luxor where we visited the Karnak Temple Complex. Between the towering structures, the hieroglyphics on the walls, and the obelisks, I was drawn to another time and space and the multiple narratives in the iconography on the walls of the tombs and temples. I was amazed to learn that much of what we were seeing had been excavated and restored. Our visit to Luxor included the visit to the tomb of Tutankhamun. Having heard about this ruler for years, I was amazed to see his dark remains, the beautiful colors of the hieroglyphics on the walls of his tomb, and the narrative of his journey into the afterlife, a popular theme in Egypt’s historical preoccupation with death.

From the highlights of seeing The Great Pyramid, the Great Sphinx, and the tomb of King Tutankhamun, we embarked on a four-day cruise on our dahabiya down the Nile River. At one point I looked at my sister and said, “I must pinch myself. We are on the Nile River, right here, right now!” We stopped at the Temple of Horus, a site we were told was “one of the best-preserved temples in Egypt.” Known as the son of Osiris and Isis, he was the god of resurrection and the avenger for the death of his father Osiris. His image seemed to be everywhere with its falcon-head, representing the power of the pharaohs, protection, and healing because his eye was restored after he lost it in a fight with his brother Set.

Giving my two lectures was a highlight because they gave me an opportunity to share my delight and misgivings about representations of Egypt. There were six of us out of the group of 20 who were African American, so it was important to share that there is one perspective on Egypt from Africana (that is, African and African American) Studies and there is the popular representation of Egypt represented in film and art under what many call “Egyptomania.” The white washing of Egypt remains a concern for African Americans that other Americans do not always share. As an ordained minister who teaches Grief Recovery Method classes and offers grief support ministry, I used my second lecture to look at rituals of death and dying in Egypt and to share research from a former student who had worked on the African Burial Project in NYC where Egyptian ankhs are part of the iconography at the site and where rituals and ceremonies from Kemet, an ancient name for Egypt meaning “Black land,” were used at the site where the bodies of enslaved Africans were memorialized.

Our trip down the Nile took us to Aswan where we stayed at the Sofitel Legend Cataract hotel, one of the most luxurious hotels I had ever been in, where Agatha Christie stayed while writing Death on the Nile, the location for the 1978 film. I have yet to watch the film, but my visit to Egypt has inspired me to see it in its entirety. I was more interested in the visit to the Nubian restaurant and the Nubian Museum. Though the museum was not on the itinerary, I was most interested in being among Egyptians who looked like me and in seeing how the museums in Nubia were different from those up north in Cairo.

Most of all, my trip inspired me to go back to reread Egypt Land by Scott Trafton, one of the books I assigned my fellow travelers, and the work of Black scholars such as Asa Hilliard, Cheikh Anta Diop, and others. I know that the scholarship is contested terrain, just as the land is, but that does not bother me. Instead, it inspires the lifelong learner in me to keep reading and to reflect on when and whether I will visit Egypt again. Regardless of whether I return, the experience of traveling to and throughout Egypt confirmed the Toni Morrison statement that “narrative is radical” in a new way that I will remember the rest of my life.

Department News

Michael Clune has a new piece in the PMLA: “The Resistance to Aesthetic Education.”

Congratulations to Leah Davydov on the successful defense of her dissertation, titled “Magnetic Realism: Mesmerism, Hypnotism, and the Victorian Novel.”

Gusztav Demeter and Martha Schaffer presented at the Conference on College Composition & Communication in Chicago on Saturday, February 18. Their title was “Implementing Directed Self-Placement for Inclusion,” and they shared their process for developing a first-year writing placement system that includes international and non-native speakers of English.

Mary Grimm is teaching a zoom class at The Lit – one of their Reader Series classes — on feminist novels of the ’60s/’70s, once a month, February through July.

John Higgins will be giving the Pre-Concert Lectures at the Cleveland Orchestra from March 30-April 1: “The Tempest Symphony.”

Conference Director Matthew Biberman talked with noted Charles Olson scholar, Josh Hoeynck about the Olson Society and their slate of panels at the 50th LCLC conference held in February. This episode is for fans of Olson as well as aficionados of contemporary American poetry and the Black Mountain School of poetry.

Walt Hunter‘s essay, “Claude McKay’s Lonely Planet: The Sonnet Sequence and the Global City,” is part of The American Sonnet just out from the University of Iowa Press.

Michelle Lyons-McFarland presented her paper “The Sexiest Silver Ever: Vice and Valuation in Defoe’s Roxana” at the 2023 American Society for Eighteenth Century Studies annual conference on March 9th.

Anthony Raffin was accepted by the Ernest Hemingway Society to speak on their panel at the upcoming ALA in Boston this May. His paper’s title is: “Secular Confession: Alcohol and Masculine Vulnerability in The Sun Also Rises.”

Robin Beth Schaer spoke on a panel about “Making Time for Writing” during the annual Association of Writers & Writing Programs (AWP) conference in Seattle on March 10th. Her co-panelists were DeMisty D. Bellinger, Ukamaka Olisakwe, and Miciah Bay Gault.

Meredith Steck’s third dissertation chapter “Plasticity in resource choice: a time-limited butterfly prioritizes apparency over quality” (co-authors Steck, M., Snell-Rood, E. and Zambre, A.) has been published in the journal Animal Behavior.

Lindsay Turner‘s translation of Stéphane Bouquet’s poetry book Common Life was just published by Nightboat Books.

Maggie Vinter‘s “Who’s There: Hearing Character in Hamlet has been published in ELH.

Athena Vrettos has an article, “Wandering Attention: Victorian Daydreaming, Disembodiment and the Boundaries of Consciousness,” in Life, Death, and Consciousness in the Long Nineteenth Century, edited by Lucy Cogan and Michelle O’Connell (Palgrave Macmillan, 2022).

Book Buddies: Community-Engaged Learning in the Writing Classroom

by Cara Byrne

As a full-time English lecturer, I’m always looking for new ways to engage students in the writing process and help them recognize the impact their writing can have on different audiences, especially those outside of the classroom walls. Since 2016, I have collaborated with a number of nonprofits, community organizations, and schools to help my students take our conversations out of the classroom and into public spaces. Most of my classes have a children’s picture book theme, which gives us the opportunity to explore this genre and consider its societal impact. For example, when talking about banning and restricting access to books, my students have written letters to local school boards advocating for the inclusion of books about identity, inclusion, and race in school libraries. Or, after studying the representation of health and disability in children’s picture books, students have written engaging superhero stories to accompany artwork for terminally-ill children for the Superhero Project and created their own tactile board books at think[box] for children with vision impairments.While students frequently use their course writing to engage in complex issues related to the genre of children’s picture books, one of the most popular activities is interacting with local elementary school students to learn about their perspectives on the books that we are analyzing. As part of their first-year writing course at CWRU, students work as part of a “book buddy” collaboration with Noble Elementary School, which is part of the Cleveland Heights-University Heights Public School district. Through this collaboration, each CWRU student is paired with several second graders to serve as their “book buddy” over the course of the semester. I work with Noble’s three second grade teachers to develop a list of picture books, which have included After the Fall: How Humpty Dumpty Got Back Up Again and The Magical Yet, that we all read aloud then discuss in our respective classrooms.

After these discussions, we all use the second graders’ special “Ice Cream” paper to hand-write (and draw) letters about different themes, ideas, and questions we have about the books. The second graders learn the conventions of writing sentences and handwriting (guided by three scoops of ice cream to indicate where to position letters), while my students find ways to engage and write clearly to their young audience. We also use FlipGrid, which allows students to record and share short videos with each other. These videos have been a wonderful way for students to get to know each other and get a better sense of each other’s classrooms and schools before we meet in-person.

In addition to communicating through these letters and videos, each group visits the other’s school. In early October, CWRU students read on the lawn of Noble Elementary school (we meet outside due to COVID-19 protocols). All of the pairs read the wordless picture book Another by Christian Robinson, as well as The Day You Begin by Jacqueline Woodson and Rafael Lopez and the second graders’ Superkids primer. My students noticed how some of the second graders loved to read aloud and comment on the art on every page while others had very little interest in books. Instead of an abstract notion of what children like and who children are, they were able to learn from the children as unique individuals and compare their experiences to those of their classmates. CWRU students also learned quickly that looking for bugs in the grass or stacking pebbles was sometimes more compelling to the second graders than reading the books they brought, so the CWRU students found creative ways to engage the second graders’ interests and have conversations about the books.

Two weeks after this visit, all 64 Noble second graders and their teachers came to CWRU to read again and be “college students for the day.” In addition to reading books together in the Tinkham Veale Center, the second graders were also able to visit Kelvin Smith Library and the Writing Resource Center to learn more about research and writing. Librarians Ron Chambers and Erin Smith graciously welcomed the students, explained how University libraries help students, and answered the second graders’ questions, which included “do students sleep here?” and “can they check out comic books?” KSL also generously donated a brand new copy of Jacqueline Woodson and Raphael Lopez’s The Year We Learned to Fly to every student – which encourages readers to “use those beautiful and brilliant minds of yours.”

Writing Resource Center director Brie Parkin also helped make this day special. She assigned small groups of her students to lead interactive activities for the second graders, including building volcanos, making student IDs, and constructing small statues. Additionally, she helped acquire CWRU gear for each student and recruited Spartie to make an appearance (which the second graders loved). We also distributed over 120 books for the kids to take home thanks to the Cleveland Kids’ Book Bank.

As Noble Elementary School is a Title One school that participates in the AVID program, which is a nation-wide program designed to help students from low socioeconomic backgrounds and those who are disproportionately underrepresented at 4-year universities see college as a possibility for them, this collaboration is particularly significant. It also helps CWRU students gain a deeper understanding of the books they are analyzing, practice writing to different audiences, and feel more connected to Cleveland. After our field trip, one of my students stated “My experience with my Noble Elementary school, rather than being shocking or new, felt like home.”

Sigma Tau Delta

by Charlotte Goyal and Susie Kim

Following their official Undergraduate Student Government (USG) recognition at the beginning of this semester, Sigma Tau Delta kicked off February with an exciting set of events. They began with a speaker event hosted in the Peter B. Lewis building by Dr. Brock Schroeder, Senior Director of Recruitment & Enrollment from the Weatherhead School of Management, for a seminar on future planning. Dr. Schroeder presented on potential graduate school programs at CWRU along with employment opportunities and projected job market relevance. Following this informative event, the English Honors Society held the first of their monthly writing workshop series. Hosted in Guilford House, this safe writing space was occupied by those working on creative endeavors, in addition to peer editing on more formal papers. There was also a wonderful array of refreshments including fresh homemade cookies baked by the society Vice President, Paris Mather.

Sigma Tau Delta scheduled several events for the first week back from spring break as well. In celebration of Women’s Week, Sigma Tau Delta co-hosted with The Women’s Network for a collaborative event in Thwing on Friday (3/24) where they close-read lyrics from female artists such as Taylor Swift and Olivia Rodrigo. Then on Saturday (3/25) the monthly writer’s workshop was held in Guilford. Closing out the weekend, on Sunday (3/26) the English Honors Society presented and tabled at the Empower CWRUxUPB (Undergraduate Programing Board) Communication Carnival.

Be sure to follow @cwrusigmataudelta on Instagram for updates and more information!

April Baker-Bell and Linguistic Justice

by Cadence Dangerfield

In December 2022, the English Department welcomed Dr. April Baker-Bell, associate professor of Language, Literacy, and English Education at Michigan State University, to deliver the Edward S. and Melinda Sadar Lecture in Writing in the Disciplines. Dr. Baker-Bell is a transdisciplinary teacher-researcher-activist and national leader in conversations on Black language education. She has been touring the country giving workshops and lectures on her recently published book, Linguistic Justice: Black Language, Literacy, Identity, and Pedagogy (Routledge 2020). Case was lucky enough to host Dr. Baker-Bell for a day of open conversation, learning, and lecture.

A full room — including undergraduate and graduate students, CWRU faculty members, and colleagues from other institutions — gathered on December 2 for the public address. Dr. Baker-Bell’s scholarship is rooted in her students’ experiences in the classroom and the university at large. In response to these experiences, she highlights the ways that teachers and students can think critically about their own and others’ language choices. She asks how we can resist and reform instances of what she calls “anti-Black linguistic racism,” defined as “the linguistic violence, persecution, dehumanization, and marginalization that Black Language speakers experience in schools and in everyday life” (7). To illustrate her argument about language inequality, Baker-Bell suggests reflecting on questions such as: Who speaks “good” English? Who speaks “bad” English? What do those people look and sound like? For many of us, the answers to these questions may reveal uncomfortable biases and encourage us to seek new pedagogical approaches to language and dialect diversity.

As Baker-Bell argues, Black English is as systematic, rule-governed, and “effective” as the variety commonly privileged in schools (i.e., so-called “Standard English,” which Baker-Bell prefers to label “White Mainstream English,” emphasizing the ways that language and race are always intertwined). Black English should be respected, she argues, and the way to do this is to implement anti-racist Black language pedagogy in the classroom. During her lecture, Dr. Baker-Bell pushed us to acknowledge our own understanding of language and work harder to accept and empower linguistically marginalized students. She encouraged us all to think about “how we are socialized” in terms of language and how to flip the script to amplify diverse voices and to encourage students to see their own language backgrounds as empowering. Her presentation was aided by powerful videos: an SNL skit that mocked  African American Vernacular English (AAVE) while calling it “gen-Z language,” a clip of herself with her Detroit students, and slave ship graphics. If linguistic racism is discrimination based on the language a person uses, we must grapple with what it would mean to seek linguistic justice in the classroom.

Earlier in the day, Baker-Bell facilitated a workshop for teachers of writing to consider these practical and pedagogical activities. This workshop, “From Theory to Praxis: Implementing Linguistic Justice in the Classroom,” of about 15 people — including professors from both CWRU and JCU and students — focused on critical personal and programmatic reflection to generate liberatory pedagogies. Important questions were being circulated during this workshop such as “What are the ways we can signal linguistic equality?” and “Can we encourage students to acknowledge their own writing choices?” These questions, and many more that were approached by the participants, served to deconstruct our current work in the classroom. Baker-Bell instructed us to move beyond “respectability language pedagogies” which “perpetuates anti-Blackness as it adheres to politics of respectability, surrenders to Whiteness, and does not challenge anti-Black linguistic racism” (8) and instead to embrace her proposed approach, Anti-Black Linguistic Racism as we create space for “Linguistic Consciousness-Raising.”

Baker-Bell’s visit built on the Spring 2021 virtual visit of Dr. Vershawn Young, which was reviewed in our June 2021 newsletter.

Reference

Baker-Bell, April. “‘We Been Knowin’: Toward an Antiracist Language & Literacy Education.” Journal of Language and Literacy Education. 16.1 (Spring 2020). https://eric.ed.gov/?id=EJ1253929.

Alumni News

Ali Black has new work in Gulf Coast Journal.

Jason Carney (‘14 ) has a Ted Talk about reading fiction.

Erin Clair (’99) received the 2022 Faculty Award of Excellence from Arkansas Tech University in Russellville.

Alum (‘10 ) Iris Jamahl Dunkle’s biography of writer Charmian Kittredge London and her most recent book of poems are reviewed in The New York Sun.

Miriam Goldman (’11) has achieved certification as a Certified Manager of Quality/Organizational Excellence through the American Society for Quality. The CMQ/OE is the most widely recognized credential for executives across industries. Ten years of relevant job experience, five of which are in a leadership role, are required to apply for the exam.

Brennon Ham (’11 ) is now the new Director for the University of Washington’s Q Center.

Sabrina Herman (’12) has recently accepted the position of Managing Editor for CQ Magazine. Herman has been a ham for close to 13 years and is currently Managing Editor and Promotional Coordinator of Hermes Press, a small book publisher in Pennsylvania.

Amelia Horsburgh has been promoted to Professor of English at Vancouver Island University.

Ray Horton (’17), assistant professor of English at Murray State, will receive the 2023 College Teacher of the Year award from the Kentucky Council of Teachers of English (KCTE).

Jamie McDaniel (’04) is featured on the Nineteenth-Century Studies Association blog.

Alum (’05) Ehren Pflugfelder‘s new book, Geoengineering, Persuasion and the Climate Crisis: A Geologic Rhetoric, is now available through The University of Alabama Press. The book concerns the frequently deceptive practices of geoengineering discourse and explores these potentially world-altering activities through a geologic-oriented rhetorical theory.

Melissa Pompili (’19 ) has accepted a position at the Jack, Joseph and Morton Mandel Foundation as a Grants Coordinator.

Alum (’03) Carrie Shanafelt’s book, Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste, was reviewed in European Romantic Review.

Alum (‘22) Brita Thielen’s blog discusses non-academic jobs.

Alum (’10) Marie Vibbert’s novelette, “We Built This City” won the Clarkesworld Reader’s Poll for Best Novelette/Novella in 2022.

Send Me Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know. The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. We tweet @CWRUEnglish. We are cwruenglish on Instagram.

The post Department of English Newsletter: March 2023 appeared first on Department of English.

Department of English Newsletter: June 2023

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Letter from the Chair/Department News/1st Gertrude Mann Lecture/Career Path to the Q/Sigma Tau Delta/Catching up with Alums/Congrats to our Graduates//

Letter from the Chair

While the fall and winter invited us into Guilford’s parlor and Bellflower’s foyer, summer throws open the doors to the world again. The porch is our summer promontory, a threshold between the often-hidden work we do as writers and its visibility to a public. These two theaters are not as unrelated as they might seem to be. One of our majors, Abigail Gilman, testifies that her time in CWRU English has given her “the freedom to explore anything and everything that interests me, both inside and outside the classroom.”

We’re fortunate that a gift from alumnus Tim O’Brien makes it possible for students like Abigail to explore freely. Abigail is spending her summer interning for Cleveland’s 2nd Act, a collective of artists in recovery. Two other undergraduate students, Ailady Saucedo and Mishaal Omer, are working for Waterloo Arts in Collinwood. They’ll be running poetry readings and organizing art exhibitions, while also helping the non-profit with marketing and community engagement. Veronica Maciag is honing her writing with an internship at The Cleveland Observer. Meanwhile, Carsten Torgeson is headed to the southwest on a research project that will explore some of the intersections between narrative structure and psychology. Our students bring their curiosity about language and creativity from the classroom to the world and back.

Our faculty and graduate students write for audiences who are eager to understand what role the humanities play in creating knowledge. To support the myriad forms of writing that our department does, we’re relaunching our funded MA and PhD programs, led by Professor Maggie Vinter, to welcome students who will write for all audiences, and who will pursue forms of creative writing, public writing, and journalism as their culminating projects. We’ll mentor writers in everything from scholarly articles to poems to widely circulating, public-facing essays—such as “The 1880s Political Novel That Could Have Been Written Today,” published in The Atlantic by fourth-year PhD candidate Charlie Ericson. Our course offerings will maintain the same strong emphasis in disciplinary training, the bedrock of our faculty research: fall graduate 2023 classes include Professor Kurt Koenigsberger’s class on Edwardian Literature and Periodicals and Professor Lindsay Turner’s class on The Lyric. It’s essential that curiosity not be bound by the whims of fashion or opinion. But as Charlie’s piece makes clear, the writing we produce has the power to open a channel between specialists in Henry James and general readers curious about the relationships between art and politics.

The reasons why we think and write are freshly imagined and articulated again and again by those who are doing the work, so I wanted to ask Ryan Pfeiffer, who starts his PhD with us in August, what draws him to studying poetry at CWRU. He responded:

In reading poetry, I am ceaselessly astounded by the way that markings on pages become vibrations in throats, which in turn make meaning in the mind, alerting me to the way that things are. What a beautiful fact that is, and what a striking reminder, every day, of the reality to which I belong.

I’m struck not only by Ryan’s astonishment, which I share, but by the route he traces: from the page to the body, from the body to the mind, and from the mind to the world.

–Walt Hunter

Department News

Elysia Balavage will be a Baker-Nord Center Faculty Affiliate for the Fall 2023 semester and will deliver a public presentation on her project, “Class and Consumption: George Orwell and the Desecration of Bread,” in October.

On March 29 and 30, Barbara Burgess-Van Aken made a presentation with Elizabeth Click, Director of the CWRU Wellness Program, and Ann Kowal Smith, founder of Reflection Point, at the Art and Science of Health Promotion Conference in Colorado Springs. Their presentation was: “Rethinking the Story: The Narrative Path to Community Well-Being and Intellectual Humility.”

Michael Clune has a new piece in Harper’s, “The Anatomy of Panic.”

Gusztav Demeter presented at the 57th RELC International Conference: Rethinking English Language Teaching and Learning for a COVID-19 Endemic World: Global, Glocal and Local Perspectives in Singapore on Tuesday, March 14. The title of the presentation was “Using Directed Self-Placement to Provide Agency to English Language Learners.”

Charlie Ericson has a piece in The Atlantic.

Narcisz Fejes has won the Jackson Award for undergraduate mentoring.

Mary Grimm has a flash in the Lothlorien Poetry Journal.

Walt Hunter had a mini-reading tour in May with Katie Peterson, Chris Spaide, Isabel Galleymore, Roey Leonardi.

Amber Kidd and Hayley Verdi have both been awarded Eva L. Pancoast Memorial Fellowships to travel to work on their dissertations.

Dave Lucas will be teaching at the Oklahoma Summer Arts Institute in June.

Michelle Lyons-McFarland presented her paper “The Sexiest Silver Ever: Vice and Valuation in Defoe’s Roxana” at the 2023 American Society for Eighteenth Century Studies annual conference on March 9th.

Benjamin Nestor, a film minor, and Maizy Windham, an English major, had short films featured in the Short. Sweet. Film Fest.’s student filmmaker’s program.

Cammy Ring‘s poem “Catachresis” has been accepted for publication in Colorado Review.

Robin Beth Schaer received a travel grant from the Baker-Nord Center for the Humanities to support a research trip to Germany for her current project, Blue Fever, a collection of poems that reckons with the relationship between art and atrocity.

University Media Board Correspondents Dinner Award Ceremony: Lily Stuart (English/ International Studies) and Veronica Maciag (English/Computer Science) were the two winners of the Rising Star Award for Case Reserve Review (they are the editors-in-chief).

Lindsay Turner participated in an international workshop for the research project Feminized: New Literary Perspectives on Women’s Work at Southern Denmark University in Odense, Denmark.

Thrity Umrigar is a finalist for the Ohioana Book Award in Fiction for her novel Honor.

Maggie Vinter‘s “Who’s There: Hearing Character in Hamlet has been published in ELH.

First Gertrude Mann Memorial Lecture

Lindsay Turner, Walt Hunter, Willard Spiegelman, Gary Mann, Harriet Mann, Michael Mann. Friday, April 14th.

Career Path to the Q

by Brennon Ham

The University of Washington’s campus is known for impressive gardens and architecture that embroider its topography. Nestled in its heart is the Husky Union Building (HUB), home to so many of the Student Life organizations that make up the UW Husky student experience. On the HUB’s third floor, just across from the elevator, stands a frosted trio of windows, gatekeepers to the Q.

The Q is what staff call the Q Center when talking to folks who know about it. One of the first in the country, the Q Center has been a Student Life staple at UW for over 20 years. It was born from a movement of trailblazing LGBTQ+ students, staff, faculty, and alumni who wanted more for their community. In addition to the center, this group helped establish protections for queer and trans UW community members that continue to provide so many of us with safety and security to this day. Over two decades, the University of Washington LGBTQ+ community has grown from relying on the Q Center as the only place of refuge and togetherness, to boasting over 10 LGBTQ+ student collectives as well as many staff- and faculty-serving associations. It’s the next 20 years that I get to spearhead.

My name is Brennon Ham and I am the Q’s new Director. I started this job at the tail end of February and was immediately catapulted into the storm that is Spring Quarter. Having completed both my bachelors and masters degrees at institutions that still wisely cling to the semester system, I felt like a lake water sailboater cast out to sea. Thanks to the smart, connected, and hardworking staff at the Q, I have found my sealegs. And, upon those legs, I am excited to make some waves of my own.

Because student life is rich with opportunities for peer connection and care, students rely less on the Q to offer these things. However, like every institution, many non-LGBTQ+ faculty and staff here lack the skills and knowledge needed to best support their LGBTQ+ students. We sent out a survey this quarter to better understand the evolving needs. Backed by our data, we endeavor to both morph existing programs to better meet those needs while simultaneously transforming university culture and climate through training, technical assistance, and interventions with staff and faculty. UW’s students want faculty and staff who treat them right. And, we are going to show our faculty and staff how to do just that.

My education as well as my personal and professional experiences offered me the coordinates to build the skills and frameworks I needed for this job. I’m a proud graduate of Case Western Reserve University’s English Department and Harvard Graduate School of Education’s Education Policy & Management Program. I am a queer, non-binary trans mixed-race, formerly homeless, survivor of violence. I have spent my adult life working jobs located in Education, Social Services, and Public Health. It is all of these things together that charted my path to my new role. Some of the tough stuff I went through happened in and around college. But, when I trace my story to the roots of what got me through, I locate the root caps in Guilford House and CWRU’s LGBT Center.

The unusual circumstances that shrouded my freshman and sophomore years left me unsteady.It was in Guilford House that my soul was tended to. During this time, I dipped my toes into Fiction Writing with Thrity Umrigar and Poetry with Sarah Gridley. Until then, I hadn’t truly felt valued as a student. But Sarah and Thrity both celebrated me, pushed me, and helped me become better in all the ways I wanted. Their lessons taught me perspective; there is power in calling an ugly thing ugly, but there is also beauty and possibility in even the most frightening circumstance. I use these lessons every day as I evaluate the state of our country’s hateful ugliness and, in spite of it, direct positivity into the work I get to do at the Q.

Junior year, at the end of Spring semester, I got a call from Liz Roccoforte while I was sitting on the Guilford porch. Liz offered me the chance to interview for a job that would change my life. I became the first student employee for the LGBT Center at CWRU. There, Liz taught me skills in community organizing, public speaking, group facilitation, and broader strategic planning. These skills have served me well beyond my time at Case while also giving me a chance to test them out while I was a student. I got to be a guest speaker in classrooms and evening programs, I sat on decision-making committees for student life, and I convened groups of young LGBTQ+ students across Case’s campus. Now I get the chance to direct the same types of programs in Seattle, WA.

Proud. Grateful. Connected. That is how I talk about my time at CWRU. I made my best friends, I built champion-level skills for the working world, and I gained perspective for how to live my life – queerly, fully, and with beauty.

Sigma Tau Delta

Here is the link to the June newsletter.

Catching Up with Alums

Alum (’91) Will Allison‘s second novel, the New York Times bestseller Long Drive Home, is being adapted for the stage by playwright Stephen Kaplan, with an initial public reading at the cell theatre in New York City.

Gerry Canavan (’02) just got promoted to full professor and is now the chair of the Department of English at Marquette. He had an edited book come out that got some notice, Uneven Futures: Strategies for Community Survival from Speculative Fiction.

Erin Clair (’99) has accepted a position as associate dean of undergraduate programs for the College of Professional Studies at Northeastern University in Boston.

Jasmine Gallup (’17) writes: “I graduated Case Western Reserve University in 2017 and eventually went on to become a news reporter in my hometown of Raleigh, North Carolina. I currently work for a publication called INDY Week and I love my job. I work from home (so I have flexible hours), I have great coworkers and supervisors, and I feel like I’m doing important work that serves the community. Since becoming a full-time reporter, I’ve won several awards from local organizations including the N.C. Press Association and the Society of Professional Journalists. As an English major at Case, I was really worried about my career prospects at one point. But I’m here to say that not only was my experience in the English Department fantastic (I got to indulge my passion for reading and writing), but my degree is also valuable out here in the real world. Journalism as an industry is in a bit of a crisis at the moment, but there are still a lot of job opportunities out there for people who want to write for a living. Online news outlets are booming and some people have even started their own businesses through blogs about travel, food, etc. In addition to my job at a traditional print newspaper, I’ve done freelance work for national magazines and online publications (some of which pay very well). If I ever want to move on to something else (or, to be blunt, am laid off), my skills and work experience qualify me for jobs at publishing houses or in PR.”

Kathleen McKinley Harris (’64), author of the chapbook, Earth Striders, Finishing Line Press, is a graduate of Middlebury College with a master’s in English from Case Western Reserve University. She attended Bread Loaf Writers’ Conference and Vermont Studio Center. William Morrow, Jr. published her picture book, The Wonderful Hay Tumble, in 1988. Her poem, “Bear Fear,” won the 1999 Ralph Nading Hill, Jr. Literary Award. Her poems have been published in Vermont Ink, Snowy Egret, Potato Eyes, Willard & Maple VIII, The Society of Children’s Book Writers and Illustrators’ Bulletin, PSOV The Mountain Troubadour, Vermont Life, Blueline, Avocet, PoemCity. Her poem, “Cat from the Animal Shelter,” appeared in June Cotner’s anthology, Animal Blessings (Harper, 2000). She writes historical articles. She taught kindergarten at Pierpont, Ohio; high school English and history at Morrisville’s Peoples Academy and Hyde Park’s Lamoille Union, Vermont; fiction and poetry at the University of Illinois, Urbana, and co-published and edited a twice-monthly newspaper, The Champlain Courier, covering Charlotte, Ferrisburgh, and Vergennes, Vermont. The newspaper’s reportage was key in preserving two large acreage lakefront properties from commercial development. Following her picture book publication, she spoke in 44 Vermont schools and libraries. She worked in a bookstore. She is the editor of Craig Burt’s memoirs, We Lived in Stowe (2003). An essay, “Early Morning Walks,” (2015) is in Open Doors: Stories from Wildlife Nation. She was the editor of the Chittenden County Historical Society Bulletin, a quarterly, and copy editor of Vermont Farm Bureau’s quarterly, Vermont Fences. Memberships include SCBWI, League of Vt. Writers, Poetry Society of Vermont, Vermont Historical Society, Chittenden County Historical Society, Charlotte Historical Society, and Vermont Farm Bureau. She published her chapbook, Earth Striders, in 2017 with Finishing Line Press; the focus is on horses and Vermont. Her first published poem appeared in Snowy Egret, (Spring, 1997). Guided by her grandfather, an orchardist, and mother, a birder, and her father, a hiker and skier, her interest in nature, gardening, horses, theatre, skiing and hiking is life-long.

Paul Hay (’10) is currently a Visiting Assistant Professor in the Department of Classics at Hampden-Sydney College in Virginia. His first monograph, Saeculum: Defining Historical Eras in Ancient Roman Thought [https://utpress.utexas.edu/9781477327395/], will be published by University of Texas Press this summer.

Ray Horton (’17) has been promoted to Associate Professor at Murray State University. His tenure was confirmed as well.

Amy Kesegich (’01) has been promoted to full professor and is head of the English department at Notre Dame College.

Francesca Mancino (’22) has accepted an offer at Fordham in their English PhD program.

Lisa Maurca (’97) , Associate Professor of English at Wayne State University and Editor of Criticism, has had a number of publications recently:

  • The Afterword for Print Culture, Agency, and Regional Identity in the Hand Press Period. Eds. Rachel Stenner, Kaley Kramer, and Adam James Smith. London, Palgrave Macmillan: 2022.
  • “Mediating the Student Body: Labor, Literacy, and Experiential Learning in the Book History Classroom,” Teaching the History of the Book. Eds. Emily Todd and Matteo Pangallo. University of Massachusetts Press: 2023.
  • ““Vive La Plume!”: The Pleasures and Problems of Handwriting Pedagogy in the Long Eighteenth Century,” A History of the Futures of Handwriting in Early America. Ed. Mark Alan Mattes. University of Massachusetts Press: 2023 (forthcoming in August).
  • Co-editor of a special issue on “New Approaches to Critical Bibliography and the Material Text,” (with Kate Ozment), Criticism 64: 3-4 (2023)–coming out any day now! There will be a discussion of this next month on Zoom through the Bibliographical Society of America; see here for more details.

She also received the American Society for Eighteenth-Century Studies Innovative Course Design Award for 2021-22. You can see more about that here: https://lmaruca.wordpress.com/mediating-the-global…/

Jeff Morgan (’99) says, “My life as an English student (BA @ OU, MA @ Pan Am, and PhD @ Case) has been a dream. I fell in love, had a family, and am a happy homeowner, but you want to learn about English-related matters, specifically post Case, which prepared me well. After earning my doctorate, I began teaching at Lynn University and worked my way up to a full professor. I will retire next year after 25 years. I was a department chair for several years and earned faculty member of the year once. I have four books under my name, the most recent out only a few moths ago and called The (Un)Welcome Stranger. I have had published numerous essays and too many poems to count. I have held editorial positions and been a keynote speaker at a conference. I have presented at many conferences, most notably ones at Oxford and the Sorbonne, the latter happening this June. It has been dreamy, and I intend to continue the dream, focusing on family and home, writing creatively, and getting back into music. Yes, that’s me on p. 114 of 2021’s Where the Wild Gigs Were, performing in Athens, Ohio. I shall also dive deeper into my latest artistic expression, acting. So far, I’ve done nine shows over the past six seasons. Does this look like an interesting life to you? English studies @ Case helped make it my reality, and your dreams can come true, too. Best wishes to you!”

Danielle Nielsen (’11) has been promoted to Full Professor at Murray State University. She published:

  • “Celebrity Memes, Audioshop, and Participatory Fan Culture: A Case Study on Keanu Reeves” with Diane Sabenacio Nititham. Celebrity Studies. 13. 2 (2022): 159-170. https://doi.org/10.1080/19392397.2022.2063397

Temi Omilabu (’17) says: “I graduated with a B.A. in English and minor in Political Science. After graduation, I was a Global Health Corps Fellow for one year. After my fellowship ended, I attended Boston University School of Law, where I earned my J.D. in May 2021. I did a one-year postgraduate fellowship at Yale University, and I am now an Associate Attorney at the global law firm Quinn Emanuel. My practice focuses on internal and government investigations, and complex commercial litigation. Being a lawyer is much like being a storyteller: I enjoy being able to craft compelling narratives on behalf of my clients and present those narratives to the judge or the government, depending on the case. I am based in New York City.”

Brandi Schillace (’10) says: “Nothing ‘new’ new… You probably know about the twice monthly show, Peculiar Book Club (we just did a live thing with Ed Yong). There’s Intermediaries, the book coming out on transgender history and trans rights (not till 2024, but I wrote about it for Sci Am, and was in Washington Post talking smack at Margerie Taylor Green. As one does. And on NPR about it too for All Things Considered), and the first novel in my mystery series with Harper Collins appears this winter (The Framed Women of Ardemore House). I’m a book reviewer for Wall Street Journal, and I still run the journal for BMJ, and just got back from giving a keynote in Sweden. Oh, and I’ll have a series coming out with Audible soon (medical history stuff) and I’m working on a 12-part tv series with Wondrium (filming next Feb). https://brandyschillace.com/”

Michelle Smith (’98) participated in the panel “Want to learn more about self-publishing?” with John Burroughs and Juliet Cook at CCPL-South Euclid-Lyndhurst Branch in April.

Alum (’88) John Vourlis‘s documentary feature film The House Next Door has been selected to screen at the 72nd annual Columbus International Film & Animation Festival (www.columbusfilm.org). The film is a feature length documentary about how the foreclosure crisis of 2008 ripped through the Greater Cleveland area, what catastrophic damage was left behind in communities like Slavic Village and East Cleveland, and how dedicated public servants and private citizens are still picking up the pieces and attempting to put them back together.

Allyson Wierenga (’21) is entering her 3rd year as an English PhD student at Texas A&M University. Her recent achievements:

  • She won MAPACA’s (the Mid-Atlantic Popular and American Culture Association’s) 2022 Daniel Walden Prize for her paper “‘How Were You Cured If None of the Others Were?’: Transcending Bodies in The Two Princesses of Bamarre and the COVID-19 Pandemic” — this is awarded to an outstanding emerging undergraduate and graduate scholar in the field of popular culture. Her paper will be published in MAPACA’s journal, Response. (Award details found here)
  • She also has a forthcoming book chapter (“A New ‘Normal’: Cancer and Childhood in Rob Harrell’s Wink” in Heartaches and Nightmares: The Death of American Childhood)

Congratulations to Our Graduates!!

Pictured from left to right: Leah Davydov, Kurt Koenigsberger, Kim Emmons, Ryan Pfeiffer, Anthony Raffin. Katie Manwell not pictured.

Send Me Your News

If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know. The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. We tweet @CWRUEnglish. We are cwruenglish on Instagram.

The post Department of English Newsletter: June 2023 appeared first on Department of English.

Department of English Newsletter: September 2023

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//Letter from the chair/Welcome back party/Bob Wallace book/Department news/Cleveland Humanities Collective/Alumni news/Conversation with Sangeeta Ray//

Letter from the Chair

When second-year English major Molly McLaughlin stepped to the front of the room at Waterloo Arts in Collinwood, she didn’t know she’d be reciting her villanelle to an audience that included Michelle Smith, CWRU English BA (1998) and MA (2000), programming director at Literary Cleveland. The evening’s reading had been organized by Mishaal Omer, third-year English major and pre-medical student, who had just completed a summer internship at the gallery. The villanelle, one of the most tortuous forms of poetry to compose, cycles its lines through each stanza, providing a ready-made allegory for the ties between past and present. Molly’s poem nodded to the poets she’d read in her workshops and literature classes, but the lines also summoned, as they were spoken, a new network of CWRU English majors past, present, and future.

Following a line from the past, as the villanelle encourages us to do, can be a good way to see into the future. In my first year as chair, I wanted to make that line a bold one—both to emphasize continuity and to make visible the work that we are doing to build on our legacies. Our new Shirley Wormser Chair of Journalism and Media Writing will be Ben Mauk, who begins on July 1, 2024. This year, he’s an NEH Public Scholar—and, in breaking news, the recipient of the first Peabody Award that a writer for The New Yorker has ever earned. His much-anticipated book, The Fugitive World, is forthcoming from Farrar, Straus and Giroux.

Ben, whose international reporting emerges from a strong interest in local communities, joins a department equipped with the will and intellect to reach all corners of campus. We’re seeing particular interest in our 200-level courses, with topics from “Reading Poetry” to “Science Fiction.” Our fall English classes, like Brie Parkin’s “Literature to 1800,” Kim Emmons’ “Rhetoric of Science and Medicine,” and Michael Clune’s “American Literature,“ are all at high enrollment numbers. We offer students opportunities that they cannot find elsewhere: the famous Bits Press—founded in 1974 by Robert Wallace, with chapbooks by John Updike and Mary Oliver among its folios—will be reopened this fall, the year of its 50th anniversary, under the new editorial leadership of undergraduate Tychicus McClendon.

Some of the most important work we do often occurs without a particular future or path forward. That wayward freedom of the mind, the ambition that thrives first in a daring solitude, has its eloquent expression in this statement by Camila Ring, one of our current doctoral students:

I have this post-it on my desk with the unremarkable little imperative “make it interesting,” and I think it kind of sums up my development as a PhD student here in two ways: one has to do with my committee, who really encouraged me to own and be ambitious about my research interests when I assumed they interested no one but me (things like Hopkins’ Catholic orthodoxy or Dickinson’s biblical literacy); and the other, an outworking of that support and of the rigor of this program, has to do with my growth as a critic—namely, my ongoing discovery that criticism can be creative, have stylistic intrigue, take on a shape (or inscape) or form of thought that can become as interesting as a poem itself.

I was struck by Cammy’s words and by their uncanny echo of Seamus Heaney, who defends the writer’s task as a “deeply felt inner need” that goes on and on until it finds “the achievement of a right form of expression.” The villanelle, the printing press, the working-out of an argument in prose, the analysis of a frame of film or a scene on stage: these bring us back to the seminar table and to each other for a new year, as interesting as a poem itself.

–Walt Hunter

The Department’s Welcome Back Party






Bob Wallace Book

The Ozarks Book Series at Missouri State announces the publication of The Orbit of Meter: Writings on Poems and Prosody by Robert Wallace. “ This volume brings together Wallace’s previously unpublished Free Verse and the Orbit of Meter and other writings by and about the poet, publisher, educator. Readers will find Wallace’s thoughts on teaching poetry and a compilation of letters pulled from Wallace’s archival collection at Missouri State University. The Orbit of Meter opens with an insightful forward by Wallace’s widow, Christine Wallace.

Department News

George Blake received a 20232024 Freedman Fellowship (from the Freedman Center in KSL) to trace and historicize the ways lead poisoning has been covered by the press in Cleveland (and how digital tools have impacted that coverage). The project is called: “Covering Lead Poisoning in the News: From the Silent Epidemic to Data-Driven Visualization in Cleveland, Ohio.”Michael Clune‘s essay, “What is an Author?” has been published in the 50th anniversary issue of Critical Inquiry.

Vicki Daniel had an article published this past month: “‘A Harrowing and Laborious Occupation’: Preservation in the 1904 General Slocum Disaster Identifications.” Published in the death studies journal Mortality.

Joseph DeLong‘s visual poems “Titled City” and “Aleatory” and his poems “Here in the Galaxy” and “The Human Year” are out in issue 27 of Redactions.

Mary Grimm’s flash, “Don’t Look,” was published in Roifaineant Press.

In June, Jamie Hickner participated in the National Endowment for the Humanities Summer Institute: “Reading, Writing, and Teaching the Rust Belt: Co-creating Regional Humanities Ecosystems” at Ursuline College.

Walt Hunter‘s essay on Claudia Jones’s poetry, “Radical Black Poetics and South-South Movement,” is out in this new book edited by Angela Naimou.

In June Kristine Kelly attended the Digital Humanities Summer Institute where she was enrolled in a week-long seminar on “Critical Making and Scholarship.”

William Marling gave a reading from Virginia Woolf’s Mrs. Dalloway at the National University of Estonia (Tartu) on June 13th.

Marilyn Mobley is one of twenty women to receive a Flora Award from the Flora Stone Mather Center for Women.

James Newlin co-edited a collection of essays, titled New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains, which will be released soon by Routledge. This volume grew out of a conference that he co-hosted at CWRU in 2020, which was sponsored in part by the English department.

Erika Olbricht‘s new role is featured in The Daily.

Robert Rowan‘s article, “Student Self-Diagnostics: Engaging Students as Co-Respondents to Their Own Writing,” will be published in the upcoming Fall 2023 issue (9.2) of Journal of Response to Writing.

On Saturday, September 9th, Robin Beth Schaer hosted the launch of Leaning Toward Light: Poems for Gardens and the Hands That Tend Them which featured readings by several local poets and a Q&A with the anthology’s editor, Tess Taylor. The event was sponsored by Mac’s Backs and the Coventry Library.

Lindsay Turner’s book of poems The Upstate will be available in October from the University of Chicago Press.

On Wednesday, October 4 there will be a book launch for Thrity Umrigar’s new book: The Museum of Failures.

Cleveland Humanities Collective: Its History and Scope

Students and faculty at the Collaboratory (photo by Ageh Bedell).

For four weeks in May and June, Bellflower Hall’s first and second floors were a hive of activity for the inaugural residential “research collaboratory” of the Cleveland Humanities Collaborative (CHC). Panel presentations, seminar discussion, mini-lectures, small-group discussion, individual consultations, and breakout groups – to say nothing of lunch conversations spilling on to the porch of Bellflower – occupied every public space in CWRU’s Writers House over the four weeks.The rich exchanges were chiefly among twenty students in their first encounters with Case Western Reserve – adult learners working toward Associate of Arts degrees at Cuyahoga Community College (Tri-C), Lakeland Community College, and Lorain County Community College. The CHC’s Collaboratory brought these students together to live and study together on CWRU’s campus, with the goal of introducing them to the four-year research environment in the humanities. Their experience culminated in a morning of presentations of individual research topics offered to the Collaboratory, students’ family and friends, and administrators from CWRU, Tri-C, Lakeland, and Lorain County.

The Collaboratory represents the most recent innovation of the CHC at CWRU. Established in late 2014 with an initial four-year award (2015-18) from the Mellon Foundation, the CHC initially sought to foster closer working relationships between Tri-C humanities faculty and colleagues at CWRU, and to establish a pathway for high-performing students completing Associate of Arts degrees at Tri-C to transfer to CWRU to work toward BA degrees in the humanities.

The CHC’s inaugural phase (2015-17) was led by historian Molly Berger, Associate Dean in the College of Arts and Sciences, with Allison Morgan (CWRU Art History MA) serving as grant Program Manager. Berger’s work established essential processes and infrastructure for the CHC, including opening regular channels of communication with Tri-C, the introduction of an annual topical seminar for faculty from Tri-C and CWRU, and ensuring maximal transfer credit was awarded to CHC Scholars.

But the CHC has perhaps been given most definitive shape and direction from faculty and students in English. Mary Grimm served on the Planning and Organizational Committee (POC) for the CHC beginning in 2015, which worked particularly to establish strong working relationships among faculty, administrators, and staff at Tri-C and CWRU alike. By August 2016, the work of the POC had prepared the ground for the first cohort of four students to transfer from Tri-C to CWRU to pursue BA degree programs.

Upon Berger’s retirement in June 2017, Kurt Koenigsberger in the Department of English was invited to step into the Directorship of the CHC. In the first year of his leadership, the CHC placed fresh emphasis upon the CHC’s “Concurrent Enrollment” program – an expansion of CWRU’s existing Cross-Registration agreements with Northeast Ohio colleges and universities – that permits community college students to take courses at CWRU while enrolled full-time at their degree-granting institution. The program also reconfigured its mentoring programs to add cross-institutional peer mentoring, in addition to faculty mentoring of cohorts. Faculty mentors have included Bernie Jim (History/SAGES), Cara Byrne (English/SAGES), Gabrielle Parkin (English), Justine Howe (Religious Studies), and Laura Hengehold (Philosophy).

In 2018, the CHC began its partnership with the Anisfield-Wolf Book Awards as it hosted the first annual weeklong seminar for faculty, staff, graduate students, and community members studying one or more award-winning books, which are devoted to exploring race and human diversity. Since 2018, these seminars have been coordinated (and substantially led) by Music’s Lisa Nielson, the inaugural Anisfield-Wolf Fellow at CWRU.

The success of the first four years of collaborations led the Mellon Foundation to invite the CHC for a second round of funding (2019-23), with a significantly expanded set of programs. Perhaps most notably, the two-year partnership model was extended to Lorain County Community College, and to Lakeland Community College. The second phase of the CHC also resulted in innovative programming for graduate students in the humanities. Kim Emmons (English) and Nate Kruse (Music Education) designed a curriculum (Humanities 422) in partnership with Tri-C faculty that introduces graduate students in the humanities to careers in two-year institutions. Those successfully completing HUMN 422 were eligible to apply for a one-on-one mentoring experience with a community college faculty member, as part of the CHC’s Mellon Fellows program.

The CHC since 2019 also expanded its granting program to undergraduate students, to support them in research projects and unpaid internship opportunities. Students in English, including Natalie Morgan (BA 2021) and April Graham (BA 2022) have also undertaken meaningful on-campus opportunities, working in the University Library’s Special Collections Department cataloging materials from the new Cleveland Playhouse and Karamu House archives. These opportunities were scaffolded by a series of one-credit-hour courses (HUMN 224, 225, and 226), that provided Scholars with tools to extend their understanding of the humanities and its role in the community, its research contributions, and their career pathways. Teaching HUMN courses were faculty such as Kurt Koenigsberger, Gabrielle Parkin, Erika Olbricht, and Arthur Russell from English, and Allison Morgan, David Busch, and Vicki Daniel from the humanities more broadly. Martha Schaffer in English also regularly prepares students new to study in Case Western Reserve classrooms for the writing and seminar expectations.

These years saw an array of challenges that CHC leadership worked hard to overcome, including the accommodation of students who are unhoused during university breaks; food insecurity among students; and physical limitations that make course scheduling in many of the century-old humanities buildings on Mather Quad prohibitive. In response, the CHC spearheaded the creation of a student organization – Alliance of Non-Traditional and Transfer Students (ANTTS) – to support the distinct experiences CHC Students and Scholars have on CWRU’s campus, and opened a CHC Emergency Fund, as well as advocating for learning tools and transportation funds to make the CHC experience an equitable one.

Perhaps the most significant challenge to students and the CHC program was the COVID-19 emergency of 2020-21, which limited in-person mentoring and instructional contact, increased financial strain, and challenged the CHC’s ability to establish and engage the humanities community. The CHC was, however, able to expand its Anisfield-Wolf Summer Seminars, going fully remote in 2020, and in 2021 expanding the seminar to two weeks and inviting remote participation from CWRU’s North Star partners from Historically Black Colleges and Universities (HBCU). In 2022 and 2023, the seminars were co-led by some of these faculty, for whom we were able to provide travel and housing for the duration of the seminar.

In January 2022, Lisa Nielson began work as the CHC’s Program Manager. Nielson and Koenigsberger now manage CWRU’s CHC operations from the second and third floor of Guilford, while Brian Clites (Religious Studies) now serves as Co-Director.

In 2023, the CHC felt it was prepared to reach an even wider audience with its programs, and so sought out students who might be new to community colleges to introduce them to what living and working in a four-year research-intensive environment might feel like. Initially following the model of the Johns Hopkins University Summer Collaboratory, the CHC invited two talented young scholars –  Amber Kidd (doctoral candidate in English and former CHC Mellon Fellow) and Adrienne Bedell (Music; also a former CHC Mellon Fellow) – to design a rich curriculum introducing students to CWRU, community-based research, best writing and research practices, and University Circle research resources. They were joined by Loron Benton (former HILLS Fellow in Religious Studies) and Amber Ndukwe (doctoral candidate in Sociology) as faculty for the Collaboratory in 2023. Participants lived nearby in the Village at 115 and had a fully residential experience, including access to University and University Circle dining facilities.

As the second phase of the Mellon Foundation’s grant funding winds down in late 2023, the working relationships with Tri-C, Lakeland, and Lorain County show signs of new dynamism, and CHC leadership is committed to maintaining the pathway for remarkable students from northeast Ohio to make the transition from two-year institutions to Case Western Reserve. The program has immeasurably enriched not only the lives of these students, but it has also brought considerable intellectual energy to the Department of English, its faculty, and its programs!

To support CHC Scholars via the CHC’s Emergency Fund, please visit our page at chc.case.edu and select “Support CHC students.”

Alumni News

Kate Rose Allen (’14) has recently joined RQM+ as a Regulatory Affairs Project Manager.

Shelley Costa (’83) has a new mystery out.

Iris Dunkle (’10) has poems featured in the new issue of Volt Literary Magazine.

Miriam Goldman (’11), senior medical device consultant at RQM+, has been promoted to Sr Regulatory Affairs Manager within the Surgical Innovations EU MDR program.

Ray Horton (’17) has been promoted to Associate Professor at Murray State University. His tenure was confirmed as well.

Daniel Luttrull (’20) has a poem in First Things.

Aaron Perine (’16) shares this news: “I got to interview the cast of Spider-Man: Across the Spider-Verse on the red carpet for the film. Names like Brian Tyree Henry, Daiel Kaluuya, and Issa Rae just to name a few!”

On Saturday, September 16th, Nardine Taleb (’20) read at Loganberry Bookstore from her poetry chapbook warda that just came out.

Nadia Tarnawsky (’96) performs with her singing group.

Mary Turzillo (’70) is one of the Guests of Honor at The 45th International Conference for the Fantastic in the Arts. Theme: Whimsy. Orlando Airport Marriott Lakeside. March 13-16, 2024.

Marie Vibbert (’10) is a Hugo Award Finalist for Best Novelette for “We Built This City.”

Colloquium Speaker Sangeeta Ray

Sangeeta Ray in conversation with Kurt Koenigsberger. (Friday, September 8th.) 

Send Me Your News


If you have news you would like to share in a future newsletter, please send it to managing editor Susan Grimm (sxd290@case.edu). If you wish to be added to our mailing list, just let us know. The department also has a Facebook page on which more than five hundred of your classmates and profs are already sharing their news. Become a member of the community and post your own news. We want to know. The department will be posting here regularly too—news of colloquiums, readings, etc. We tweet @CWRUEnglish. We are cwruenglish on Instagram.

The post Department of English Newsletter: September 2023 appeared first on Department of English.

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